Final notes from google alert for Royal Academy & Australia show History Extra BBC History note of dates for exhibition
And google alert search also sent me this one:
mention of Ihtsahymn by Ihtiram, a son of Royal Academy, best known in Western Australia as the sire of Miss Andretti - horse racing and breeding
Interview with Christian Thompson included in this video about the RA show
Tuesday, 26 November 2013
Kimberley still at risk to Govt plans for industrialising area
Link to video interviews with Phil Roe and Terry Hunter, plus footage of the Lurujarri Heritage trail Goolarabooloo on The Age website here.
Sunday, 17 November 2013
Tolokonnikova & Žižek
Link to letters between Nadezhda Tolokonnikova (Pussy Riot) and
Slavoj Žižek (Cultural theorist & philosopher)
A Pussy Riot protest in Red Square in Moscow in January 2012. Photograph: Denis Sinyakov/Reuters
Slavoj Žižek (Cultural theorist & philosopher)
A Pussy Riot protest in Red Square in Moscow in January 2012. Photograph: Denis Sinyakov/Reuters
Saturday, 16 November 2013
Bedford on a plane
News of the launch of Qantas plane
Qantas and Boeing have unveiled the most complex paint job ever undertaken on a plane to celebrate one of Australia's most famous indigenous artists. It took 10 days and - for the first time - Boeing used paintbrushes to recreate the textures of the late WA artist Paddy Bedford. Done in partnership with Australian designers Balarinji.
Qantas and Boeing have unveiled the most complex paint job ever undertaken on a plane to celebrate one of Australia's most famous indigenous artists. It took 10 days and - for the first time - Boeing used paintbrushes to recreate the textures of the late WA artist Paddy Bedford. Done in partnership with Australian designers Balarinji.
Friday, 8 November 2013
More 40th anniversaries of note
Johanna Mendelson on 40th anniversaries additional to that of the Sydney Opera House of note in Australia for The Conversation
Establishment of Aboriginal Arts Board
The first Sydney Biennale
Establishment of Aboriginal Arts Board
The members of the first board included Dick Roughsey (chairman), Raphael Apuatimi, Albert Barunga, Harold Blair, Ken Colbung, Kitty Dick, Charles (Chicka) Dixon, Ruby Hammond, Eric Koo'oila, Albert Lennon, Tim Leura Tjapaltjarri, Wandjuk Marika, Mick Miller, Violet (Vi) Stanton and Terry Widders. Dick Roughsey OBE (about 1920–85) is recognised as an important Lardil artist and storyteller. The board's second chairman, Wandjuk Marika OBE (1927–87), is recognised as an important Rirratjingu artist and was a respected leader of Yirrkala
The first Sydney Biennale
2013 Victoria Indigenous Art Awards: Deadly Award winner Ray Thomas
Ray Thomas has won the overall Deadly Award in the Victoria Indigenous Art Awards 2013 for a portrait of his
94-year-old mother, a Gunnai elder.
Radio National interview here
 |
| Ray Thomas' portrait of his mother, Gunnai Elder - Mum Alice. |
Radio National interview here
Catholic Herald review
Jill, Duchess of Hamilton reviews the Australia exhibition for the Catholic Herald
Art review: Australia, Royal Academy
Despite some evocative landscapes, the latest RA blockbuster struggles to squeeze two centuries of art from an entire continent into an exhibition of 200 works
Art review: Australia, Royal Academy
Despite some evocative landscapes, the latest RA blockbuster struggles to squeeze two centuries of art from an entire continent into an exhibition of 200 works
Tuesday, 5 November 2013
Yirrkala Drawings, 1947, in Sydney
In 1947, senior ceremonial leaders at Yirrkala in north-east Arnhem Land
produced hundreds of vibrant crayon drawings on paper for the
anthropologists Ronald and Catherine Berndt, which are now held at the
Berndt Museum of Anthropology at the University of Western Australia.
On display in Sydney at AGNSW from 12 Dec to 23 Feb 2014
On display in Sydney at AGNSW from 12 Dec to 23 Feb 2014
 |
Left to right: Mowarra Ganambarr Dätiwuy Thunderman and shark site at Arnhem Bay 1947, lumber crayon and chalk on butchers paper; Nänyin’ Maymuru Djarrakpi 1947, lumber crayon on butchers paper; Mundukul Marawili Fish trap at Baraltja 1947, lumber crayon on butchers paper. Ronald M Berndt Collection, Berndt Museum of Anthropology, University of WA, Perth
|
More Nations in painting
America painting a nation at AGNSW starts 8 Nov
Henry Inman, No-Tin (Wind) Chippewa Chief 1832-33 (detail)
Henry Inman, No-Tin (Wind) Chippewa Chief 1832-33 (detail)
Friday, 1 November 2013
Call for submisions
SUBMISSIONS DUE: DECEMBER 6, 2013
Decolonization: Indigeneity, Education & Society invites
submissions from scholars, artists, and activists for a new issue of
the journal exploring Indigenous art, aesthetics, and decolonizing
struggle, guest edited by Jarrett Martineau (University of Victoria,
Cree/Dene), in conjunction with the Editors of Decolonization.
http://critical-theory.com/submit-papers-indigenous-art-aesthetics-decolonial-struggle/
http://critical-theory.com/submit-papers-indigenous-art-aesthetics-decolonial-struggle/
Thursday, 31 October 2013
Take off with Kimberley design
Reveal of new Qantas plane in Seattle, new-build 737-838 VH-XZJ .
Reportedly the design is based on the work of the late East Kimberley artist Paddy Bedford.
and entitled Mendoowoorrji
You can follow its journey from Seattle on the Qantas website here or on twitter #QFflyingart
Reportedly the design is based on the work of the late East Kimberley artist Paddy Bedford.
and entitled Mendoowoorrji
You can follow its journey from Seattle on the Qantas website here or on twitter #QFflyingart
Tuesday, 29 October 2013
Shaun Gladwell
Shaun Gladwell speaking about his video work 'Approach to Mundi Mundi' shot on same location as Mad Max II. He nods to Nolan's Ned Kelly series and describes his desire to perform ideas in his own way.
Jason Donovan on the exhibition at The Royal Academy
Cultural commentator Jason Donovan ( actor/ singer in Priscilla Queen of the Desert, theatre production touring UK; participant on Strictly in 2012) on the RA exhibition Australia:
.'.. the blue sky is a big part of the Australian landscape and the Australian paintings.'
.'.. the blue sky is a big part of the Australian landscape and the Australian paintings.'
Monday, 28 October 2013
Arthur C. Danto
Arthur C. Danto Letter to Posterity published online in The American Scholar in Autumn 2012
A passion for philosophy led me to my first career, and a passion for art led me to a second, as a critic
'I hate the idea of dying, since I relish life, as long as I can actually live it. But death is a gift of the gods, a way of escaping life when it is really intolerable. Though I have built a philosophical system, it does not contain a philosophy of life. If I have a philosophy of life, it is to keep living until I drop.'
A passion for philosophy led me to my first career, and a passion for art led me to a second, as a critic
'I hate the idea of dying, since I relish life, as long as I can actually live it. But death is a gift of the gods, a way of escaping life when it is really intolerable. Though I have built a philosophical system, it does not contain a philosophy of life. If I have a philosophy of life, it is to keep living until I drop.'
Arthur C. Danto
1 January 1924 - 25 October 2013
Sunday, 27 October 2013
RA in Oxford Times
Theresa Thompson in the Oxford Times
Australia @ Royal Academy, London: 'Big themes without beating round bush'
Australia @ Royal Academy, London: 'Big themes without beating round bush'
Friday, 25 October 2013
Australia at the Royal Academy: liars and thieves
Nina Caplan in the New Statesman suggests using theft as the organising principle for the current exhibition of Australia at the Royal Academy.
The Royal Academy has certainly underestimated Australia, similarly trying to fit the continent into too small a space. The gallery has form on this kind of sweeping treatment – its 1995 “Africa” show triggered outrage – but the curators are also responding to Australian self-deprecation, not to mention the internal incoherence of a nation founded on theft by people who were there mostly as punishment for stealing.
The Royal Academy has certainly underestimated Australia, similarly trying to fit the continent into too small a space. The gallery has form on this kind of sweeping treatment – its 1995 “Africa” show triggered outrage – but the curators are also responding to Australian self-deprecation, not to mention the internal incoherence of a nation founded on theft by people who were there mostly as punishment for stealing.
Australia the embarrassment, self-inflicted
This blog is not supposed to be about Australia, the country, as such but I couldn't ignore that the country is now being managed by insulting international experts and relying on wikipedia as the source for 'facts'.
Christiana Figueres executive secretary of the UN Framework Convention on Climate Change is talking through her hat says the Prime Minister of Australia, Tony Abbott. He just can't help his misogynist self shining through his ignorance.
Christiana Figueres executive secretary of the UN Framework Convention on Climate Change is talking through her hat says the Prime Minister of Australia, Tony Abbott. He just can't help his misogynist self shining through his ignorance.
Greg Hunt, Environment Minister, confidently uses Wikipedia as his source for claims that the devastating fires in NSW this week do not in any way have anything to do with climate change.
Sorry to burst your worldview balloon Greg but there ain't no tooth fairy:
Sorry to burst your worldview balloon Greg but there ain't no tooth fairy:
Wikipedia itself says:
Users should be aware that not all articles are of encyclopedic quality from the start: they may contain false or debatable information. Indeed, many articles start their lives as displaying a single viewpoint; and, after a long process of discussion, debate, and argument, they gradually take on a neutral point of view reached through consensus link to Wikipedia
Thursday, 24 October 2013
Tit-for-tat or tat-for-tit
The Bendigo Art Gallery is thrilled to announce that it will be exhibiting 100 of the 'finest examples of British art' from the Royal Academy in London in 2014.
The title of the exhibition is not Britain.
The title is Ambition and Genius.
The works are dated from 1868 - 1918 and include Gainsborough, Reynolds, Sargent, Fuseli.
This is irritating. Of course British painters between 1868-1918 will be presented as ambitious geniuses to an Australian audience, whereas Australian painters in that period exhibited for a London audience
(if included) are perceived as derivative and didactic (ok not all...). But do you get the irony that I can see in the naming and framing of this work going from RA to Bendigo in the light of the NGA work being shown here in London which claims to show all of Australia just through its singular title.
More to say here but have to cool off first...
Bendigo Advertiser article
Link to Bendigo Art Gallery website here
The title of the exhibition is not Britain.
The title is Ambition and Genius.
The works are dated from 1868 - 1918 and include Gainsborough, Reynolds, Sargent, Fuseli.
This is irritating. Of course British painters between 1868-1918 will be presented as ambitious geniuses to an Australian audience, whereas Australian painters in that period exhibited for a London audience
(if included) are perceived as derivative and didactic (ok not all...). But do you get the irony that I can see in the naming and framing of this work going from RA to Bendigo in the light of the NGA work being shown here in London which claims to show all of Australia just through its singular title.
More to say here but have to cool off first...
Bendigo Advertiser article
Link to Bendigo Art Gallery website here
Australia, art, sheep: but of course! Sheep at the Royal Academy.
Wool Week in UK take their campaign to the Royal Academy:
'To celebrate the final weekend of the UK's Wool Week, a flock of Australian/English Bowmont Merino sheep made a special appearance in the Royal Academy's courtyard over the weekend.'
Article here
And why not? Robert Hughes, in 1970, connected agriculture and Australian art, so its been done before . . .
'To celebrate the final weekend of the UK's Wool Week, a flock of Australian/English Bowmont Merino sheep made a special appearance in the Royal Academy's courtyard over the weekend.'
Article here
And why not? Robert Hughes, in 1970, connected agriculture and Australian art, so its been done before . . .
‘An ebullient bourgeois society which loves culture as a
badge, but lacks discrimination, has developed a desire for homogenous and
self-contained – that is, purely Australian – art. It gets what it wants; but
to speak of an Australian cultural explosion, for no reason but that a lot of
Australians are painting, is meaningless. Australia also has a knitting
explosion and a cooking explosion, equally to be accounted for in terms of the
abundance of Australian wool and steak.’ ( Hughes, The Art
of Australia, Penguin Books, 1970, p315)
Tuesday, 22 October 2013
Capon on Australia
Matthew Westwood reviews Edmund Capon's The Art of Australia series now screening on BBC in UK and ABC1 in Australia and the RA Australia exhibition
Monday, 21 October 2013
Sandy Nairne responds to Germaine Greer, a little
Just a couple of paragraphs that the Evening Standard has published
'Following Germaine Greer’s attack on the Royal Academy for its Australia exhibition, Sandy Nairne, director of the National Portrait Gallery, has sprung, kangaroo-like, to its defence'
Nairne, director of National Portrait Gallery, reiterates that the show has an educational role for the UK audience.
'Following Germaine Greer’s attack on the Royal Academy for its Australia exhibition, Sandy Nairne, director of the National Portrait Gallery, has sprung, kangaroo-like, to its defence'
Nairne, director of National Portrait Gallery, reiterates that the show has an educational role for the UK audience.
Friday, 18 October 2013
Germaine Greer on that RA show
Evening Standard reports on Germaine Greer's review of Australia at the RA here
Greer reviews the exhibition in the Prospect magazine: Depths of ignorance: The Royal Academy’s new exhibition shows how little Brits know about Australian art
Greer reviews the exhibition in the Prospect magazine: Depths of ignorance: The Royal Academy’s new exhibition shows how little Brits know about Australian art
Tuesday, 15 October 2013
Brit crits
Paola Totaro in the Australian A worthy display covering 200 years or another cringe festival, insightful summary of reviews along with short history of Australia in exhibition in the UK.
Monday, 7 October 2013
Canada
Steve Loft on indigenous art history and Ghost Dance: Activism. Resistance. Art.
Ghost Dance examines the role of the artist as activist, as chronicler and as provocateur in the ongoing struggle for Indigenous rights and self-empowerment.
Now at the Ryerson Image Centre, Toronto until 15 December 2013.
Ghost Dance examines the role of the artist as activist, as chronicler and as provocateur in the ongoing struggle for Indigenous rights and self-empowerment.
Now at the Ryerson Image Centre, Toronto until 15 December 2013.
More mentions of Australia at the RA
Telegraph Luxury online says the exhibition at the RA shows 'how a nation broke free from British and European traditions to find its own artistic identity.'
FT report on Christies Australian art auction last week:Australian art gets thumbs-down
Brisbane Times, Nicolle Flint Pictures of ewe are not the whole picture of us
FT report on Christies Australian art auction last week:Australian art gets thumbs-down
Brisbane Times, Nicolle Flint Pictures of ewe are not the whole picture of us
Friday, 4 October 2013
More crits
The ABC's summary of crits of Australia at the RA here
Marianne Templeton in Artslant Blinded by the light: Myths and Visions of the Australian Landscape says: There's something vaguely unsettling about a once-mighty colonial power filling gallery after gallery with visions of its captured lands, without engaging in any sustained dialogue about the controversial and traumatic history that has shaped this body of work.
Ed Noel in Spiked online
Finally saw the Januszczak review (p 8&9) in the Culture magazine of The Sunday Times in real life at the Hackney Library (the review is online behind a pay wall, since its published by Murdoch). His dismissive review of 'Australia' is placed within an issue of the magazine that is almost celebratory about Australian performance and music showing in the UK.
The cover of the Culture magazine, 22 Sept 2013, has a full page photograph of Barry Humphries and Dame Edna Everage - famous Australian(s) in Britain. Inside is an interview (of sorts) with Barry Humphries on the occasion of his upcoming farewell UK tour Eat Pray Laugh . In the article Adieu Possums, the author Tanya Gold is frustrated by Humphries ducking and diving in response to her questions. The opening page of the interview is opposite a full page ad for Woody Allen's 'Blue Jasmine' consisting of text and a large photograph of Australian actor Cate Blanchett - old and new possums in a 'face-off'. Further on in this same magazine is a short article, 'Bands Down Under', by Gareth Cartwright about two popular bands (p.31). Cartwright says: 'Here they come, with their strangled vowels and year-round tans and endless good cheer - the Antipodeans are about to land'. He's writing about The Cat Empire from Melbourne and Fat Freddy's Drop from Wellington NZ and notes that they are '... unlike any British or American outfits' ..' fiercely independent- running their own record labels, rather than hoping for a recording deal here.'
This last comment makes me wonder if that's part of the problem with the Australia show: that it's been brought here looking for the artworld equivalent to a 'recording deal'. The RA curator, Kathleen Soriano, commented that she hoped that Australian artists would have a larger audience in the UK as a result of the exhibition. Largely the local UK critics are negative about the exhibition, although Januszczak also noted that it was a 'useful and pertinent show' (pertinent to what?) and noted Namatjira's work as : 'Full of insider knowledge, they are the most sensitive works in the entire show.' Despite this 'crassness characterises these repetitive responses to Australian landscape.' Fiona Hall's work 'exquisitely crafted'; a reproduction of Robert Campbell Jnr painting Abo History(Facts) 1988 was lazily attributed to Robert Campbell. These things matter, they say something about what's not being said as well. Marianne Templeton has summed it up well ( see above). For an Australian viewer there is something uncomfortable about being represented by such a lot of colonial oil painting and so little contemporary work in comparison. Given that art history is under scrutiny here, why not use the 'Australia' show to review and complicate teleological histories driven by Euro/western canon and views of time.
Marianne Templeton in Artslant Blinded by the light: Myths and Visions of the Australian Landscape says: There's something vaguely unsettling about a once-mighty colonial power filling gallery after gallery with visions of its captured lands, without engaging in any sustained dialogue about the controversial and traumatic history that has shaped this body of work.
Ed Noel in Spiked online
Finally saw the Januszczak review (p 8&9) in the Culture magazine of The Sunday Times in real life at the Hackney Library (the review is online behind a pay wall, since its published by Murdoch). His dismissive review of 'Australia' is placed within an issue of the magazine that is almost celebratory about Australian performance and music showing in the UK.
The cover of the Culture magazine, 22 Sept 2013, has a full page photograph of Barry Humphries and Dame Edna Everage - famous Australian(s) in Britain. Inside is an interview (of sorts) with Barry Humphries on the occasion of his upcoming farewell UK tour Eat Pray Laugh . In the article Adieu Possums, the author Tanya Gold is frustrated by Humphries ducking and diving in response to her questions. The opening page of the interview is opposite a full page ad for Woody Allen's 'Blue Jasmine' consisting of text and a large photograph of Australian actor Cate Blanchett - old and new possums in a 'face-off'. Further on in this same magazine is a short article, 'Bands Down Under', by Gareth Cartwright about two popular bands (p.31). Cartwright says: 'Here they come, with their strangled vowels and year-round tans and endless good cheer - the Antipodeans are about to land'. He's writing about The Cat Empire from Melbourne and Fat Freddy's Drop from Wellington NZ and notes that they are '... unlike any British or American outfits' ..' fiercely independent- running their own record labels, rather than hoping for a recording deal here.'
This last comment makes me wonder if that's part of the problem with the Australia show: that it's been brought here looking for the artworld equivalent to a 'recording deal'. The RA curator, Kathleen Soriano, commented that she hoped that Australian artists would have a larger audience in the UK as a result of the exhibition. Largely the local UK critics are negative about the exhibition, although Januszczak also noted that it was a 'useful and pertinent show' (pertinent to what?) and noted Namatjira's work as : 'Full of insider knowledge, they are the most sensitive works in the entire show.' Despite this 'crassness characterises these repetitive responses to Australian landscape.' Fiona Hall's work 'exquisitely crafted'; a reproduction of Robert Campbell Jnr painting Abo History(Facts) 1988 was lazily attributed to Robert Campbell. These things matter, they say something about what's not being said as well. Marianne Templeton has summed it up well ( see above). For an Australian viewer there is something uncomfortable about being represented by such a lot of colonial oil painting and so little contemporary work in comparison. Given that art history is under scrutiny here, why not use the 'Australia' show to review and complicate teleological histories driven by Euro/western canon and views of time.
Tuesday, 1 October 2013
Addition to the 'Flying Art' series announced
"Tell 'em their dreamin'.." (The Castle)
What's the purpose of this exercise? Wrapping an aeroplane in an indigenous pattern doesn't give the pattern-maker ownership of transport, but gives Qantas 'ownership' of indigenous patterning/ exotic cultures. This flattens out indigenous knowledges and lifeworlds into a single, knowable and acceptable gloss for the non-indigenous.
New Flying Art indigenous-themed aircraft to fly for Qantas in November reported in The Australian 30 Sept 2013
A well-known West Australian artist's work will decorate the Boeing 737-800, but it's a secret just now as to who it is and what the imagery will be.
1994 Boeing 747-400 Wunala Dreaming
1995 Boeing 747-300 Nalanji Dreaming
2002 Boeing 737-800 Yananyi Dreaming, Rene Kilitja, Pitjitjantjarra/ Mutitjulu. Here below.
What's the purpose of this exercise? Wrapping an aeroplane in an indigenous pattern doesn't give the pattern-maker ownership of transport, but gives Qantas 'ownership' of indigenous patterning/ exotic cultures. This flattens out indigenous knowledges and lifeworlds into a single, knowable and acceptable gloss for the non-indigenous.
New Flying Art indigenous-themed aircraft to fly for Qantas in November reported in The Australian 30 Sept 2013
A well-known West Australian artist's work will decorate the Boeing 737-800, but it's a secret just now as to who it is and what the imagery will be.
1994 Boeing 747-400 Wunala Dreaming
1995 Boeing 747-300 Nalanji Dreaming
2002 Boeing 737-800 Yananyi Dreaming, Rene Kilitja, Pitjitjantjarra/ Mutitjulu. Here below.
1994 to paint a Boeing 747-400, Wunala Dreaming
1994 to paint a Boeing 747-400, Wunala Dreaming
Monday, 30 September 2013
Australia: interviews, reviews, market
Adrian Hamilton in The Independent writes 3 paragraphs on 'Australia' under the title 'Exhibition of the week'
Shaun Gladwell interview with Nicholas Forest in Blouin Art Info Australia
Interview with Kathleen Soriano Blouin ArtInfo video here
This is telling the story of Australian Art History and Australian History...
Condé Naste Traveller writer Melanie Abrams refers to Priscilla Queen of the Desert and Rolf Harris in her short review online 'Can you tell what it is yet'
John McDonald again in the Brisbane Times
What is really sad and infuriating is that the NGA has blown the opportunity to make Australian art look fabulous in a big international venue.
So beware those trumpet blasts extolling our triumphs in London. Rather than wallowing in stupid, nationalistic hype, we should be prepared to be critical about this show's shortcomings and learn from our mistakes. It will be a long time before we get another chance.
Will Gompertz for the BBC 'two distinct art histories', interview with Franchesca Cubillo and Christian Thompson.
Tuesday, 24 September 2013
Hotting up at Australia in London
Clumsy, parochial, amateur, inadequate, tokenistic... see it all at the Royal Academy in London under the banner of 'Australia'.
- Helen Davidson summarises the reviews here
- Martin Gayford, Bloomberg Ned Kelly joins Aborigines, Beach Art at Royal Academy'While there are beautiful and interesting things on display, there’s far too much nondescript and mediocre stuff in between.'
- Peter Farquhar Business Insider repeated in Auckland Now "Brit critic calls Aussie art 'cascade of diarrhoea'"
- Zach Schonfeld in The Atlantic Wire: The Brits Really Hate the New Exhibition of Australian Art '... the reviews are so bad, they're almost good. Almost.'
- Waldemar Januszczak The Sunday Times Culture 22.09.2013 'A desert of new ideas: The Royal Academy's beaut idea to explore Australia is let down by lots of art, which is weedy, provincial and all too European. But there are some might sights on the ride.' ( pay wall on this article)
Sunday, 22 September 2013
'Australia' at the Royal Academy
A huge title for an exhibition of works spanning 200years in the galleries of the Royal Academy, Piccadilly, London from Sept to Dec 2013.
First week of reviews span opinions from 'Reader's Digest' of art to 'Must see'
I'm dropping the links in here for reference...
Shaun Gladwell AGNSW
Christian Thompson website
Nadubi Spirit-Woman, with Possum, Magpie
Goose and Fish, c. 1884
Ochres on bark, 83 63.5 cm
South Australian Museum, Adelaide. Collected by Captain Frederick
Carrington, 1884, donated to the Royal Geographical Society of South
Australia, Adelaide, 1890s, and thence to the South Australian Museum, Adelaide
YIRAWALA
Kundaagi Red Plains, Kangaroo, 1962
Natural earth pigments on eucalyptus bark,
103 47 cm
National Gallery of Australia, Canberra. Masterpieces for the
Nation Fund, 2012
JOHN MAWURNDJUL
Rainbow Serpent's Antilopine Kangaroo,
1991
Natural earth pigments on eucalyptus
bark, 192 99.5 cm
National Gallery of Australia, Canberra. Purchased 1991
BARDAYAL NADJAMERREK
Dead Man, c. 1968
Natural earth pigments on
eucalyptus bark, 60 30 cm
Art Gallery of South Australia, Adelaide. South Australian
Government Grant, 1969
BARDAYAL NADJAMERREK
The Artist's Country, Liverpool River, 1975
Natural earth pigments on eucalyptus bark,
101 34.5 cm
National Gallery of Australia, Canberra. Masterpieces for the
Nation Fund, 2010
JOHN MAWURNDJUL
Mardayin Design at Dilebang, 2006
Natural earth pigments on eucalyptus
bark, 200 47 cm
National Gallery of Australia, Canberra. Purchased 2007
JOHN MAWURNDJUL
Milmilngkan, 2008
Natural earth pigments on eucalyptus bark,
153 80.7 cm
National Gallery of Australia, Canberra. Purchased 2009
DJAMBAWA MARAWILI
Source of Fire, 2005
Natural earth pigments on eucalyptus
bark, 191 84 cm
Art Gallery of New South Wales, Sydney. Purchased with
funds provided by the Aboriginal Collection Benefactors'
Group, 2005
MUNGGURRAWUY YUNUPINGU
Fire Story at Caledon Bay, c.1963
Natural earth pigments on eucalyptus bark,
114 52 cm
National Gallery of Australia, Canberra. Founding Donors' Fund,
1984
MAWALAN MARIKA
The Milky Way, c. 1965
Natural earth pigments on eucalyptus
bark, 177 68 cm
National Gallery of Australia, Canberra. Purchased 2009
GULUMBU YUNUPINGU
Garak the Universe, 2007
Natural earth pigments on stringybark,
234 99.5 cm
National Gallery of Australia, Canberra. Purchased 2007
NANDABITTA MAMINYAMANDJA
Macassan Prau and Trepang Curing,
c.1974
Natural earth pigments on eucalyptus
bark, 61.5 40 cm
National Gallery of Australia, Canberra. Purchased from
Gallery admission charges, 1984
ALICE WAMBA
Coral, 1974
Natural earth pigments on eucalyptus
bark, 84 42 cm
National Gallery of Australia, Canberra. Purchased 1984
DECLAN APUATIMI
Pamijini, c. 1982
Natural earth pigments on eucalyptus
bark, 48 93.3 cm
National Gallery of Australia, Canberra. Purchased 1992
JOHNNY WARANGKULA
TJUPURRULA
A Bush Tucker Story, 1972
Synthetic polymer paint on composition
board, 91.4 66.2 cm
National Gallery of Victoria, Melbourne. Purchased
through the Art Foundation of Victoria with the assistance
of North Broken Hill Ltd, Fellow, 1987
ANATJARI TJAMPITJINPA
Ceremonial Ground, 1981
Synthetic polymer paint on canvas,
182.5 182 cm
National Gallery of Australia, Canberra. Purchased 1992
LONG JACK PHILLIPUS
TJAKAMARRA
Kalipinypa Water Dreaming,
c.1972
Synthetic polymer paint
on composition board,
90 61.6 cm
National Gallery of Australia, Canberra.
Purchased 1989
TIM LEURA TJAPALTJARRI
Fatal Love Dance, 1973
Synthetic polymer powder paint on
composition board, 40 30 cm
National Gallery of Australia, Canberra. The Peter Fannin
Collection of early Western Desert paintings, purchased 1998
TIMMY PAYUNGKA TJAPANGARTI
Sandhill Country West of Wilkinkarra,
Lake Mackay, 1972
Synthetic polymer paint on composition
board, 76 52 cm
National Gallery of Australia, Canberra. The Peter Fannin
Collection of early Western Desert paintings, purchased 1998
UTA UTA TJANGALA
Old Man's Dreaming, 1983
Synthetic polymer paint on canvas,
242 362 cm
Art Gallery of South Australia, Adelaide. South
Australian Government Grant, 1984
CLIFFORD POSSUM TJAPALTJARRI
Warlugulong, 1977
Synthetic polymer paint, oil and
natural earth pigments on canvas,
202 337.5 cm
National Gallery of Australia, Canberra. Purchased
with the generous assistance of Roslynne Bracher and
the Paspaley family, David Coe and Michelle Coe,
Charles Curran and Eva Curran, 2007
PADDY JUPURRURLA NELSON,
PADDY JAPALJARRI SIMS, LARRY
JUNGURRAYI SPENCER
Yanjilypiri Jukurrpa (Star Dreaming), 1985
Synthetic polymer paint on canvas,
372 171.4 cm
National Gallery of Australia, Canberra. Purchased 1986
EMILY KAME KNGWARREYE
Anwerlarr Anganenty (Big Yam Dreaming), 1995
Synthetic polymer paint on canvas, 291.1 801.8 cm
National Gallery of Victoria, Melbourne. Presented through the Art
Foundation of Victoria by Donald and Janet Holt and family, Governors, 1995
MICK NAMARARI TJAPALTJARRI
Rain Dreaming at Nyunman, 1994
Synthetic polymer paint on linen, 152 183 cm
National Gallery of Australia, Canberra. Purchased with funds from
the Australia Exhibition Patrons Club, 2013
TURKEY TOLSON TJUPURRULA
Straightening Spears at Ilyingaungau, 1990
Synthetic polymer paint on canvas,
181.5 244 cm
Art Gallery of South Australia, Adelaide. Gift of the Friends of
the Art Gallery of South Australia, 1990
JACK BRITTEN
Purnululu (Bull Creek Country), 1988
Natural earth pigments and natural binder on canvas,
160 200 cm
National Gallery of Australia, Canberra. Purchased 1989
QUEENIE MCKENZIE
Gija Country, 1995
Natural earth pigments and binder on canvas, 200 160 cm
National Gallery of Australia, Canberra. Purchased 1996
PADDY JAMINJI
Kimberley Landscape, c. 1984
Ochre on canvas, 195.8 270.3 cm
State Art Collection, Art Gallery of Western Australia,
Perth. Purchased 1988
ROVER THOMAS
Roads Meeting, 1987
Natural earth pigments and binder on canvas, 90 180 cm
National Gallery of Australia, Canberra. Purchased 1988
ROVER THOMAS
Cyclone Tracy, 1991
Natural earth pigments and binder on
canvas, 168 180 cm
National Gallery of Australia, Canberra. Purchased 1991
DOREEN REID NAKAMARRA
Untitled, 2007
Synthetic polymer paint on canvas, 183 244 cm
National Gallery of Australia, Canberra. Purchased 2007
DOROTHY NAPANGARDI
Sandhills of Mina Mina, 2000
Synthetic polymer paint on canvas,
198 122.7 cm
National Gallery of Australia, Canberra. Purchased 2001
MARTUMILI ARTISTS
Ngayarta Kujarra, 2009
Synthetic polymer paint on canvas,
300.6 500.3 cm
National Gallery of Victoria, Melbourne.
Purchased through the Felton Bequest, 2011
TOMMY MCRAE
Victorian Blacks _ Melbourne
Tribe Holding Corroboree after
Seeing Ships for the First Time,
c.1890s
Pen and iron-gall ink, 23.8 36 cm
National Gallery of Australia, Canberra. Purchased
1994
WILLIAM BARAK
Corroboree, 1895
Charcoal and natural earth
pigments, over pencil on prepared
linen, 60 76.4 cm
National Gallery of Australia, Canberra. Founding
Donors' Fund, 2010
MICKEY OF ULLADULLA
Fishing, Native Flora and Fauna, c.1888
Gouache, watercolour, black ink and pastel
over black pencil, 43 68 cm
National Gallery of Australia, Canberra. Purchased 1991
OTTO PAREROULTJA
Central Australian Landscape with
Ghost Gums, c.1968
Watercolour, gouache over black pencil,
38.4 53.2 cm
National Gallery of Australia, Canberra. Purchased 2005
ROBERT CAMPBELL JNR
Abo History (Facts), 1988
Synthetic polymer paint on canvas, 130 200 cm
National Gallery of Australia, Canberra. Purchased 1988
RICKY MAYNARD
The Healing Garden Wybalenna, Flinders
Island, Tasmania, 2005
One from a series of ten gelatin silver
photographs, 40.7 58.2 cm
National Gallery of Australia, Canberra. Purchased 2009
NICI CUMPSTON
Campsite V, Nookamka Lake, 2008
Inkjet print on canvas, hand-coloured with
pencil and watercolour, 77 206 cm
National Gallery of Australia, Canberra. Purchased 2011
MIRDIDINGKINGATHI SALLY
GABORI JUWARNDA
My Country, 2009
Synthetic polymer paint on canvas,
151 101 cm
National Gallery of Australia, Canberra.
Founding Donors' Fund, 2010
AFTER THOMAS WATLING
View of the Town of Sydney in the
Colony of New South Wales, c.1799
Oil on canvas, 65 133 cm
Art Gallery of South Australia, Adelaide. M. J. M. Carter AO
Collection
G. W. EVANS
A View of Sydney New South Wales
on Entering the Heads, c. 1809
Watercolour, 22.5 36.1 cm
State Library of New South Wales, Sydney. Purchased
1950
JOHN LEWIN
View from Governor Bligh's Farm,
Hawkesbury, New South Wales, c. 1808
Watercolour, 20 35.5 cm
Art Gallery of South Australia, Adelaide. J. C. Earl
Bequest and Elder Bequest Funds, 1989
WILLIAM WESTALL
Chasm Island, Native Cave Painting, c. 1803
Watercolour, 26.7 37.2 cm
National Library of Australia, Canberra. Purchased 1969
WILLIAM WESTALL
View of Sir Edward Pellew's Group,
Gulph of Carpentaria, 1802, c. 1812
Oil on canvas, 88 119 cm
Ministry of Defence Art Collection, London
WILLIAM WESTALL
View of Cape Townshend and of the
Islands of Shoal-Water Bay, Taken from
Mount Westall, c. 1810
Oil on canvas, 125 155 cm
Ministry of Defence Art Collection, London
JOHN LEWIN
Evans's Peak, 1815
Watercolour, 22.8 27 cm
State Library of New South Wales, Sydney. Presented 1937
JOHN LEWIN
Fish Catch and Dawes Point, Sydney Harbour,
c. 1813
Oil on canvas, 86.5 113 cm
Art Gallery of South Australia, Adelaide. Gift of the Art Gallery of
South Australia Foundation and South Australian Brewing Holdings
Limited, 1989. Given to mark the occasion of the Company's 1988
Centenary
JOSEPH LYCETT
Inner View of Newcastle, c.1818
Oil on canvas, 61 91.4 cm
Newcastle Art Gallery, New South Wales. Purchased with
assistance from the National Art Collections Fund, London, 1961
JOSEPH LYCETT
Aborigines Using Fire to Hunt Kangaroos
from `The Lycett Album'. Drawings of the
Aborigines and Scenery of New South
Wales, c.1820
Watercolour, 17.5 27.8 cm
National Library of Australia, Canberra. Purchased 1972
AUGUSTUS EARLE
View from the Summit of Mount York,
Looking towards Bathurst Plains, Convicts
Breaking Stones, New South Wales, c. 1826
Watercolour, 22.5 33 cm
National Library of Australia, Canberra. Rex Nan Kivell
Collection, 1959
AUGUSTUS EARLE
A Native Camp of Australian Savages near
Port Stevens, New South Wales, c. 1826
Watercolour, 25.1 43.8 cm
National Library of Australia, Canberra. Rex Nan Kivell
Collection, 1959
ROBERT DALE, print after; ROBERT HAVELL JNR,
etcher and publisher
Panoramic View of King Georges Sound, Part of the
Colony of Swan River, 1834
Etching and aquatint, printed in black ink from three
plates on three joined sheets, hand-coloured in
watercolour, 18 274.2 cm (overall)
National Gallery of Australia, Canberra. The Wordsworth Collection, purchased 2010
JOHN GLOVER
A Corroboree of Natives in Mills Plains, 1832
Oil on canvas, 56.5 71.4 cm
Art Gallery of South Australia, Adelaide. Morgan Thomas Bequest Fund, 1951
JOHN GLOVER
View of Mills Plains, Van Diemen's Land, 1833
Oil on canvas, 76.2 114.6 cm
Art Gallery of South Australia, Adelaide. Morgan Thomas Bequest
Fund, 1951
JOHN GLOVER
A View of the Artist's House and Garden, in Mills Plains, Van
Diemen's Land, 1835
Oil on canvas, 76.4 114.4 cm
Art Gallery of South Australia, Adelaide. Morgan Thomas Bequest Fund, 1951
JOHN GLOVER
`Cawood' on the Ouse River, 1838
Oil on canvas, 75.5 114 cm
Tasmanian Museum and Art Gallery, Hobart. Presented by Mrs
George C. Nicholas in memory of her husband, 1935
CONRAD MARTENS
Campbell's Wharf, 1857
Watercolour, with touches of gum
arabic, 46 66 cm
National Gallery of Australia, Canberra. Purchased
with the assistance of the Members' Acquisition
Fund, 2009
CONRAD MARTENS
View of Sydney from Neutral Bay,
c.1857
Watercolour, gouache, black pencil,
varnish, 45.1 65 cm
National Gallery of Australia, Canberra. Purchased
1975
EDMUND HENDERSON
Perth, West Australia, 1862
Watercolour, 34.6 50.6 cm
National Gallery of Australia, Canberra. The Wordsworth
Collection, purchased 2010
OSWALD BRIERLY
Amateur Whaling, or a Tale of the Pacific, 1847
Watercolour, 45.2 94 cm
Australian National Maritime Museum, Sydney. Purchased with funds from the USA Bicentennial
Gift, 1989
S. T. GILL
North Terrace, Adelaide, Looking
South-east from Government
House Guardhouse, 1845
Watercolour, 27.4 39.7 cm
Art Gallery of South Australia, Adelaide. Gift of the
South Australian Company, 1931
S. T. GILL
Looking SW from Table Land,
August 22nd, 1846
Watercolour, 18.1 30.7 cm
Art Gallery of South Australia, Adelaide. Gift of
Douglas and Barbara Mullins, 1999
S. T. GILL
Diggings in the Mount Alexander
District of Victoria in 1852, 1874
Watercolour, 24.5 35 cm
National Library of Australia, Canberra.
Purchased 2004
E. C. FROME
First View of the Salt Desert
Called Lake Torrens, 1843
Watercolour, 15.7 27.8 cm
Art Gallery of South Australia, Adelaide. South
Australian Government Grant, Adelaide City Council
and Public Donations, 1970
GEORGE FRENCH ANGAS
Scene Showing Emus in a
Plain (Coorong), 1844
Watercolour, 23 32.5 cm
Art Gallery of South Australia, Adelaide.
Gift of Miss E. M. Johnson, 1972
GEORGE FRENCH ANGAS
Port Lincoln from Winter's Hill,
1845
Watercolour, 24.6 34.1 cm
Art Gallery of South Australia, Adelaide.
Bequest of J. Angas Johnson, 1902
LUDWIG BECKER
Meteor Seen by Me on 11 October,
1860
Watercolour, 10.2 16.2 cm
State Library of Victoria, Melbourne
LUDWIG BECKER
Mallee Sand Cliffs at the Darling,
12 October, 1860
Watercolour and pencil, 12.1 16.1
cm
State Library of Victoria, Melbourne
LUDWIG BECKER
Border of the Mud Desert near
Desolation Camp, 9 March, 1861
Watercolour, 14 22.8 cm
State Library of Victoria, Melbourne
JOHN SKINNER PROUT
Maria Island from Little Swanport, Van
Diemen's Land, c. 1846
Oil on canvas, 29 35.5 cm
Art Gallery of South Australia, Adelaide. M. J. M. Carter AO
Collection through the Art Gallery of South Australia Foundation,
1992
JOHN SKINNER PROUT
South Bank of the Yarra, near Melbourne,
1846
No. 7 in Sketches in New South Wales,
Victoria, Tasmania and Norfolk Island,
c.184147
Watercolour, Chinese white and scraping out,
37.5 40.5 cm
State Library of New South Wales, Sydney. Bequeathed by D. S.
Mitchell, 1907
JOHN SKINNER PROUT
Shipwreck off Cape Pillar, 1846
Watercolour and gouache, 17 25.4 cm
National Gallery of Australia, Canberra. Purchased 1980
ALEXANDER SCHRAMM
Adelaide, A Tribe of Natives on the Banks of the River Torrens,
1850
Oil on canvas, 86.7 130.2 cm
National Gallery of Australia, Canberra. Purchased 2005
EUGENE VON GUERARD
Stony Rises, Lake Corangamite,
1857
Oil on canvas, 71.2 86.4 cm
Art Gallery of South Australia, Adelaide. Purchased
with the assistance of the Utah Foundation through
the Art Gallery of South Australia Foundation, 1981
EUGENE VON GUERARD
Ferntree Gully in the Dandenong Ranges,
1857
Oil on canvas, 92 138 cm
National Gallery of Australia, Canberra. Gift of Dr Joseph
Brown AO, OBE, 1975
EUGENE VON GUERARD
Purrumbete from across the Lake, 1858
Oil on canvas, 51 85.5 cm
National Gallery of Australia, Canberra. Purchased with funds
from the Nerissa Johnson Bequest, 1998
EUGENE VON GUERARD
From the Verandah of Purrumbete, 1858
Oil on canvas, 51.4 86.3 cm
National Gallery of Australia, Canberra. Purchased 1978
EUGENE VON GUERARD
North-east View from the Northern
Top of Mount Kosciusko, 1863
Oil on canvas, 66.5 116.8 cm
National Gallery of Australia, Canberra. Purchased 1973
EUGENE VON GUERARD
Bushfire, 1859
Oil on canvas mounted on board,
34.8 56.3 cm
Art Gallery of Ballarat, Victoria. Gift of Lady Currie in
memory of her husband, the late Sir Alan Currie, 1948
HENRY STEINER
Inkwell, c.1870
Silver, emu egg, brass, blackwood, 29.1 28.6
19.8 cm
National Gallery of Victoria, Melbourne. The Altmann Collection of
Australian Silver, presented through the Art Foundation of Victoria by
John and Jan Altmann, Founder Benefactors, 1986
JULIUS SCHOMBURGK
John Ridley Testimonial Candelabrum, 1860
Silver, gold, malachite and blackwood, 64 42 cm
University of Adelaide Visual Art Collection. Gift of Miss J. T. Ridley, 1930
JULIUS SCHOMBURGK
Duncan Challenge Trophy, c. 1875
Silver, 66.5 37.5 cm
Royal Agricultural and Horticultural Society of South Australia, Adelaide. Awarded 1920
NICHOLAS CHEVALIER
Mount Arapiles and the Mitre Rock, 1863
Oil on canvas, 77.5 120.6 cm
National Gallery of Australia, Canberra. Gift of Dr Joseph Brown AO,
OBE, 1979
RICHARD DAINTREE
Gold Diggers' Sale, Queensland, 186470
Albumen silver photograph, overpainted in oil,
mounted on canvas, 39.2 60.7 cm
National Library of Australia, Canberra. Rex Nan Kivell Collection,
1959
LOUIS BUVELOT
Winter Morning near Heidelberg,
1866
Oil on canvas, 76.8 118.2 cm
National Gallery of Victoria, Melbourne.
Purchased 1869
ISAAC WHITEHEAD
In the Sassafras Valley, Victoria, 1875
Oil on canvas, 99.2 132.9 cm
Art Gallery of South Australia, Adelaide. M. J. M. Carter AO Collection and the South Australian
Government, 1996
NICHOLAS CAIRE
Fairy Scene at the Landslip, Blacks' Spur,
Victoria, 1878
Albumen silver photograph, 27.4 22.5 cm
National Gallery of Australia, Canberra. Joseph Brown Fund,
1981
H. J. JOHNSTONE
Evening Shadows, Backwater of the
Murray, South Australia, 1880
Oil on canvas, 120.6 184.1 cm
Art Gallery of South Australia, Adelaide. Gift of Mr Henry
Yorke Sparks, 1881
FREDERICK MCCUBBIN
Lost, 1886
Oil on canvas, 115.8 73.9 cm
National Gallery of Victoria, Melbourne. Purchased through the
Felton Bequest, 1940
W. C. PIGUENIT
The Flood in the Darling, 1890, 1895
Oil on canvas, 122.5 199.3 cm
Art Gallery of New South Wales, Sydney. Purchased 1895
TOM ROBERTS
Allegro con brio: Bourke Street West,
c.188586, reworked 1890
Oil on canvas mounted on composition
board, 51.2 76.7 cm
National Gallery of Australia, Canberra, and National
Library of Australia, Canberra. Purchased 1918
TOM ROBERTS
The Artists' Camp, 1886
Oil on canvas, 46 60.9 cm
National Gallery of Victoria, Melbourne. Purchased
through the Felton Bequest, 1943
TOM ROBERTS
Slumbering Sea, Mentone, 1887
Oil on canvas, 51.3 76.5 cm
National Gallery of Victoria, Melbourne. Purchased
with the assistance of a special grant from the
Government of Victoria, 1979
TOM ROBERTS
The Sunny South, c. 1887
Oil on canvas, 30.8 61.4 cm
National Gallery of Victoria, Melbourne. Purchased
through the Felton Bequest, 1940
TOM ROBERTS
`Evening, when the quiet east flushes
faintly at the sun's last look', 188788
Oil on canvas, 50.8 76.4 cm
National Gallery of Victoria, Melbourne. W. H. Short
Bequest, 1944
CHARLES CONDER
Bronte Beach, 1888
Oil on paper on cardboard,
22.6 33 cm
National Gallery of Australia, Canberra.
Purchased from Gallery admission charges, 1982
CHARLES CONDER
Departure of the Orient
Circular Quay, 1888
Oil on canvas, 45.1 50.1 cm
Art Gallery of New South Wales, Sydney.
Purchased 1888
CHARLES CONDER
A Holiday at Mentone, 1888
Oil on canvas, 46.2 60.8 cm
Art Gallery of South Australia, Adelaide. South Australian Government
Grant with the assistance of Bond Corporation Holdings Limited through
the Art Gallery of South Australia Foundation to mark the Gallery's
Centenary, 1981
ARTHUR STREETON
The Selector's Hut (Whelan on the Log),
1890
Oil on canvas, 76.7 51.2 cm
National Gallery of Australia, Canberra. Purchased 1961
ARTHUR STREETON
Sirius Cove, c. 1895
Oil on wood panel, 68.8 16.8 cm
National Gallery of Australia, Canberra. Purchased 1973
ARTHUR STREETON
Golden Summer, Eaglemont, 1889
Oil on canvas, 81.3 152.6 cm
National Gallery of Australia, Canberra. Purchased 1995
ARTHUR STREETON
The National Game, 1889
Oil on cardboard, 11.8 22.9 cm
Art Gallery of New South Wales, Sydney. Purchased 1963
TOM ROBERTS
Evening Train to Hawthorn, c. 1889
Oil on cedar wood panel, 14 22.6 cm
Art Gallery of New South Wales, Sydney. Edward Stinson
Bequest Fund, 1991
CHARLES CONDER
How We Lost Poor Flossie, 1889
Oil on cedar wood panel, 25 9.2 cm
Art Gallery of South Australia, Adelaide. Elder Bequest Fund, 1941
CHARLES CONDER
Herrick's Blossoms, c. 1888
Oil on cardboard, 13.1 24 cm
National Gallery of Australia, Canberra. Purchased 1969
TOM ROBERTS
A Break Away!, 1891
Oil on canvas, 137.3 167.8 cm
Art Gallery of South Australia, Adelaide. Elder Bequest Fund, 1899
ARTHUR STREETON
Fire's On, 1891
Oil on canvas, 183.8 122.5 cm
Art Gallery of New South Wales, Sydney. Purchased
1893
SYDNEY LONG
The Spirit of the Plains, 1897
Oil on canvas on wood, 62 131.4 cm
Queensland Art Gallery, Brisbane. Gift of William Howard-Smith in memory of his grandfather,
Ormond Charles Smith, 1940
DAVID DAVIES
Moonrise, 1893
Oil on canvas, 50 60 cm
Art Gallery of South Australia, Adelaide. Elder
Bequest Fund, 1947
WALTER WITHERS
The Last of Summer, 1898
Oil on canvas, 77 92 cm
Art Gallery of Ballarat, Victoria. Gift of Mrs I.
Main-Rippin, 1932
FREDERICK McCUBBIN
The Pioneer, 1904
Oil on three canvases, 225 295.7 cm
(overall)
National Gallery of Victoria, Melbourne.
Purchased through the Felton Bequest, 1906
J. J. HILDER
Dry Lagoon, 1911
Pencil and watercolour, 66.2 99.1 cm
Art Gallery of New South Wales, Sydney. Purchased 1911
BLAMIRE YOUNG
Dry Weather, c. 1912
Watercolour, 56 76.8 cm
Art Gallery of New South Wales, Sydney. Purchased 1912
HANS HEYSEN
Red Gold, 1913
Oil on canvas, 129.5 174.5 cm
Art Gallery of South Australia, Adelaide. Gift of the Rt Hon. Sir Charles Booth, 1913
HANS HEYSEN
Midsummer Morning, 1908
Pencil and watercolour, 56 76.6 cm
National Gallery of Victoria, Melbourne. Purchased through the Felton Bequest, 1908
ELIOTH GRUNER
The Wave, c. 1913
Oil on wood panel, 30.5 24.4
cm
Queensland Art Gallery, Brisbane. Gift of
Lady Trout, 1978
ETHEL CARRICK
Manly Beach Summer Is Here, 1913
Oil on canvas, 81 102 cm
Manly Art Gallery and Museum, Sydney. Gift of the artist, 1934
FREDERICK MCCUBBIN
Collins Street, c. 1915
Oil on canvas on cardboard, 25 35.3 cm
Geelong Gallery, Victoria. H. P. Douglass Bequest Fund, 1945
FREDERICK MCCUBBIN
Violet and Gold, 1911
Oil on canvas, 72 130 cm
National Gallery of Australia, Canberra. Purchased with
the generous assistance of The Hon. Ashley
Dawson-Damer and John Wylie AM and Myriam Wylie,
2008
ROY DE MAISTRE
Forest Landscape, c. 1918
Oil on cardboard, 35.4 40.6 cm
National Gallery of Australia, Canberra. Purchased 1971
ROLAND WAKELIN
Barn near Tuggerah, 1919
Oil on composition board, 17.7 22 cm
National Gallery of Australia, Canberra. Gift of Daniel Thomas, 1981
ROLAND WAKELIN
Houses at Hunters Hill, c. 1919
Oil on canvas on composition board, 24 20 cm
National Gallery of Australia, Canberra. Purchased 1963
GEORGE W. LAMBERT
The Squatter's Daughter, 192324
Oil on canvas, 61.4 90.2 cm
National Gallery of Australia, Canberra. Purchased with the generous assistance of James
Fairfax AO and Philip Bacon AM and the people of Australia, 1991
JAMES W. R. LINTON
Falls Road, Late Evening, 1926
Watercolour, 54.6 75.4 cm
National Gallery of Australia, Canberra. Purchased 1980
HANS HEYSEN
The Land of the Oratunga, 1932
Watercolour, 47.3 62.6 cm
Art Gallery of South Australia, Adelaide. South Australian Government Grant, 1937
KENNETH MACQUEEN
Birds and Sheep, Darling Downs, c. 1924
Oil on board, 52.6 65.1 cm
Art Gallery of South Australia, Adelaide. Ivor Francis Bequest Fund, 1995
GRACE COSSINGTON SMITH
Four Panels for a Screen:
Loquat Tree, Gum and Wattle
Trees, Waterfall, Picnic in a
Gully, 1929
Oil on cardboard, 144.2 53 cm
(overall)
National Gallery of Australia, Canberra.
Purchased 1976
GRACE COSSINGTON SMITH
Eastern Road, Turramurra, c. 1926
Watercolour and black pencil, 40.6 33 cm
National Gallery of Australia, Canberra. Bequest of Mervyn Horton, 1984
GRACE COSSINGTON SMITH
The Bridge in Building, 1929
Oil on pulpboard, 75 53 cm
National Gallery of Australia, Canberra. Gift of Ellen Waugh, 2005
HAROLD CAZNEAUX
Arch of Steel, 1933
Gelatin silver photograph, 37.7 27.2 cm
National Library of Australia, Canberra. Cazneaux Collection 1974
JESSIE TRAILL
Building the Harbour Bridge IV: The Ant's Progress, November
1929, c. 1929
Etching, foul-biting, printed in brown ink with plate tone on
paper, 40.3 24.8 cm
Art Gallery of South Australia, Adelaide. David Murray Bequest Fund, 1932
134
AXEL POIGNANT
Swagman on the Road to Wilcannia, 1954
Gelatin silver photograph, 50.4 40.1 cm
National Gallery of Australia, Canberra. Purchased 1984
135
JEFF CARTER
Tobacco Road, Ovens Valley, 1956, printed 2000
Gelatin silver photograph, 28.1 27.7 cm
National Gallery of Australia, Canberra. Purchased 2000
CLARICE BECKETT
Passing Trams, c. 1931
Oil on board, 48.6 44.2 cm
Art Gallery of South Australia, Adelaide. Edna Berniece Harrison Bequest Fund through the Friends
of the Art Gallery of South Australia, 2001
CLARICE BECKETT
Morning Shadows, c. 1932
Oil on canvas board, 49.5 60 cm
Art Gallery of South Australia, Adelaide. South Australian
Government Grant, 1980
MAX DUPAIN
Sunbaker, 1937
Gelatin silver photograph, 38.6 43.4 cm
National Gallery of Australia, Canberra. Purchased 1976
CHARLES MEERE
Australian Beach Pattern, 1940
Oil on canvas, 91.5 122 cm
Art Gallery of New South Wales, Sydney.
Purchased 1965
HORACE TRENERRY
The Road to Maslins, 1940
Oil on cardboard, 48.5 57 cm
Art Gallery of South Australia, Adelaide. Gift of Douglas and Barbara Mullins, 2002
DORRIT BLACK
The Olive Plantation, 1946
Oil on canvas, 63.5 86.5 cm
Art Gallery of South Australia, Adelaide. Bequest of the artist, 1951
MARGARET PRESTON
Aboriginal Landscape, 1941
Oil on canvas, 40 52 cm
Art Gallery of South Australia, Adelaide. D. & J. T. Mortlock Bequest Fund, 1982
MARGARET PRESTON
Flying over the Shoalhaven River, 1942
Oil on canvas, 50.6 50.6 cm
National Gallery of Australia, Canberra. Purchased 1973
ERIC THAKE
Brownout, 1942
Oil on paperboard, 41 51 cm
National Gallery of Australia, Canberra. Purchased 2011
ALBERT TUCKER
Sunbathers, 1944
Oil on cardboard, 59.2 86 cm
National Gallery of Australia, Canberra. Purchased 1981
ARTHUR BOYD
The Hunter I, 1944
Oil on cotton gauze on cardboard, 63.6 75.8 cm
National Gallery of Australia, Canberra. The Arthur Boyd Gift, 1975
ARTHUR BOYD
The Mining Town (Casting the Money Lenders from the Temple),
c. 1946
Oil and tempera on composition board, 87.4 109.4 cm
National Gallery of Australia, Canberra. Purchased 1974
ADRIAN FEINT
The Jetties, Palm Beach, 1942
Oil on canvas, 50.7 45.6 cm
New England Regional Art Museum, Armidale, New South Wales. Howard Hinton Collection,
1942
MARGARET PRESTON
The Expulsion, 1952
Stencil print, printed in colour from one hand-cut paper stencil,
on thin black card; hand-coloured with gouache, 64 51 cm
Art Gallery of New South Wales, Sydney. Gift of Mr W. G. Preston, the artist's widower, 1967
JEFFREY SMART
Holiday Resort, 1946
Oil on canvas, 50.9 60.9 cm
Art Gallery of South Australia, Adelaide. Gift of Douglas and Barbara
Mullins to commemorate the gallery's 125th anniversary, 2006
LLOYD REES
The Road to Berry, 1947
Oil on canvas on paperboard, 34.6 42.2 cm
Art Gallery of New South Wales, Sydney. Purchased 1947
RUSSELL DRYSDALE
The Drover's Wife, c. 1945
Oil on canvas, 51.5 61.5 cm
National Gallery of Australia, Canberra. Gift of American Friends of the National Gallery of
Australia Inc., New York, NY, USA, made possible with the generous support of Mr and Mrs
Benno Schmidt of New York and Esperance, Western Australia, 1987
RUSSELL DRYSDALE
Emus in a Landscape, 1950
Oil on canvas, 101.6 127 cm
National Gallery of Australia, Canberra. Purchased 1970
SIDNEY NOLAN
Glenrowan, 1946
Enamel paint on composition board,
90.9 121.2 cm
National Gallery of Australia, Canberra. Gift of Sunday
Reed, 1977
SIDNEY NOLAN
Ned Kelly, 1946
Enamel paint on composition board,
90.8 121.5 cm
National Gallery of Australia, Canberra. Gift of Sunday
Reed, 1977
SIDNEY NOLAN
The Burning Tree, 1947
Enamel paint on composition board, 90.7 121.2 cm
National Gallery of Australia, Canberra. Gift of Sunday Reed, 1977
SIDNEY NOLAN
Quilting the Armour, 1947
Enamel paint on composition board,
90.4 121.2 cm
National Gallery of Australia, Canberra. Gift of Sunday
Reed, 1977
SIDNEY NOLAN
Pretty Polly Mine, 1948
Enamel paint on hardboard, 91 122.2 cm
Art Gallery of New South Wales, Sydney. Purchased 1949
SIDNEY NOLAN
Inland Australia, 1950
Oil and enamel paint on composition board, 91.5 121 cm
National Gallery of Australia, Canberra. Purchased 1961
JOHN BRACK
The Car, 1955
Oil on canvas, 41 102.2 cm
National Gallery of Victoria, Melbourne. Purchased 1956
JOHN OLSEN
Sydney Sun, 1965
Oil on three plywood panels, 305 412.5 cm (overall)
National Gallery of Australia, Canberra. Purchased with funds from the
Nerissa Johnson Bequest, 2000
TONY TUCKSON
Watery, c. 1960
Oil on composition board,
122.2 183 cm
National Gallery of Australia, Canberra. Gift of
Margaret Tuckson, 2002
IAN FAIRWEATHER
Monsoon, 196162
Synthetic polymer paint and
gouache on card, lined onto
hardboard, 98.3 188.9 cm
State Art Collection, Art Gallery of Western Australia,
Perth. Purchased 1983
FRED WILLIAMS
Yellow Landscape, 196869
Oil on canvas, 141.7 193 cm
Geelong Gallery, Victoria. Purchased 1976
FRED WILLIAMS
Silver and Grey, 1969
Oil on canvas, 137.2 152.3 cm
Art Gallery of South Australia, Adelaide. Gift of Howard and Christine Michell, 1992
FRED WILLIAMS
Snow Storm, Kosciusko, 197677
Oil on canvas, 101.6 183 cm
National Gallery of Australia, Canberra. Purchased with
funds from the Ruth Komon Bequest, 2013
KEN WHISSON
Jean's Farm, 1972
Oil on composition board, 81 109.3 cm
National Gallery of Australia, Canberra. Gift of the Philip Morris Arts Grant, 1982
BRETT WHITELEY
Big Orange (Sunset), 1974
Oil and collage on wood, 244 305 cm
Art Gallery of New South Wales, Sydney. Gift of Patrick White, 1975
ARTHUR BOYD
Paintings in the Studio: `Figure Supporting Back Legs' and
`Interior with Black Rabbit', 197374
Oil on canvas, 313.5 433.2 cm
National Gallery of Australia, Canberra. The Arthur Boyd Gift, 1975
WESLEY STACEY
The Road (Outback to the City 4; Kalgoorlie to Port Headland, WA;
Perth Fun City; Kalgoorlie to Port Headland, WA; Paraburdoo and
Tom Price, The Pilbara, WA; Up the Centre, SA to NT; The Gulf to
Burdekin, QLD; Work Day Roads 6; Roads to the Red Brick Home,
Sydney; Night Roads, Sydney; Sydney to Canberra; Sydney to
Canberra), 197375
A selection of twelve from a series of 280 C-type colour
photographs, 9 12.6 cm
National Gallery of Australia, Canberra. Purchased 1984
PETER DOMBROVSKIS
Morning Mist, Rock Island Bend, 1981, printed 2000
C-type colour photograph, 100 150 cm
National Gallery of Australia, Canberra. Purchased 2002
DAVID STEPHENSON
Self-portrait Looking Down a Survey-cut Proposed Site of Gordon
below Franklin Dam, Tasmania, 1982
Mosaic of 9 gelatin silver photographs, 62.5 80.8 cm (overall)
Museum of Contemporary Art, Sydney. Donated by the artist through the Australian
Government's Cultural Gifts Program, 2010
BRIAN BLANCHFLOWER
Nocturne 3 (Whale Rock), 1982
Oil, bitumen, sand, chalk on canvas,
178 255 cm
Art Gallery of South Australia, Adelaide.
Elder Bequest Fund, 1983
HOWARD TAYLOR
Sun Figure, 1989
Oil on canvas, 90 120 cm
Art Gallery of South Australia, Adelaide. South Australian Government Grant, 1991
FIONA HALL
Paradisus Terrestris, 198990
23 cut and moulded sardine tins; aluminium, tin
and steel, 24.5 11 cm (each approximately)
National Gallery of Australia, Canberra. Purchased 1994
GORDON BENNETT
Possession Island, 1991
Oil and synthetic polymer paint on canvas,
162 260 cm
Museum of Sydney, Historic Houses Trust of New South Wales,
Sydney. Purchased with funds from the Foundation for the
Historic Houses Trust, Museum of Sydney Appeal, 2007
TIM JOHNSON
Dewachen, 1987
Synthetic polymer paint on linen,
182 243 cm
Museum of Contemporary Art, Sydney. Gift of Lotti
Smorgan AO and Victor Smorgan AC, 1995
ROSALIE GASCOIGNE
Monaro, 1989
Synthetic polymer paint on soft-drink crates
on plywood, 131 457 cm (overall)
State Art Collection, Art Gallery of Western Australia, Perth.
Purchased 1989
JAN SENBERGS
Fort, 1973
Screen-print, printed in colour, from multiple stencils,
55.9 81.5 cm
National Gallery of Australia, Canberra. Purchased 1973
PETER BOOTH
Mangroves, 2002
Pastel, 62 101 cm
National Gallery of Australia, Canberra. Purchased 2013
WILLIAM ROBINSON
Twin Falls and Gorge, 2000
Oil on canvas, 137 183 cm
National Gallery of Australia, Canberra. Gift of Ray and Diana Kidd, 2013
ELISABETH CUMMINGS
Wedderburn Spring, 1993
Oil on canvas, 173 196 cm
Campbelltown City Bicentennial Art Gallery, New South Wales. Purchased 1993
MIKE PARR
Great Distances between Small Towns, sheets 46, 1113,
199091
A selection of six from the series of twenty-four drypoints, printed
in black ink, each one from one plate, 76.2 106.4 cm (each
sheet), printed by John Loane, at Viridian Press, Melbourne
National Gallery of Australia, Canberra. Purchased 2012
BEA MADDOCK
Terra Spiritus with a Darker Shade of Pale, 199398
From the 52-sheet series of stencils, printed in hand-ground
Launceston ochre, each from multiple mylar stencils, blind
printed letterpress and handwritten script, 28.4 75.9 cm
(each sheet)
National Gallery of Australia, Canberra. Gordon Darling Australasian Print Fund, 1998
HOWARD ARKLEY
Superb + Solid, 1998
Synthetic polymer paint on canvas, 200 300.6 cm
Art Gallery of New South Wales, Sydney. Purchased with funds from the Contemporary
Collection Benefactors, 1998
ROBERT MACPHERSON
Mayfair: Bethonga Gold, for B.T.O.'s, 19952006
Synthetic polymer paint on three composition boards,
244 190 cm (overall)
National Gallery of Australia, Canberra. Purchased 2012
G.W. BOT
Garden of Gethsemane I, 2000
Linocut, printed in colour from
multiple blocks, hand-coloured on
thin tapa cloth, 98 50.8 cm
National Gallery of Australia, Canberra. Purchased
with the generous assistance of the artist, 2011
SIMRYN GILL
Rampant, 1999
A selection of four from a series of seven gelatin silver
photographs, 23 26 cm, 23.5 25.6 cm, 25.4 23.9 cm,
24.5 23.6 cm
Art Gallery of New South Wales, Sydney. Gift of the artist, 2005
CALLUM MORTON
Tomorrowland, 2004
Digital print, 94.5 170 cm
National Gallery of Australia, Canberra. Gift of Naomi
Milgrom AO, 2013
BILL HENSON
Untitled, 199899
Colour photograph, inkjet pigment print,
127 180 cm
National Gallery of Australia, Canberra. Purchased with
funds from the Australia Exhibition Patrons Club, 2013
TRACEY MOFFATT
Up in the Sky #1, #2, #6, #8,
#14, #24, 1997
A selection of six from the
series of twenty-five lithographs,
61.5 76 cm (each sheet)
Tate, London. Purchased 1998
JOHN BEARD
Uluru 8, 2002
Oil and wax on linen, 180 262 cm
Australian National University, Canberra. Gift of James Erskine through the Australian
Government's Cultural Gifts Program, 2009
IMANTS TILLERS
Shadow of the Hereafter, 2007
Synthetic polymer paint and gouache on 72 canvas
boards, 228.5 284.5 cm (overall)
Art Gallery of South Australia, Adelaide. Gift of the Art Gallery of South Australia
Contemporary Collectors, Gosia Kudra-Schild and Taliangis family, 2007
FIONA FOLEY
Bliss, 2006
Single-channel HD/DVD: 16:9, ratio colour,
sound 11 minutes, 20 seconds
Museum of Contemporary Art, Sydney. Purchased with funds
provided by the Coe and Mordant families, 2009
DENNIS NONA
Mutuk, 2009
Etching, printed in colour,
133 430 cm
National Gallery of Australia, Canberra.
Purchased 2009
VERNON AH KEE
Can't Chant (wegrewhere) #2, 2009
Digital print, 76 114 cm
National Gallery of Australia, Canberra. Purchased 2009
SHAUN GLADWELL
Approach to Mundi Mundi, 2007
From the series MADDESTMAXIMVS
Single-channel HD/DVD, 16:9 ratio
colour, silent 8 minutes, 37 seconds
Art Gallery of New South Wales, Sydney. John Kaldor
Family Collection
PHILIP WOLFHAGEN
Autumn Equinox: The Loss of the Sun, 2009
Oil and beeswax on canvas, 200.4 160.3 cm
National Gallery of Australia, Canberra. Purchased 2009
DANIEL CROOKS
Cloud Atlas (Fitzroy 1:23), 2012
Single-channel HD/DVD 16:9, ratio colour, silent, 21 minutes
National Gallery of Australia, Canberra. Purchased 2012
ROSEMARY LAING
Jim from the series leak, 2010
C-type colour photograph, 110 237.6 cm
National Gallery of Australia, Canberra. Purchased 2013
HOSSEIN VALAMANESH
Longing/Belonging, 1997
Direct colour positive photograph, 99 99 cm;
carpet, velvet, 215 305 cm
Art Gallery of New South Wales, Sydney. Purchased with funds from the
Contemporary Collection Benefactors, 2002
CHRISTIAN THOMPSON
Dead as a Door Nail, 2008
C-type colour photograph, 100 100 cm
National Gallery of Australia, Canberra. Purchased 2012
DANIE MELLOR
An Elysian City (of Picturesque Landscapes
and Memory), 2010
Pastel, pencil and wash with glitter and
Swarovski crystal, 143 186 cm
National Gallery of Australia, Canberra. Purchased 2011
KATHY TEMIN
Tombstone Garden, 2012
Synthetic fur, synthetic polymer paint,
synthetic stuffing, steel, composition
board, 230 429 180 cm (overall)
National Gallery of Australia, Canberra. Purchased 2012
JUDY WATSON
Fire and Water
Source: Royal Academy, London
- See more at: http://www.theaustralian.com.au/arts/visual-arts/artworks-in-londons-royal-academy-show-australia/story-fn9d3avm-1226722071425#sthash.PpK6F6F0.dpuf
Nadubi Spirit-Woman, with Possum, Magpie
Goose and Fish, c. 1884
Ochres on bark, 83 63.5 cm
South Australian Museum, Adelaide. Collected by Captain Frederick
Carrington, 1884, donated to the Royal Geographical Society of South
Australia, Adelaide, 1890s, and thence to the South Australian Museum, Adelaide
YIRAWALA
Kundaagi Red Plains, Kangaroo, 1962
Natural earth pigments on eucalyptus bark,
103 47 cm
National Gallery of Australia, Canberra. Masterpieces for the
Nation Fund, 2012
JOHN MAWURNDJUL
Rainbow Serpent's Antilopine Kangaroo,
1991
Natural earth pigments on eucalyptus
bark, 192 99.5 cm
National Gallery of Australia, Canberra. Purchased 1991
BARDAYAL NADJAMERREK
Dead Man, c. 1968
Natural earth pigments on
eucalyptus bark, 60 30 cm
Art Gallery of South Australia, Adelaide. South Australian
Government Grant, 1969
BARDAYAL NADJAMERREK
The Artist's Country, Liverpool River, 1975
Natural earth pigments on eucalyptus bark,
101 34.5 cm
National Gallery of Australia, Canberra. Masterpieces for the
Nation Fund, 2010
JOHN MAWURNDJUL
Mardayin Design at Dilebang, 2006
Natural earth pigments on eucalyptus
bark, 200 47 cm
National Gallery of Australia, Canberra. Purchased 2007
JOHN MAWURNDJUL
Milmilngkan, 2008
Natural earth pigments on eucalyptus bark,
153 80.7 cm
National Gallery of Australia, Canberra. Purchased 2009
DJAMBAWA MARAWILI
Source of Fire, 2005
Natural earth pigments on eucalyptus
bark, 191 84 cm
Art Gallery of New South Wales, Sydney. Purchased with
funds provided by the Aboriginal Collection Benefactors'
Group, 2005
MUNGGURRAWUY YUNUPINGU
Fire Story at Caledon Bay, c.1963
Natural earth pigments on eucalyptus bark,
114 52 cm
National Gallery of Australia, Canberra. Founding Donors' Fund,
1984
MAWALAN MARIKA
The Milky Way, c. 1965
Natural earth pigments on eucalyptus
bark, 177 68 cm
National Gallery of Australia, Canberra. Purchased 2009
GULUMBU YUNUPINGU
Garak the Universe, 2007
Natural earth pigments on stringybark,
234 99.5 cm
National Gallery of Australia, Canberra. Purchased 2007
NANDABITTA MAMINYAMANDJA
Macassan Prau and Trepang Curing,
c.1974
Natural earth pigments on eucalyptus
bark, 61.5 40 cm
National Gallery of Australia, Canberra. Purchased from
Gallery admission charges, 1984
ALICE WAMBA
Coral, 1974
Natural earth pigments on eucalyptus
bark, 84 42 cm
National Gallery of Australia, Canberra. Purchased 1984
DECLAN APUATIMI
Pamijini, c. 1982
Natural earth pigments on eucalyptus
bark, 48 93.3 cm
National Gallery of Australia, Canberra. Purchased 1992
JOHNNY WARANGKULA
TJUPURRULA
A Bush Tucker Story, 1972
Synthetic polymer paint on composition
board, 91.4 66.2 cm
National Gallery of Victoria, Melbourne. Purchased
through the Art Foundation of Victoria with the assistance
of North Broken Hill Ltd, Fellow, 1987
ANATJARI TJAMPITJINPA
Ceremonial Ground, 1981
Synthetic polymer paint on canvas,
182.5 182 cm
National Gallery of Australia, Canberra. Purchased 1992
LONG JACK PHILLIPUS
TJAKAMARRA
Kalipinypa Water Dreaming,
c.1972
Synthetic polymer paint
on composition board,
90 61.6 cm
National Gallery of Australia, Canberra.
Purchased 1989
TIM LEURA TJAPALTJARRI
Fatal Love Dance, 1973
Synthetic polymer powder paint on
composition board, 40 30 cm
National Gallery of Australia, Canberra. The Peter Fannin
Collection of early Western Desert paintings, purchased 1998
TIMMY PAYUNGKA TJAPANGARTI
Sandhill Country West of Wilkinkarra,
Lake Mackay, 1972
Synthetic polymer paint on composition
board, 76 52 cm
National Gallery of Australia, Canberra. The Peter Fannin
Collection of early Western Desert paintings, purchased 1998
UTA UTA TJANGALA
Old Man's Dreaming, 1983
Synthetic polymer paint on canvas,
242 362 cm
Art Gallery of South Australia, Adelaide. South
Australian Government Grant, 1984
CLIFFORD POSSUM TJAPALTJARRI
Warlugulong, 1977
Synthetic polymer paint, oil and
natural earth pigments on canvas,
202 337.5 cm
National Gallery of Australia, Canberra. Purchased
with the generous assistance of Roslynne Bracher and
the Paspaley family, David Coe and Michelle Coe,
Charles Curran and Eva Curran, 2007
PADDY JUPURRURLA NELSON,
PADDY JAPALJARRI SIMS, LARRY
JUNGURRAYI SPENCER
Yanjilypiri Jukurrpa (Star Dreaming), 1985
Synthetic polymer paint on canvas,
372 171.4 cm
National Gallery of Australia, Canberra. Purchased 1986
EMILY KAME KNGWARREYE
Anwerlarr Anganenty (Big Yam Dreaming), 1995
Synthetic polymer paint on canvas, 291.1 801.8 cm
National Gallery of Victoria, Melbourne. Presented through the Art
Foundation of Victoria by Donald and Janet Holt and family, Governors, 1995
MICK NAMARARI TJAPALTJARRI
Rain Dreaming at Nyunman, 1994
Synthetic polymer paint on linen, 152 183 cm
National Gallery of Australia, Canberra. Purchased with funds from
the Australia Exhibition Patrons Club, 2013
TURKEY TOLSON TJUPURRULA
Straightening Spears at Ilyingaungau, 1990
Synthetic polymer paint on canvas,
181.5 244 cm
Art Gallery of South Australia, Adelaide. Gift of the Friends of
the Art Gallery of South Australia, 1990
JACK BRITTEN
Purnululu (Bull Creek Country), 1988
Natural earth pigments and natural binder on canvas,
160 200 cm
National Gallery of Australia, Canberra. Purchased 1989
QUEENIE MCKENZIE
Gija Country, 1995
Natural earth pigments and binder on canvas, 200 160 cm
National Gallery of Australia, Canberra. Purchased 1996
PADDY JAMINJI
Kimberley Landscape, c. 1984
Ochre on canvas, 195.8 270.3 cm
State Art Collection, Art Gallery of Western Australia,
Perth. Purchased 1988
ROVER THOMAS
Roads Meeting, 1987
Natural earth pigments and binder on canvas, 90 180 cm
National Gallery of Australia, Canberra. Purchased 1988
ROVER THOMAS
Cyclone Tracy, 1991
Natural earth pigments and binder on
canvas, 168 180 cm
National Gallery of Australia, Canberra. Purchased 1991
DOREEN REID NAKAMARRA
Untitled, 2007
Synthetic polymer paint on canvas, 183 244 cm
National Gallery of Australia, Canberra. Purchased 2007
DOROTHY NAPANGARDI
Sandhills of Mina Mina, 2000
Synthetic polymer paint on canvas,
198 122.7 cm
National Gallery of Australia, Canberra. Purchased 2001
MARTUMILI ARTISTS
Ngayarta Kujarra, 2009
Synthetic polymer paint on canvas,
300.6 500.3 cm
National Gallery of Victoria, Melbourne.
Purchased through the Felton Bequest, 2011
TOMMY MCRAE
Victorian Blacks _ Melbourne
Tribe Holding Corroboree after
Seeing Ships for the First Time,
c.1890s
Pen and iron-gall ink, 23.8 36 cm
National Gallery of Australia, Canberra. Purchased
1994
WILLIAM BARAK
Corroboree, 1895
Charcoal and natural earth
pigments, over pencil on prepared
linen, 60 76.4 cm
National Gallery of Australia, Canberra. Founding
Donors' Fund, 2010
MICKEY OF ULLADULLA
Fishing, Native Flora and Fauna, c.1888
Gouache, watercolour, black ink and pastel
over black pencil, 43 68 cm
National Gallery of Australia, Canberra. Purchased 1991
OTTO PAREROULTJA
Central Australian Landscape with
Ghost Gums, c.1968
Watercolour, gouache over black pencil,
38.4 53.2 cm
National Gallery of Australia, Canberra. Purchased 2005
ROBERT CAMPBELL JNR
Abo History (Facts), 1988
Synthetic polymer paint on canvas, 130 200 cm
National Gallery of Australia, Canberra. Purchased 1988
RICKY MAYNARD
The Healing Garden Wybalenna, Flinders
Island, Tasmania, 2005
One from a series of ten gelatin silver
photographs, 40.7 58.2 cm
National Gallery of Australia, Canberra. Purchased 2009
NICI CUMPSTON
Campsite V, Nookamka Lake, 2008
Inkjet print on canvas, hand-coloured with
pencil and watercolour, 77 206 cm
National Gallery of Australia, Canberra. Purchased 2011
MIRDIDINGKINGATHI SALLY
GABORI JUWARNDA
My Country, 2009
Synthetic polymer paint on canvas,
151 101 cm
National Gallery of Australia, Canberra.
Founding Donors' Fund, 2010
AFTER THOMAS WATLING
View of the Town of Sydney in the
Colony of New South Wales, c.1799
Oil on canvas, 65 133 cm
Art Gallery of South Australia, Adelaide. M. J. M. Carter AO
Collection
G. W. EVANS
A View of Sydney New South Wales
on Entering the Heads, c. 1809
Watercolour, 22.5 36.1 cm
State Library of New South Wales, Sydney. Purchased
1950
JOHN LEWIN
View from Governor Bligh's Farm,
Hawkesbury, New South Wales, c. 1808
Watercolour, 20 35.5 cm
Art Gallery of South Australia, Adelaide. J. C. Earl
Bequest and Elder Bequest Funds, 1989
WILLIAM WESTALL
Chasm Island, Native Cave Painting, c. 1803
Watercolour, 26.7 37.2 cm
National Library of Australia, Canberra. Purchased 1969
WILLIAM WESTALL
View of Sir Edward Pellew's Group,
Gulph of Carpentaria, 1802, c. 1812
Oil on canvas, 88 119 cm
Ministry of Defence Art Collection, London
WILLIAM WESTALL
View of Cape Townshend and of the
Islands of Shoal-Water Bay, Taken from
Mount Westall, c. 1810
Oil on canvas, 125 155 cm
Ministry of Defence Art Collection, London
JOHN LEWIN
Evans's Peak, 1815
Watercolour, 22.8 27 cm
State Library of New South Wales, Sydney. Presented 1937
JOHN LEWIN
Fish Catch and Dawes Point, Sydney Harbour,
c. 1813
Oil on canvas, 86.5 113 cm
Art Gallery of South Australia, Adelaide. Gift of the Art Gallery of
South Australia Foundation and South Australian Brewing Holdings
Limited, 1989. Given to mark the occasion of the Company's 1988
Centenary
JOSEPH LYCETT
Inner View of Newcastle, c.1818
Oil on canvas, 61 91.4 cm
Newcastle Art Gallery, New South Wales. Purchased with
assistance from the National Art Collections Fund, London, 1961
JOSEPH LYCETT
Aborigines Using Fire to Hunt Kangaroos
from `The Lycett Album'. Drawings of the
Aborigines and Scenery of New South
Wales, c.1820
Watercolour, 17.5 27.8 cm
National Library of Australia, Canberra. Purchased 1972
AUGUSTUS EARLE
View from the Summit of Mount York,
Looking towards Bathurst Plains, Convicts
Breaking Stones, New South Wales, c. 1826
Watercolour, 22.5 33 cm
National Library of Australia, Canberra. Rex Nan Kivell
Collection, 1959
AUGUSTUS EARLE
A Native Camp of Australian Savages near
Port Stevens, New South Wales, c. 1826
Watercolour, 25.1 43.8 cm
National Library of Australia, Canberra. Rex Nan Kivell
Collection, 1959
ROBERT DALE, print after; ROBERT HAVELL JNR,
etcher and publisher
Panoramic View of King Georges Sound, Part of the
Colony of Swan River, 1834
Etching and aquatint, printed in black ink from three
plates on three joined sheets, hand-coloured in
watercolour, 18 274.2 cm (overall)
National Gallery of Australia, Canberra. The Wordsworth Collection, purchased 2010
JOHN GLOVER
A Corroboree of Natives in Mills Plains, 1832
Oil on canvas, 56.5 71.4 cm
Art Gallery of South Australia, Adelaide. Morgan Thomas Bequest Fund, 1951
JOHN GLOVER
View of Mills Plains, Van Diemen's Land, 1833
Oil on canvas, 76.2 114.6 cm
Art Gallery of South Australia, Adelaide. Morgan Thomas Bequest
Fund, 1951
JOHN GLOVER
A View of the Artist's House and Garden, in Mills Plains, Van
Diemen's Land, 1835
Oil on canvas, 76.4 114.4 cm
Art Gallery of South Australia, Adelaide. Morgan Thomas Bequest Fund, 1951
JOHN GLOVER
`Cawood' on the Ouse River, 1838
Oil on canvas, 75.5 114 cm
Tasmanian Museum and Art Gallery, Hobart. Presented by Mrs
George C. Nicholas in memory of her husband, 1935
CONRAD MARTENS
Campbell's Wharf, 1857
Watercolour, with touches of gum
arabic, 46 66 cm
National Gallery of Australia, Canberra. Purchased
with the assistance of the Members' Acquisition
Fund, 2009
CONRAD MARTENS
View of Sydney from Neutral Bay,
c.1857
Watercolour, gouache, black pencil,
varnish, 45.1 65 cm
National Gallery of Australia, Canberra. Purchased
1975
EDMUND HENDERSON
Perth, West Australia, 1862
Watercolour, 34.6 50.6 cm
National Gallery of Australia, Canberra. The Wordsworth
Collection, purchased 2010
OSWALD BRIERLY
Amateur Whaling, or a Tale of the Pacific, 1847
Watercolour, 45.2 94 cm
Australian National Maritime Museum, Sydney. Purchased with funds from the USA Bicentennial
Gift, 1989
S. T. GILL
North Terrace, Adelaide, Looking
South-east from Government
House Guardhouse, 1845
Watercolour, 27.4 39.7 cm
Art Gallery of South Australia, Adelaide. Gift of the
South Australian Company, 1931
S. T. GILL
Looking SW from Table Land,
August 22nd, 1846
Watercolour, 18.1 30.7 cm
Art Gallery of South Australia, Adelaide. Gift of
Douglas and Barbara Mullins, 1999
S. T. GILL
Diggings in the Mount Alexander
District of Victoria in 1852, 1874
Watercolour, 24.5 35 cm
National Library of Australia, Canberra.
Purchased 2004
E. C. FROME
First View of the Salt Desert
Called Lake Torrens, 1843
Watercolour, 15.7 27.8 cm
Art Gallery of South Australia, Adelaide. South
Australian Government Grant, Adelaide City Council
and Public Donations, 1970
GEORGE FRENCH ANGAS
Scene Showing Emus in a
Plain (Coorong), 1844
Watercolour, 23 32.5 cm
Art Gallery of South Australia, Adelaide.
Gift of Miss E. M. Johnson, 1972
GEORGE FRENCH ANGAS
Port Lincoln from Winter's Hill,
1845
Watercolour, 24.6 34.1 cm
Art Gallery of South Australia, Adelaide.
Bequest of J. Angas Johnson, 1902
LUDWIG BECKER
Meteor Seen by Me on 11 October,
1860
Watercolour, 10.2 16.2 cm
State Library of Victoria, Melbourne
LUDWIG BECKER
Mallee Sand Cliffs at the Darling,
12 October, 1860
Watercolour and pencil, 12.1 16.1
cm
State Library of Victoria, Melbourne
LUDWIG BECKER
Border of the Mud Desert near
Desolation Camp, 9 March, 1861
Watercolour, 14 22.8 cm
State Library of Victoria, Melbourne
JOHN SKINNER PROUT
Maria Island from Little Swanport, Van
Diemen's Land, c. 1846
Oil on canvas, 29 35.5 cm
Art Gallery of South Australia, Adelaide. M. J. M. Carter AO
Collection through the Art Gallery of South Australia Foundation,
1992
JOHN SKINNER PROUT
South Bank of the Yarra, near Melbourne,
1846
No. 7 in Sketches in New South Wales,
Victoria, Tasmania and Norfolk Island,
c.184147
Watercolour, Chinese white and scraping out,
37.5 40.5 cm
State Library of New South Wales, Sydney. Bequeathed by D. S.
Mitchell, 1907
JOHN SKINNER PROUT
Shipwreck off Cape Pillar, 1846
Watercolour and gouache, 17 25.4 cm
National Gallery of Australia, Canberra. Purchased 1980
ALEXANDER SCHRAMM
Adelaide, A Tribe of Natives on the Banks of the River Torrens,
1850
Oil on canvas, 86.7 130.2 cm
National Gallery of Australia, Canberra. Purchased 2005
EUGENE VON GUERARD
Stony Rises, Lake Corangamite,
1857
Oil on canvas, 71.2 86.4 cm
Art Gallery of South Australia, Adelaide. Purchased
with the assistance of the Utah Foundation through
the Art Gallery of South Australia Foundation, 1981
EUGENE VON GUERARD
Ferntree Gully in the Dandenong Ranges,
1857
Oil on canvas, 92 138 cm
National Gallery of Australia, Canberra. Gift of Dr Joseph
Brown AO, OBE, 1975
EUGENE VON GUERARD
Purrumbete from across the Lake, 1858
Oil on canvas, 51 85.5 cm
National Gallery of Australia, Canberra. Purchased with funds
from the Nerissa Johnson Bequest, 1998
EUGENE VON GUERARD
From the Verandah of Purrumbete, 1858
Oil on canvas, 51.4 86.3 cm
National Gallery of Australia, Canberra. Purchased 1978
EUGENE VON GUERARD
North-east View from the Northern
Top of Mount Kosciusko, 1863
Oil on canvas, 66.5 116.8 cm
National Gallery of Australia, Canberra. Purchased 1973
EUGENE VON GUERARD
Bushfire, 1859
Oil on canvas mounted on board,
34.8 56.3 cm
Art Gallery of Ballarat, Victoria. Gift of Lady Currie in
memory of her husband, the late Sir Alan Currie, 1948
HENRY STEINER
Inkwell, c.1870
Silver, emu egg, brass, blackwood, 29.1 28.6
19.8 cm
National Gallery of Victoria, Melbourne. The Altmann Collection of
Australian Silver, presented through the Art Foundation of Victoria by
John and Jan Altmann, Founder Benefactors, 1986
JULIUS SCHOMBURGK
John Ridley Testimonial Candelabrum, 1860
Silver, gold, malachite and blackwood, 64 42 cm
University of Adelaide Visual Art Collection. Gift of Miss J. T. Ridley, 1930
JULIUS SCHOMBURGK
Duncan Challenge Trophy, c. 1875
Silver, 66.5 37.5 cm
Royal Agricultural and Horticultural Society of South Australia, Adelaide. Awarded 1920
NICHOLAS CHEVALIER
Mount Arapiles and the Mitre Rock, 1863
Oil on canvas, 77.5 120.6 cm
National Gallery of Australia, Canberra. Gift of Dr Joseph Brown AO,
OBE, 1979
RICHARD DAINTREE
Gold Diggers' Sale, Queensland, 186470
Albumen silver photograph, overpainted in oil,
mounted on canvas, 39.2 60.7 cm
National Library of Australia, Canberra. Rex Nan Kivell Collection,
1959
LOUIS BUVELOT
Winter Morning near Heidelberg,
1866
Oil on canvas, 76.8 118.2 cm
National Gallery of Victoria, Melbourne.
Purchased 1869
ISAAC WHITEHEAD
In the Sassafras Valley, Victoria, 1875
Oil on canvas, 99.2 132.9 cm
Art Gallery of South Australia, Adelaide. M. J. M. Carter AO Collection and the South Australian
Government, 1996
NICHOLAS CAIRE
Fairy Scene at the Landslip, Blacks' Spur,
Victoria, 1878
Albumen silver photograph, 27.4 22.5 cm
National Gallery of Australia, Canberra. Joseph Brown Fund,
1981
H. J. JOHNSTONE
Evening Shadows, Backwater of the
Murray, South Australia, 1880
Oil on canvas, 120.6 184.1 cm
Art Gallery of South Australia, Adelaide. Gift of Mr Henry
Yorke Sparks, 1881
FREDERICK MCCUBBIN
Lost, 1886
Oil on canvas, 115.8 73.9 cm
National Gallery of Victoria, Melbourne. Purchased through the
Felton Bequest, 1940
W. C. PIGUENIT
The Flood in the Darling, 1890, 1895
Oil on canvas, 122.5 199.3 cm
Art Gallery of New South Wales, Sydney. Purchased 1895
TOM ROBERTS
Allegro con brio: Bourke Street West,
c.188586, reworked 1890
Oil on canvas mounted on composition
board, 51.2 76.7 cm
National Gallery of Australia, Canberra, and National
Library of Australia, Canberra. Purchased 1918
TOM ROBERTS
The Artists' Camp, 1886
Oil on canvas, 46 60.9 cm
National Gallery of Victoria, Melbourne. Purchased
through the Felton Bequest, 1943
TOM ROBERTS
Slumbering Sea, Mentone, 1887
Oil on canvas, 51.3 76.5 cm
National Gallery of Victoria, Melbourne. Purchased
with the assistance of a special grant from the
Government of Victoria, 1979
TOM ROBERTS
The Sunny South, c. 1887
Oil on canvas, 30.8 61.4 cm
National Gallery of Victoria, Melbourne. Purchased
through the Felton Bequest, 1940
TOM ROBERTS
`Evening, when the quiet east flushes
faintly at the sun's last look', 188788
Oil on canvas, 50.8 76.4 cm
National Gallery of Victoria, Melbourne. W. H. Short
Bequest, 1944
CHARLES CONDER
Bronte Beach, 1888
Oil on paper on cardboard,
22.6 33 cm
National Gallery of Australia, Canberra.
Purchased from Gallery admission charges, 1982
CHARLES CONDER
Departure of the Orient
Circular Quay, 1888
Oil on canvas, 45.1 50.1 cm
Art Gallery of New South Wales, Sydney.
Purchased 1888
CHARLES CONDER
A Holiday at Mentone, 1888
Oil on canvas, 46.2 60.8 cm
Art Gallery of South Australia, Adelaide. South Australian Government
Grant with the assistance of Bond Corporation Holdings Limited through
the Art Gallery of South Australia Foundation to mark the Gallery's
Centenary, 1981
ARTHUR STREETON
The Selector's Hut (Whelan on the Log),
1890
Oil on canvas, 76.7 51.2 cm
National Gallery of Australia, Canberra. Purchased 1961
ARTHUR STREETON
Sirius Cove, c. 1895
Oil on wood panel, 68.8 16.8 cm
National Gallery of Australia, Canberra. Purchased 1973
ARTHUR STREETON
Golden Summer, Eaglemont, 1889
Oil on canvas, 81.3 152.6 cm
National Gallery of Australia, Canberra. Purchased 1995
ARTHUR STREETON
The National Game, 1889
Oil on cardboard, 11.8 22.9 cm
Art Gallery of New South Wales, Sydney. Purchased 1963
TOM ROBERTS
Evening Train to Hawthorn, c. 1889
Oil on cedar wood panel, 14 22.6 cm
Art Gallery of New South Wales, Sydney. Edward Stinson
Bequest Fund, 1991
CHARLES CONDER
How We Lost Poor Flossie, 1889
Oil on cedar wood panel, 25 9.2 cm
Art Gallery of South Australia, Adelaide. Elder Bequest Fund, 1941
CHARLES CONDER
Herrick's Blossoms, c. 1888
Oil on cardboard, 13.1 24 cm
National Gallery of Australia, Canberra. Purchased 1969
TOM ROBERTS
A Break Away!, 1891
Oil on canvas, 137.3 167.8 cm
Art Gallery of South Australia, Adelaide. Elder Bequest Fund, 1899
ARTHUR STREETON
Fire's On, 1891
Oil on canvas, 183.8 122.5 cm
Art Gallery of New South Wales, Sydney. Purchased
1893
SYDNEY LONG
The Spirit of the Plains, 1897
Oil on canvas on wood, 62 131.4 cm
Queensland Art Gallery, Brisbane. Gift of William Howard-Smith in memory of his grandfather,
Ormond Charles Smith, 1940
DAVID DAVIES
Moonrise, 1893
Oil on canvas, 50 60 cm
Art Gallery of South Australia, Adelaide. Elder
Bequest Fund, 1947
WALTER WITHERS
The Last of Summer, 1898
Oil on canvas, 77 92 cm
Art Gallery of Ballarat, Victoria. Gift of Mrs I.
Main-Rippin, 1932
FREDERICK McCUBBIN
The Pioneer, 1904
Oil on three canvases, 225 295.7 cm
(overall)
National Gallery of Victoria, Melbourne.
Purchased through the Felton Bequest, 1906
J. J. HILDER
Dry Lagoon, 1911
Pencil and watercolour, 66.2 99.1 cm
Art Gallery of New South Wales, Sydney. Purchased 1911
BLAMIRE YOUNG
Dry Weather, c. 1912
Watercolour, 56 76.8 cm
Art Gallery of New South Wales, Sydney. Purchased 1912
HANS HEYSEN
Red Gold, 1913
Oil on canvas, 129.5 174.5 cm
Art Gallery of South Australia, Adelaide. Gift of the Rt Hon. Sir Charles Booth, 1913
HANS HEYSEN
Midsummer Morning, 1908
Pencil and watercolour, 56 76.6 cm
National Gallery of Victoria, Melbourne. Purchased through the Felton Bequest, 1908
ELIOTH GRUNER
The Wave, c. 1913
Oil on wood panel, 30.5 24.4
cm
Queensland Art Gallery, Brisbane. Gift of
Lady Trout, 1978
ETHEL CARRICK
Manly Beach Summer Is Here, 1913
Oil on canvas, 81 102 cm
Manly Art Gallery and Museum, Sydney. Gift of the artist, 1934
FREDERICK MCCUBBIN
Collins Street, c. 1915
Oil on canvas on cardboard, 25 35.3 cm
Geelong Gallery, Victoria. H. P. Douglass Bequest Fund, 1945
FREDERICK MCCUBBIN
Violet and Gold, 1911
Oil on canvas, 72 130 cm
National Gallery of Australia, Canberra. Purchased with
the generous assistance of The Hon. Ashley
Dawson-Damer and John Wylie AM and Myriam Wylie,
2008
ROY DE MAISTRE
Forest Landscape, c. 1918
Oil on cardboard, 35.4 40.6 cm
National Gallery of Australia, Canberra. Purchased 1971
ROLAND WAKELIN
Barn near Tuggerah, 1919
Oil on composition board, 17.7 22 cm
National Gallery of Australia, Canberra. Gift of Daniel Thomas, 1981
ROLAND WAKELIN
Houses at Hunters Hill, c. 1919
Oil on canvas on composition board, 24 20 cm
National Gallery of Australia, Canberra. Purchased 1963
GEORGE W. LAMBERT
The Squatter's Daughter, 192324
Oil on canvas, 61.4 90.2 cm
National Gallery of Australia, Canberra. Purchased with the generous assistance of James
Fairfax AO and Philip Bacon AM and the people of Australia, 1991
JAMES W. R. LINTON
Falls Road, Late Evening, 1926
Watercolour, 54.6 75.4 cm
National Gallery of Australia, Canberra. Purchased 1980
HANS HEYSEN
The Land of the Oratunga, 1932
Watercolour, 47.3 62.6 cm
Art Gallery of South Australia, Adelaide. South Australian Government Grant, 1937
KENNETH MACQUEEN
Birds and Sheep, Darling Downs, c. 1924
Oil on board, 52.6 65.1 cm
Art Gallery of South Australia, Adelaide. Ivor Francis Bequest Fund, 1995
GRACE COSSINGTON SMITH
Four Panels for a Screen:
Loquat Tree, Gum and Wattle
Trees, Waterfall, Picnic in a
Gully, 1929
Oil on cardboard, 144.2 53 cm
(overall)
National Gallery of Australia, Canberra.
Purchased 1976
GRACE COSSINGTON SMITH
Eastern Road, Turramurra, c. 1926
Watercolour and black pencil, 40.6 33 cm
National Gallery of Australia, Canberra. Bequest of Mervyn Horton, 1984
GRACE COSSINGTON SMITH
The Bridge in Building, 1929
Oil on pulpboard, 75 53 cm
National Gallery of Australia, Canberra. Gift of Ellen Waugh, 2005
HAROLD CAZNEAUX
Arch of Steel, 1933
Gelatin silver photograph, 37.7 27.2 cm
National Library of Australia, Canberra. Cazneaux Collection 1974
JESSIE TRAILL
Building the Harbour Bridge IV: The Ant's Progress, November
1929, c. 1929
Etching, foul-biting, printed in brown ink with plate tone on
paper, 40.3 24.8 cm
Art Gallery of South Australia, Adelaide. David Murray Bequest Fund, 1932
134
AXEL POIGNANT
Swagman on the Road to Wilcannia, 1954
Gelatin silver photograph, 50.4 40.1 cm
National Gallery of Australia, Canberra. Purchased 1984
135
JEFF CARTER
Tobacco Road, Ovens Valley, 1956, printed 2000
Gelatin silver photograph, 28.1 27.7 cm
National Gallery of Australia, Canberra. Purchased 2000
CLARICE BECKETT
Passing Trams, c. 1931
Oil on board, 48.6 44.2 cm
Art Gallery of South Australia, Adelaide. Edna Berniece Harrison Bequest Fund through the Friends
of the Art Gallery of South Australia, 2001
CLARICE BECKETT
Morning Shadows, c. 1932
Oil on canvas board, 49.5 60 cm
Art Gallery of South Australia, Adelaide. South Australian
Government Grant, 1980
MAX DUPAIN
Sunbaker, 1937
Gelatin silver photograph, 38.6 43.4 cm
National Gallery of Australia, Canberra. Purchased 1976
CHARLES MEERE
Australian Beach Pattern, 1940
Oil on canvas, 91.5 122 cm
Art Gallery of New South Wales, Sydney.
Purchased 1965
HORACE TRENERRY
The Road to Maslins, 1940
Oil on cardboard, 48.5 57 cm
Art Gallery of South Australia, Adelaide. Gift of Douglas and Barbara Mullins, 2002
DORRIT BLACK
The Olive Plantation, 1946
Oil on canvas, 63.5 86.5 cm
Art Gallery of South Australia, Adelaide. Bequest of the artist, 1951
MARGARET PRESTON
Aboriginal Landscape, 1941
Oil on canvas, 40 52 cm
Art Gallery of South Australia, Adelaide. D. & J. T. Mortlock Bequest Fund, 1982
MARGARET PRESTON
Flying over the Shoalhaven River, 1942
Oil on canvas, 50.6 50.6 cm
National Gallery of Australia, Canberra. Purchased 1973
ERIC THAKE
Brownout, 1942
Oil on paperboard, 41 51 cm
National Gallery of Australia, Canberra. Purchased 2011
ALBERT TUCKER
Sunbathers, 1944
Oil on cardboard, 59.2 86 cm
National Gallery of Australia, Canberra. Purchased 1981
ARTHUR BOYD
The Hunter I, 1944
Oil on cotton gauze on cardboard, 63.6 75.8 cm
National Gallery of Australia, Canberra. The Arthur Boyd Gift, 1975
ARTHUR BOYD
The Mining Town (Casting the Money Lenders from the Temple),
c. 1946
Oil and tempera on composition board, 87.4 109.4 cm
National Gallery of Australia, Canberra. Purchased 1974
ADRIAN FEINT
The Jetties, Palm Beach, 1942
Oil on canvas, 50.7 45.6 cm
New England Regional Art Museum, Armidale, New South Wales. Howard Hinton Collection,
1942
MARGARET PRESTON
The Expulsion, 1952
Stencil print, printed in colour from one hand-cut paper stencil,
on thin black card; hand-coloured with gouache, 64 51 cm
Art Gallery of New South Wales, Sydney. Gift of Mr W. G. Preston, the artist's widower, 1967
JEFFREY SMART
Holiday Resort, 1946
Oil on canvas, 50.9 60.9 cm
Art Gallery of South Australia, Adelaide. Gift of Douglas and Barbara
Mullins to commemorate the gallery's 125th anniversary, 2006
LLOYD REES
The Road to Berry, 1947
Oil on canvas on paperboard, 34.6 42.2 cm
Art Gallery of New South Wales, Sydney. Purchased 1947
RUSSELL DRYSDALE
The Drover's Wife, c. 1945
Oil on canvas, 51.5 61.5 cm
National Gallery of Australia, Canberra. Gift of American Friends of the National Gallery of
Australia Inc., New York, NY, USA, made possible with the generous support of Mr and Mrs
Benno Schmidt of New York and Esperance, Western Australia, 1987
RUSSELL DRYSDALE
Emus in a Landscape, 1950
Oil on canvas, 101.6 127 cm
National Gallery of Australia, Canberra. Purchased 1970
SIDNEY NOLAN
Glenrowan, 1946
Enamel paint on composition board,
90.9 121.2 cm
National Gallery of Australia, Canberra. Gift of Sunday
Reed, 1977
SIDNEY NOLAN
Ned Kelly, 1946
Enamel paint on composition board,
90.8 121.5 cm
National Gallery of Australia, Canberra. Gift of Sunday
Reed, 1977
SIDNEY NOLAN
The Burning Tree, 1947
Enamel paint on composition board, 90.7 121.2 cm
National Gallery of Australia, Canberra. Gift of Sunday Reed, 1977
SIDNEY NOLAN
Quilting the Armour, 1947
Enamel paint on composition board,
90.4 121.2 cm
National Gallery of Australia, Canberra. Gift of Sunday
Reed, 1977
SIDNEY NOLAN
Pretty Polly Mine, 1948
Enamel paint on hardboard, 91 122.2 cm
Art Gallery of New South Wales, Sydney. Purchased 1949
SIDNEY NOLAN
Inland Australia, 1950
Oil and enamel paint on composition board, 91.5 121 cm
National Gallery of Australia, Canberra. Purchased 1961
JOHN BRACK
The Car, 1955
Oil on canvas, 41 102.2 cm
National Gallery of Victoria, Melbourne. Purchased 1956
JOHN OLSEN
Sydney Sun, 1965
Oil on three plywood panels, 305 412.5 cm (overall)
National Gallery of Australia, Canberra. Purchased with funds from the
Nerissa Johnson Bequest, 2000
TONY TUCKSON
Watery, c. 1960
Oil on composition board,
122.2 183 cm
National Gallery of Australia, Canberra. Gift of
Margaret Tuckson, 2002
IAN FAIRWEATHER
Monsoon, 196162
Synthetic polymer paint and
gouache on card, lined onto
hardboard, 98.3 188.9 cm
State Art Collection, Art Gallery of Western Australia,
Perth. Purchased 1983
FRED WILLIAMS
Yellow Landscape, 196869
Oil on canvas, 141.7 193 cm
Geelong Gallery, Victoria. Purchased 1976
FRED WILLIAMS
Silver and Grey, 1969
Oil on canvas, 137.2 152.3 cm
Art Gallery of South Australia, Adelaide. Gift of Howard and Christine Michell, 1992
FRED WILLIAMS
Snow Storm, Kosciusko, 197677
Oil on canvas, 101.6 183 cm
National Gallery of Australia, Canberra. Purchased with
funds from the Ruth Komon Bequest, 2013
KEN WHISSON
Jean's Farm, 1972
Oil on composition board, 81 109.3 cm
National Gallery of Australia, Canberra. Gift of the Philip Morris Arts Grant, 1982
BRETT WHITELEY
Big Orange (Sunset), 1974
Oil and collage on wood, 244 305 cm
Art Gallery of New South Wales, Sydney. Gift of Patrick White, 1975
ARTHUR BOYD
Paintings in the Studio: `Figure Supporting Back Legs' and
`Interior with Black Rabbit', 197374
Oil on canvas, 313.5 433.2 cm
National Gallery of Australia, Canberra. The Arthur Boyd Gift, 1975
WESLEY STACEY
The Road (Outback to the City 4; Kalgoorlie to Port Headland, WA;
Perth Fun City; Kalgoorlie to Port Headland, WA; Paraburdoo and
Tom Price, The Pilbara, WA; Up the Centre, SA to NT; The Gulf to
Burdekin, QLD; Work Day Roads 6; Roads to the Red Brick Home,
Sydney; Night Roads, Sydney; Sydney to Canberra; Sydney to
Canberra), 197375
A selection of twelve from a series of 280 C-type colour
photographs, 9 12.6 cm
National Gallery of Australia, Canberra. Purchased 1984
PETER DOMBROVSKIS
Morning Mist, Rock Island Bend, 1981, printed 2000
C-type colour photograph, 100 150 cm
National Gallery of Australia, Canberra. Purchased 2002
DAVID STEPHENSON
Self-portrait Looking Down a Survey-cut Proposed Site of Gordon
below Franklin Dam, Tasmania, 1982
Mosaic of 9 gelatin silver photographs, 62.5 80.8 cm (overall)
Museum of Contemporary Art, Sydney. Donated by the artist through the Australian
Government's Cultural Gifts Program, 2010
BRIAN BLANCHFLOWER
Nocturne 3 (Whale Rock), 1982
Oil, bitumen, sand, chalk on canvas,
178 255 cm
Art Gallery of South Australia, Adelaide.
Elder Bequest Fund, 1983
HOWARD TAYLOR
Sun Figure, 1989
Oil on canvas, 90 120 cm
Art Gallery of South Australia, Adelaide. South Australian Government Grant, 1991
FIONA HALL
Paradisus Terrestris, 198990
23 cut and moulded sardine tins; aluminium, tin
and steel, 24.5 11 cm (each approximately)
National Gallery of Australia, Canberra. Purchased 1994
GORDON BENNETT
Possession Island, 1991
Oil and synthetic polymer paint on canvas,
162 260 cm
Museum of Sydney, Historic Houses Trust of New South Wales,
Sydney. Purchased with funds from the Foundation for the
Historic Houses Trust, Museum of Sydney Appeal, 2007
TIM JOHNSON
Dewachen, 1987
Synthetic polymer paint on linen,
182 243 cm
Museum of Contemporary Art, Sydney. Gift of Lotti
Smorgan AO and Victor Smorgan AC, 1995
ROSALIE GASCOIGNE
Monaro, 1989
Synthetic polymer paint on soft-drink crates
on plywood, 131 457 cm (overall)
State Art Collection, Art Gallery of Western Australia, Perth.
Purchased 1989
JAN SENBERGS
Fort, 1973
Screen-print, printed in colour, from multiple stencils,
55.9 81.5 cm
National Gallery of Australia, Canberra. Purchased 1973
PETER BOOTH
Mangroves, 2002
Pastel, 62 101 cm
National Gallery of Australia, Canberra. Purchased 2013
WILLIAM ROBINSON
Twin Falls and Gorge, 2000
Oil on canvas, 137 183 cm
National Gallery of Australia, Canberra. Gift of Ray and Diana Kidd, 2013
ELISABETH CUMMINGS
Wedderburn Spring, 1993
Oil on canvas, 173 196 cm
Campbelltown City Bicentennial Art Gallery, New South Wales. Purchased 1993
MIKE PARR
Great Distances between Small Towns, sheets 46, 1113,
199091
A selection of six from the series of twenty-four drypoints, printed
in black ink, each one from one plate, 76.2 106.4 cm (each
sheet), printed by John Loane, at Viridian Press, Melbourne
National Gallery of Australia, Canberra. Purchased 2012
BEA MADDOCK
Terra Spiritus with a Darker Shade of Pale, 199398
From the 52-sheet series of stencils, printed in hand-ground
Launceston ochre, each from multiple mylar stencils, blind
printed letterpress and handwritten script, 28.4 75.9 cm
(each sheet)
National Gallery of Australia, Canberra. Gordon Darling Australasian Print Fund, 1998
HOWARD ARKLEY
Superb + Solid, 1998
Synthetic polymer paint on canvas, 200 300.6 cm
Art Gallery of New South Wales, Sydney. Purchased with funds from the Contemporary
Collection Benefactors, 1998
ROBERT MACPHERSON
Mayfair: Bethonga Gold, for B.T.O.'s, 19952006
Synthetic polymer paint on three composition boards,
244 190 cm (overall)
National Gallery of Australia, Canberra. Purchased 2012
G.W. BOT
Garden of Gethsemane I, 2000
Linocut, printed in colour from
multiple blocks, hand-coloured on
thin tapa cloth, 98 50.8 cm
National Gallery of Australia, Canberra. Purchased
with the generous assistance of the artist, 2011
SIMRYN GILL
Rampant, 1999
A selection of four from a series of seven gelatin silver
photographs, 23 26 cm, 23.5 25.6 cm, 25.4 23.9 cm,
24.5 23.6 cm
Art Gallery of New South Wales, Sydney. Gift of the artist, 2005
CALLUM MORTON
Tomorrowland, 2004
Digital print, 94.5 170 cm
National Gallery of Australia, Canberra. Gift of Naomi
Milgrom AO, 2013
BILL HENSON
Untitled, 199899
Colour photograph, inkjet pigment print,
127 180 cm
National Gallery of Australia, Canberra. Purchased with
funds from the Australia Exhibition Patrons Club, 2013
TRACEY MOFFATT
Up in the Sky #1, #2, #6, #8,
#14, #24, 1997
A selection of six from the
series of twenty-five lithographs,
61.5 76 cm (each sheet)
Tate, London. Purchased 1998
JOHN BEARD
Uluru 8, 2002
Oil and wax on linen, 180 262 cm
Australian National University, Canberra. Gift of James Erskine through the Australian
Government's Cultural Gifts Program, 2009
IMANTS TILLERS
Shadow of the Hereafter, 2007
Synthetic polymer paint and gouache on 72 canvas
boards, 228.5 284.5 cm (overall)
Art Gallery of South Australia, Adelaide. Gift of the Art Gallery of South Australia
Contemporary Collectors, Gosia Kudra-Schild and Taliangis family, 2007
FIONA FOLEY
Bliss, 2006
Single-channel HD/DVD: 16:9, ratio colour,
sound 11 minutes, 20 seconds
Museum of Contemporary Art, Sydney. Purchased with funds
provided by the Coe and Mordant families, 2009
DENNIS NONA
Mutuk, 2009
Etching, printed in colour,
133 430 cm
National Gallery of Australia, Canberra.
Purchased 2009
VERNON AH KEE
Can't Chant (wegrewhere) #2, 2009
Digital print, 76 114 cm
National Gallery of Australia, Canberra. Purchased 2009
SHAUN GLADWELL
Approach to Mundi Mundi, 2007
From the series MADDESTMAXIMVS
Single-channel HD/DVD, 16:9 ratio
colour, silent 8 minutes, 37 seconds
Art Gallery of New South Wales, Sydney. John Kaldor
Family Collection
PHILIP WOLFHAGEN
Autumn Equinox: The Loss of the Sun, 2009
Oil and beeswax on canvas, 200.4 160.3 cm
National Gallery of Australia, Canberra. Purchased 2009
DANIEL CROOKS
Cloud Atlas (Fitzroy 1:23), 2012
Single-channel HD/DVD 16:9, ratio colour, silent, 21 minutes
National Gallery of Australia, Canberra. Purchased 2012
ROSEMARY LAING
Jim from the series leak, 2010
C-type colour photograph, 110 237.6 cm
National Gallery of Australia, Canberra. Purchased 2013
HOSSEIN VALAMANESH
Longing/Belonging, 1997
Direct colour positive photograph, 99 99 cm;
carpet, velvet, 215 305 cm
Art Gallery of New South Wales, Sydney. Purchased with funds from the
Contemporary Collection Benefactors, 2002
CHRISTIAN THOMPSON
Dead as a Door Nail, 2008
C-type colour photograph, 100 100 cm
National Gallery of Australia, Canberra. Purchased 2012
DANIE MELLOR
An Elysian City (of Picturesque Landscapes
and Memory), 2010
Pastel, pencil and wash with glitter and
Swarovski crystal, 143 186 cm
National Gallery of Australia, Canberra. Purchased 2011
KATHY TEMIN
Tombstone Garden, 2012
Synthetic fur, synthetic polymer paint,
synthetic stuffing, steel, composition
board, 230 429 180 cm (overall)
National Gallery of Australia, Canberra. Purchased 2012
JUDY WATSON
Fire and Water
Source: Royal Academy, London
- See more at: http://www.theaustralian.com.au/arts/visual-arts/artworks-in-londons-royal-academy-show-australia/story-fn9d3avm-1226722071425#sthash.PpK6F6F0.dpuf
Nadubi Spirit-Woman, with Possum, Magpie
Goose and Fish, c. 1884
Ochres on bark, 83 63.5 cm
South Australian Museum, Adelaide. Collected by Captain Frederick
Carrington, 1884, donated to the Royal Geographical Society of South
Australia, Adelaide, 1890s, and thence to the South Australian Museum, Adelaide
YIRAWALA
Kundaagi Red Plains, Kangaroo, 1962
Natural earth pigments on eucalyptus bark,
103 47 cm
National Gallery of Australia, Canberra. Masterpieces for the
Nation Fund, 2012
JOHN MAWURNDJUL
Rainbow Serpent's Antilopine Kangaroo,
1991
Natural earth pigments on eucalyptus
bark, 192 99.5 cm
National Gallery of Australia, Canberra. Purchased 1991
BARDAYAL NADJAMERREK
Dead Man, c. 1968
Natural earth pigments on
eucalyptus bark, 60 30 cm
Art Gallery of South Australia, Adelaide. South Australian
Government Grant, 1969
BARDAYAL NADJAMERREK
The Artist's Country, Liverpool River, 1975
Natural earth pigments on eucalyptus bark,
101 34.5 cm
National Gallery of Australia, Canberra. Masterpieces for the
Nation Fund, 2010
JOHN MAWURNDJUL
Mardayin Design at Dilebang, 2006
Natural earth pigments on eucalyptus
bark, 200 47 cm
National Gallery of Australia, Canberra. Purchased 2007
JOHN MAWURNDJUL
Milmilngkan, 2008
Natural earth pigments on eucalyptus bark,
153 80.7 cm
National Gallery of Australia, Canberra. Purchased 2009
DJAMBAWA MARAWILI
Source of Fire, 2005
Natural earth pigments on eucalyptus
bark, 191 84 cm
Art Gallery of New South Wales, Sydney. Purchased with
funds provided by the Aboriginal Collection Benefactors'
Group, 2005
MUNGGURRAWUY YUNUPINGU
Fire Story at Caledon Bay, c.1963
Natural earth pigments on eucalyptus bark,
114 52 cm
National Gallery of Australia, Canberra. Founding Donors' Fund,
1984
MAWALAN MARIKA
The Milky Way, c. 1965
Natural earth pigments on eucalyptus
bark, 177 68 cm
National Gallery of Australia, Canberra. Purchased 2009
GULUMBU YUNUPINGU
Garak the Universe, 2007
Natural earth pigments on stringybark,
234 99.5 cm
National Gallery of Australia, Canberra. Purchased 2007
NANDABITTA MAMINYAMANDJA
Macassan Prau and Trepang Curing,
c.1974
Natural earth pigments on eucalyptus
bark, 61.5 40 cm
National Gallery of Australia, Canberra. Purchased from
Gallery admission charges, 1984
ALICE WAMBA
Coral, 1974
Natural earth pigments on eucalyptus
bark, 84 42 cm
National Gallery of Australia, Canberra. Purchased 1984
DECLAN APUATIMI
Pamijini, c. 1982
Natural earth pigments on eucalyptus
bark, 48 93.3 cm
National Gallery of Australia, Canberra. Purchased 1992
JOHNNY WARANGKULA
TJUPURRULA
A Bush Tucker Story, 1972
Synthetic polymer paint on composition
board, 91.4 66.2 cm
National Gallery of Victoria, Melbourne. Purchased
through the Art Foundation of Victoria with the assistance
of North Broken Hill Ltd, Fellow, 1987
ANATJARI TJAMPITJINPA
Ceremonial Ground, 1981
Synthetic polymer paint on canvas,
182.5 182 cm
National Gallery of Australia, Canberra. Purchased 1992
LONG JACK PHILLIPUS
TJAKAMARRA
Kalipinypa Water Dreaming,
c.1972
Synthetic polymer paint
on composition board,
90 61.6 cm
National Gallery of Australia, Canberra.
Purchased 1989
TIM LEURA TJAPALTJARRI
Fatal Love Dance, 1973
Synthetic polymer powder paint on
composition board, 40 30 cm
National Gallery of Australia, Canberra. The Peter Fannin
Collection of early Western Desert paintings, purchased 1998
TIMMY PAYUNGKA TJAPANGARTI
Sandhill Country West of Wilkinkarra,
Lake Mackay, 1972
Synthetic polymer paint on composition
board, 76 52 cm
National Gallery of Australia, Canberra. The Peter Fannin
Collection of early Western Desert paintings, purchased 1998
UTA UTA TJANGALA
Old Man's Dreaming, 1983
Synthetic polymer paint on canvas,
242 362 cm
Art Gallery of South Australia, Adelaide. South
Australian Government Grant, 1984
CLIFFORD POSSUM TJAPALTJARRI
Warlugulong, 1977
Synthetic polymer paint, oil and
natural earth pigments on canvas,
202 337.5 cm
National Gallery of Australia, Canberra. Purchased
with the generous assistance of Roslynne Bracher and
the Paspaley family, David Coe and Michelle Coe,
Charles Curran and Eva Curran, 2007
PADDY JUPURRURLA NELSON,
PADDY JAPALJARRI SIMS, LARRY
JUNGURRAYI SPENCER
Yanjilypiri Jukurrpa (Star Dreaming), 1985
Synthetic polymer paint on canvas,
372 171.4 cm
National Gallery of Australia, Canberra. Purchased 1986
EMILY KAME KNGWARREYE
Anwerlarr Anganenty (Big Yam Dreaming), 1995
Synthetic polymer paint on canvas, 291.1 801.8 cm
National Gallery of Victoria, Melbourne. Presented through the Art
Foundation of Victoria by Donald and Janet Holt and family, Governors, 1995
MICK NAMARARI TJAPALTJARRI
Rain Dreaming at Nyunman, 1994
Synthetic polymer paint on linen, 152 183 cm
National Gallery of Australia, Canberra. Purchased with funds from
the Australia Exhibition Patrons Club, 2013
TURKEY TOLSON TJUPURRULA
Straightening Spears at Ilyingaungau, 1990
Synthetic polymer paint on canvas,
181.5 244 cm
Art Gallery of South Australia, Adelaide. Gift of the Friends of
the Art Gallery of South Australia, 1990
JACK BRITTEN
Purnululu (Bull Creek Country), 1988
Natural earth pigments and natural binder on canvas,
160 200 cm
National Gallery of Australia, Canberra. Purchased 1989
QUEENIE MCKENZIE
Gija Country, 1995
Natural earth pigments and binder on canvas, 200 160 cm
National Gallery of Australia, Canberra. Purchased 1996
PADDY JAMINJI
Kimberley Landscape, c. 1984
Ochre on canvas, 195.8 270.3 cm
State Art Collection, Art Gallery of Western Australia,
Perth. Purchased 1988
ROVER THOMAS
Roads Meeting, 1987
Natural earth pigments and binder on canvas, 90 180 cm
National Gallery of Australia, Canberra. Purchased 1988
ROVER THOMAS
Cyclone Tracy, 1991
Natural earth pigments and binder on
canvas, 168 180 cm
National Gallery of Australia, Canberra. Purchased 1991
DOREEN REID NAKAMARRA
Untitled, 2007
Synthetic polymer paint on canvas, 183 244 cm
National Gallery of Australia, Canberra. Purchased 2007
DOROTHY NAPANGARDI
Sandhills of Mina Mina, 2000
Synthetic polymer paint on canvas,
198 122.7 cm
National Gallery of Australia, Canberra. Purchased 2001
MARTUMILI ARTISTS
Ngayarta Kujarra, 2009
Synthetic polymer paint on canvas,
300.6 500.3 cm
National Gallery of Victoria, Melbourne.
Purchased through the Felton Bequest, 2011
TOMMY MCRAE
Victorian Blacks _ Melbourne
Tribe Holding Corroboree after
Seeing Ships for the First Time,
c.1890s
Pen and iron-gall ink, 23.8 36 cm
National Gallery of Australia, Canberra. Purchased
1994
WILLIAM BARAK
Corroboree, 1895
Charcoal and natural earth
pigments, over pencil on prepared
linen, 60 76.4 cm
National Gallery of Australia, Canberra. Founding
Donors' Fund, 2010
MICKEY OF ULLADULLA
Fishing, Native Flora and Fauna, c.1888
Gouache, watercolour, black ink and pastel
over black pencil, 43 68 cm
National Gallery of Australia, Canberra. Purchased 1991
OTTO PAREROULTJA
Central Australian Landscape with
Ghost Gums, c.1968
Watercolour, gouache over black pencil,
38.4 53.2 cm
National Gallery of Australia, Canberra. Purchased 2005
ROBERT CAMPBELL JNR
Abo History (Facts), 1988
Synthetic polymer paint on canvas, 130 200 cm
National Gallery of Australia, Canberra. Purchased 1988
RICKY MAYNARD
The Healing Garden Wybalenna, Flinders
Island, Tasmania, 2005
One from a series of ten gelatin silver
photographs, 40.7 58.2 cm
National Gallery of Australia, Canberra. Purchased 2009
NICI CUMPSTON
Campsite V, Nookamka Lake, 2008
Inkjet print on canvas, hand-coloured with
pencil and watercolour, 77 206 cm
National Gallery of Australia, Canberra. Purchased 2011
MIRDIDINGKINGATHI SALLY
GABORI JUWARNDA
My Country, 2009
Synthetic polymer paint on canvas,
151 101 cm
National Gallery of Australia, Canberra.
Founding Donors' Fund, 2010
AFTER THOMAS WATLING
View of the Town of Sydney in the
Colony of New South Wales, c.1799
Oil on canvas, 65 133 cm
Art Gallery of South Australia, Adelaide. M. J. M. Carter AO
Collection
G. W. EVANS
A View of Sydney New South Wales
on Entering the Heads, c. 1809
Watercolour, 22.5 36.1 cm
State Library of New South Wales, Sydney. Purchased
1950
JOHN LEWIN
View from Governor Bligh's Farm,
Hawkesbury, New South Wales, c. 1808
Watercolour, 20 35.5 cm
Art Gallery of South Australia, Adelaide. J. C. Earl
Bequest and Elder Bequest Funds, 1989
WILLIAM WESTALL
Chasm Island, Native Cave Painting, c. 1803
Watercolour, 26.7 37.2 cm
National Library of Australia, Canberra. Purchased 1969
WILLIAM WESTALL
View of Sir Edward Pellew's Group,
Gulph of Carpentaria, 1802, c. 1812
Oil on canvas, 88 119 cm
Ministry of Defence Art Collection, London
WILLIAM WESTALL
View of Cape Townshend and of the
Islands of Shoal-Water Bay, Taken from
Mount Westall, c. 1810
Oil on canvas, 125 155 cm
Ministry of Defence Art Collection, London
JOHN LEWIN
Evans's Peak, 1815
Watercolour, 22.8 27 cm
State Library of New South Wales, Sydney. Presented 1937
JOHN LEWIN
Fish Catch and Dawes Point, Sydney Harbour,
c. 1813
Oil on canvas, 86.5 113 cm
Art Gallery of South Australia, Adelaide. Gift of the Art Gallery of
South Australia Foundation and South Australian Brewing Holdings
Limited, 1989. Given to mark the occasion of the Company's 1988
Centenary
JOSEPH LYCETT
Inner View of Newcastle, c.1818
Oil on canvas, 61 91.4 cm
Newcastle Art Gallery, New South Wales. Purchased with
assistance from the National Art Collections Fund, London, 1961
JOSEPH LYCETT
Aborigines Using Fire to Hunt Kangaroos
from `The Lycett Album'. Drawings of the
Aborigines and Scenery of New South
Wales, c.1820
Watercolour, 17.5 27.8 cm
National Library of Australia, Canberra. Purchased 1972
AUGUSTUS EARLE
View from the Summit of Mount York,
Looking towards Bathurst Plains, Convicts
Breaking Stones, New South Wales, c. 1826
Watercolour, 22.5 33 cm
National Library of Australia, Canberra. Rex Nan Kivell
Collection, 1959
AUGUSTUS EARLE
A Native Camp of Australian Savages near
Port Stevens, New South Wales, c. 1826
Watercolour, 25.1 43.8 cm
National Library of Australia, Canberra. Rex Nan Kivell
Collection, 1959
ROBERT DALE, print after; ROBERT HAVELL JNR,
etcher and publisher
Panoramic View of King Georges Sound, Part of the
Colony of Swan River, 1834
Etching and aquatint, printed in black ink from three
plates on three joined sheets, hand-coloured in
watercolour, 18 274.2 cm (overall)
National Gallery of Australia, Canberra. The Wordsworth Collection, purchased 2010
JOHN GLOVER
A Corroboree of Natives in Mills Plains, 1832
Oil on canvas, 56.5 71.4 cm
Art Gallery of South Australia, Adelaide. Morgan Thomas Bequest Fund, 1951
JOHN GLOVER
View of Mills Plains, Van Diemen's Land, 1833
Oil on canvas, 76.2 114.6 cm
Art Gallery of South Australia, Adelaide. Morgan Thomas Bequest
Fund, 1951
JOHN GLOVER
A View of the Artist's House and Garden, in Mills Plains, Van
Diemen's Land, 1835
Oil on canvas, 76.4 114.4 cm
Art Gallery of South Australia, Adelaide. Morgan Thomas Bequest Fund, 1951
JOHN GLOVER
`Cawood' on the Ouse River, 1838
Oil on canvas, 75.5 114 cm
Tasmanian Museum and Art Gallery, Hobart. Presented by Mrs
George C. Nicholas in memory of her husband, 1935
CONRAD MARTENS
Campbell's Wharf, 1857
Watercolour, with touches of gum
arabic, 46 66 cm
National Gallery of Australia, Canberra. Purchased
with the assistance of the Members' Acquisition
Fund, 2009
CONRAD MARTENS
View of Sydney from Neutral Bay,
c.1857
Watercolour, gouache, black pencil,
varnish, 45.1 65 cm
National Gallery of Australia, Canberra. Purchased
1975
EDMUND HENDERSON
Perth, West Australia, 1862
Watercolour, 34.6 50.6 cm
National Gallery of Australia, Canberra. The Wordsworth
Collection, purchased 2010
OSWALD BRIERLY
Amateur Whaling, or a Tale of the Pacific, 1847
Watercolour, 45.2 94 cm
Australian National Maritime Museum, Sydney. Purchased with funds from the USA Bicentennial
Gift, 1989
S. T. GILL
North Terrace, Adelaide, Looking
South-east from Government
House Guardhouse, 1845
Watercolour, 27.4 39.7 cm
Art Gallery of South Australia, Adelaide. Gift of the
South Australian Company, 1931
S. T. GILL
Looking SW from Table Land,
August 22nd, 1846
Watercolour, 18.1 30.7 cm
Art Gallery of South Australia, Adelaide. Gift of
Douglas and Barbara Mullins, 1999
S. T. GILL
Diggings in the Mount Alexander
District of Victoria in 1852, 1874
Watercolour, 24.5 35 cm
National Library of Australia, Canberra.
Purchased 2004
E. C. FROME
First View of the Salt Desert
Called Lake Torrens, 1843
Watercolour, 15.7 27.8 cm
Art Gallery of South Australia, Adelaide. South
Australian Government Grant, Adelaide City Council
and Public Donations, 1970
GEORGE FRENCH ANGAS
Scene Showing Emus in a
Plain (Coorong), 1844
Watercolour, 23 32.5 cm
Art Gallery of South Australia, Adelaide.
Gift of Miss E. M. Johnson, 1972
GEORGE FRENCH ANGAS
Port Lincoln from Winter's Hill,
1845
Watercolour, 24.6 34.1 cm
Art Gallery of South Australia, Adelaide.
Bequest of J. Angas Johnson, 1902
LUDWIG BECKER
Meteor Seen by Me on 11 October,
1860
Watercolour, 10.2 16.2 cm
State Library of Victoria, Melbourne
LUDWIG BECKER
Mallee Sand Cliffs at the Darling,
12 October, 1860
Watercolour and pencil, 12.1 16.1
cm
State Library of Victoria, Melbourne
LUDWIG BECKER
Border of the Mud Desert near
Desolation Camp, 9 March, 1861
Watercolour, 14 22.8 cm
State Library of Victoria, Melbourne
JOHN SKINNER PROUT
Maria Island from Little Swanport, Van
Diemen's Land, c. 1846
Oil on canvas, 29 35.5 cm
Art Gallery of South Australia, Adelaide. M. J. M. Carter AO
Collection through the Art Gallery of South Australia Foundation,
1992
JOHN SKINNER PROUT
South Bank of the Yarra, near Melbourne,
1846
No. 7 in Sketches in New South Wales,
Victoria, Tasmania and Norfolk Island,
c.184147
Watercolour, Chinese white and scraping out,
37.5 40.5 cm
State Library of New South Wales, Sydney. Bequeathed by D. S.
Mitchell, 1907
JOHN SKINNER PROUT
Shipwreck off Cape Pillar, 1846
Watercolour and gouache, 17 25.4 cm
National Gallery of Australia, Canberra. Purchased 1980
ALEXANDER SCHRAMM
Adelaide, A Tribe of Natives on the Banks of the River Torrens,
1850
Oil on canvas, 86.7 130.2 cm
National Gallery of Australia, Canberra. Purchased 2005
EUGENE VON GUERARD
Stony Rises, Lake Corangamite,
1857
Oil on canvas, 71.2 86.4 cm
Art Gallery of South Australia, Adelaide. Purchased
with the assistance of the Utah Foundation through
the Art Gallery of South Australia Foundation, 1981
EUGENE VON GUERARD
Ferntree Gully in the Dandenong Ranges,
1857
Oil on canvas, 92 138 cm
National Gallery of Australia, Canberra. Gift of Dr Joseph
Brown AO, OBE, 1975
EUGENE VON GUERARD
Purrumbete from across the Lake, 1858
Oil on canvas, 51 85.5 cm
National Gallery of Australia, Canberra. Purchased with funds
from the Nerissa Johnson Bequest, 1998
EUGENE VON GUERARD
From the Verandah of Purrumbete, 1858
Oil on canvas, 51.4 86.3 cm
National Gallery of Australia, Canberra. Purchased 1978
EUGENE VON GUERARD
North-east View from the Northern
Top of Mount Kosciusko, 1863
Oil on canvas, 66.5 116.8 cm
National Gallery of Australia, Canberra. Purchased 1973
EUGENE VON GUERARD
Bushfire, 1859
Oil on canvas mounted on board,
34.8 56.3 cm
Art Gallery of Ballarat, Victoria. Gift of Lady Currie in
memory of her husband, the late Sir Alan Currie, 1948
HENRY STEINER
Inkwell, c.1870
Silver, emu egg, brass, blackwood, 29.1 28.6
19.8 cm
National Gallery of Victoria, Melbourne. The Altmann Collection of
Australian Silver, presented through the Art Foundation of Victoria by
John and Jan Altmann, Founder Benefactors, 1986
JULIUS SCHOMBURGK
John Ridley Testimonial Candelabrum, 1860
Silver, gold, malachite and blackwood, 64 42 cm
University of Adelaide Visual Art Collection. Gift of Miss J. T. Ridley, 1930
JULIUS SCHOMBURGK
Duncan Challenge Trophy, c. 1875
Silver, 66.5 37.5 cm
Royal Agricultural and Horticultural Society of South Australia, Adelaide. Awarded 1920
NICHOLAS CHEVALIER
Mount Arapiles and the Mitre Rock, 1863
Oil on canvas, 77.5 120.6 cm
National Gallery of Australia, Canberra. Gift of Dr Joseph Brown AO,
OBE, 1979
RICHARD DAINTREE
Gold Diggers' Sale, Queensland, 186470
Albumen silver photograph, overpainted in oil,
mounted on canvas, 39.2 60.7 cm
National Library of Australia, Canberra. Rex Nan Kivell Collection,
1959
LOUIS BUVELOT
Winter Morning near Heidelberg,
1866
Oil on canvas, 76.8 118.2 cm
National Gallery of Victoria, Melbourne.
Purchased 1869
ISAAC WHITEHEAD
In the Sassafras Valley, Victoria, 1875
Oil on canvas, 99.2 132.9 cm
Art Gallery of South Australia, Adelaide. M. J. M. Carter AO Collection and the South Australian
Government, 1996
NICHOLAS CAIRE
Fairy Scene at the Landslip, Blacks' Spur,
Victoria, 1878
Albumen silver photograph, 27.4 22.5 cm
National Gallery of Australia, Canberra. Joseph Brown Fund,
1981
H. J. JOHNSTONE
Evening Shadows, Backwater of the
Murray, South Australia, 1880
Oil on canvas, 120.6 184.1 cm
Art Gallery of South Australia, Adelaide. Gift of Mr Henry
Yorke Sparks, 1881
FREDERICK MCCUBBIN
Lost, 1886
Oil on canvas, 115.8 73.9 cm
National Gallery of Victoria, Melbourne. Purchased through the
Felton Bequest, 1940
W. C. PIGUENIT
The Flood in the Darling, 1890, 1895
Oil on canvas, 122.5 199.3 cm
Art Gallery of New South Wales, Sydney. Purchased 1895
TOM ROBERTS
Allegro con brio: Bourke Street West,
c.188586, reworked 1890
Oil on canvas mounted on composition
board, 51.2 76.7 cm
National Gallery of Australia, Canberra, and National
Library of Australia, Canberra. Purchased 1918
TOM ROBERTS
The Artists' Camp, 1886
Oil on canvas, 46 60.9 cm
National Gallery of Victoria, Melbourne. Purchased
through the Felton Bequest, 1943
TOM ROBERTS
Slumbering Sea, Mentone, 1887
Oil on canvas, 51.3 76.5 cm
National Gallery of Victoria, Melbourne. Purchased
with the assistance of a special grant from the
Government of Victoria, 1979
TOM ROBERTS
The Sunny South, c. 1887
Oil on canvas, 30.8 61.4 cm
National Gallery of Victoria, Melbourne. Purchased
through the Felton Bequest, 1940
TOM ROBERTS
`Evening, when the quiet east flushes
faintly at the sun's last look', 188788
Oil on canvas, 50.8 76.4 cm
National Gallery of Victoria, Melbourne. W. H. Short
Bequest, 1944
CHARLES CONDER
Bronte Beach, 1888
Oil on paper on cardboard,
22.6 33 cm
National Gallery of Australia, Canberra.
Purchased from Gallery admission charges, 1982
CHARLES CONDER
Departure of the Orient
Circular Quay, 1888
Oil on canvas, 45.1 50.1 cm
Art Gallery of New South Wales, Sydney.
Purchased 1888
CHARLES CONDER
A Holiday at Mentone, 1888
Oil on canvas, 46.2 60.8 cm
Art Gallery of South Australia, Adelaide. South Australian Government
Grant with the assistance of Bond Corporation Holdings Limited through
the Art Gallery of South Australia Foundation to mark the Gallery's
Centenary, 1981
ARTHUR STREETON
The Selector's Hut (Whelan on the Log),
1890
Oil on canvas, 76.7 51.2 cm
National Gallery of Australia, Canberra. Purchased 1961
ARTHUR STREETON
Sirius Cove, c. 1895
Oil on wood panel, 68.8 16.8 cm
National Gallery of Australia, Canberra. Purchased 1973
ARTHUR STREETON
Golden Summer, Eaglemont, 1889
Oil on canvas, 81.3 152.6 cm
National Gallery of Australia, Canberra. Purchased 1995
ARTHUR STREETON
The National Game, 1889
Oil on cardboard, 11.8 22.9 cm
Art Gallery of New South Wales, Sydney. Purchased 1963
TOM ROBERTS
Evening Train to Hawthorn, c. 1889
Oil on cedar wood panel, 14 22.6 cm
Art Gallery of New South Wales, Sydney. Edward Stinson
Bequest Fund, 1991
CHARLES CONDER
How We Lost Poor Flossie, 1889
Oil on cedar wood panel, 25 9.2 cm
Art Gallery of South Australia, Adelaide. Elder Bequest Fund, 1941
CHARLES CONDER
Herrick's Blossoms, c. 1888
Oil on cardboard, 13.1 24 cm
National Gallery of Australia, Canberra. Purchased 1969
TOM ROBERTS
A Break Away!, 1891
Oil on canvas, 137.3 167.8 cm
Art Gallery of South Australia, Adelaide. Elder Bequest Fund, 1899
ARTHUR STREETON
Fire's On, 1891
Oil on canvas, 183.8 122.5 cm
Art Gallery of New South Wales, Sydney. Purchased
1893
SYDNEY LONG
The Spirit of the Plains, 1897
Oil on canvas on wood, 62 131.4 cm
Queensland Art Gallery, Brisbane. Gift of William Howard-Smith in memory of his grandfather,
Ormond Charles Smith, 1940
DAVID DAVIES
Moonrise, 1893
Oil on canvas, 50 60 cm
Art Gallery of South Australia, Adelaide. Elder
Bequest Fund, 1947
WALTER WITHERS
The Last of Summer, 1898
Oil on canvas, 77 92 cm
Art Gallery of Ballarat, Victoria. Gift of Mrs I.
Main-Rippin, 1932
FREDERICK McCUBBIN
The Pioneer, 1904
Oil on three canvases, 225 295.7 cm
(overall)
National Gallery of Victoria, Melbourne.
Purchased through the Felton Bequest, 1906
J. J. HILDER
Dry Lagoon, 1911
Pencil and watercolour, 66.2 99.1 cm
Art Gallery of New South Wales, Sydney. Purchased 1911
BLAMIRE YOUNG
Dry Weather, c. 1912
Watercolour, 56 76.8 cm
Art Gallery of New South Wales, Sydney. Purchased 1912
HANS HEYSEN
Red Gold, 1913
Oil on canvas, 129.5 174.5 cm
Art Gallery of South Australia, Adelaide. Gift of the Rt Hon. Sir Charles Booth, 1913
HANS HEYSEN
Midsummer Morning, 1908
Pencil and watercolour, 56 76.6 cm
National Gallery of Victoria, Melbourne. Purchased through the Felton Bequest, 1908
ELIOTH GRUNER
The Wave, c. 1913
Oil on wood panel, 30.5 24.4
cm
Queensland Art Gallery, Brisbane. Gift of
Lady Trout, 1978
ETHEL CARRICK
Manly Beach Summer Is Here, 1913
Oil on canvas, 81 102 cm
Manly Art Gallery and Museum, Sydney. Gift of the artist, 1934
FREDERICK MCCUBBIN
Collins Street, c. 1915
Oil on canvas on cardboard, 25 35.3 cm
Geelong Gallery, Victoria. H. P. Douglass Bequest Fund, 1945
FREDERICK MCCUBBIN
Violet and Gold, 1911
Oil on canvas, 72 130 cm
National Gallery of Australia, Canberra. Purchased with
the generous assistance of The Hon. Ashley
Dawson-Damer and John Wylie AM and Myriam Wylie,
2008
ROY DE MAISTRE
Forest Landscape, c. 1918
Oil on cardboard, 35.4 40.6 cm
National Gallery of Australia, Canberra. Purchased 1971
ROLAND WAKELIN
Barn near Tuggerah, 1919
Oil on composition board, 17.7 22 cm
National Gallery of Australia, Canberra. Gift of Daniel Thomas, 1981
ROLAND WAKELIN
Houses at Hunters Hill, c. 1919
Oil on canvas on composition board, 24 20 cm
National Gallery of Australia, Canberra. Purchased 1963
GEORGE W. LAMBERT
The Squatter's Daughter, 192324
Oil on canvas, 61.4 90.2 cm
National Gallery of Australia, Canberra. Purchased with the generous assistance of James
Fairfax AO and Philip Bacon AM and the people of Australia, 1991
JAMES W. R. LINTON
Falls Road, Late Evening, 1926
Watercolour, 54.6 75.4 cm
National Gallery of Australia, Canberra. Purchased 1980
HANS HEYSEN
The Land of the Oratunga, 1932
Watercolour, 47.3 62.6 cm
Art Gallery of South Australia, Adelaide. South Australian Government Grant, 1937
KENNETH MACQUEEN
Birds and Sheep, Darling Downs, c. 1924
Oil on board, 52.6 65.1 cm
Art Gallery of South Australia, Adelaide. Ivor Francis Bequest Fund, 1995
GRACE COSSINGTON SMITH
Four Panels for a Screen:
Loquat Tree, Gum and Wattle
Trees, Waterfall, Picnic in a
Gully, 1929
Oil on cardboard, 144.2 53 cm
(overall)
National Gallery of Australia, Canberra.
Purchased 1976
GRACE COSSINGTON SMITH
Eastern Road, Turramurra, c. 1926
Watercolour and black pencil, 40.6 33 cm
National Gallery of Australia, Canberra. Bequest of Mervyn Horton, 1984
GRACE COSSINGTON SMITH
The Bridge in Building, 1929
Oil on pulpboard, 75 53 cm
National Gallery of Australia, Canberra. Gift of Ellen Waugh, 2005
HAROLD CAZNEAUX
Arch of Steel, 1933
Gelatin silver photograph, 37.7 27.2 cm
National Library of Australia, Canberra. Cazneaux Collection 1974
JESSIE TRAILL
Building the Harbour Bridge IV: The Ant's Progress, November
1929, c. 1929
Etching, foul-biting, printed in brown ink with plate tone on
paper, 40.3 24.8 cm
Art Gallery of South Australia, Adelaide. David Murray Bequest Fund, 1932
134
AXEL POIGNANT
Swagman on the Road to Wilcannia, 1954
Gelatin silver photograph, 50.4 40.1 cm
National Gallery of Australia, Canberra. Purchased 1984
135
JEFF CARTER
Tobacco Road, Ovens Valley, 1956, printed 2000
Gelatin silver photograph, 28.1 27.7 cm
National Gallery of Australia, Canberra. Purchased 2000
CLARICE BECKETT
Passing Trams, c. 1931
Oil on board, 48.6 44.2 cm
Art Gallery of South Australia, Adelaide. Edna Berniece Harrison Bequest Fund through the Friends
of the Art Gallery of South Australia, 2001
CLARICE BECKETT
Morning Shadows, c. 1932
Oil on canvas board, 49.5 60 cm
Art Gallery of South Australia, Adelaide. South Australian
Government Grant, 1980
MAX DUPAIN
Sunbaker, 1937
Gelatin silver photograph, 38.6 43.4 cm
National Gallery of Australia, Canberra. Purchased 1976
CHARLES MEERE
Australian Beach Pattern, 1940
Oil on canvas, 91.5 122 cm
Art Gallery of New South Wales, Sydney.
Purchased 1965
HORACE TRENERRY
The Road to Maslins, 1940
Oil on cardboard, 48.5 57 cm
Art Gallery of South Australia, Adelaide. Gift of Douglas and Barbara Mullins, 2002
DORRIT BLACK
The Olive Plantation, 1946
Oil on canvas, 63.5 86.5 cm
Art Gallery of South Australia, Adelaide. Bequest of the artist, 1951
MARGARET PRESTON
Aboriginal Landscape, 1941
Oil on canvas, 40 52 cm
Art Gallery of South Australia, Adelaide. D. & J. T. Mortlock Bequest Fund, 1982
MARGARET PRESTON
Flying over the Shoalhaven River, 1942
Oil on canvas, 50.6 50.6 cm
National Gallery of Australia, Canberra. Purchased 1973
ERIC THAKE
Brownout, 1942
Oil on paperboard, 41 51 cm
National Gallery of Australia, Canberra. Purchased 2011
ALBERT TUCKER
Sunbathers, 1944
Oil on cardboard, 59.2 86 cm
National Gallery of Australia, Canberra. Purchased 1981
ARTHUR BOYD
The Hunter I, 1944
Oil on cotton gauze on cardboard, 63.6 75.8 cm
National Gallery of Australia, Canberra. The Arthur Boyd Gift, 1975
ARTHUR BOYD
The Mining Town (Casting the Money Lenders from the Temple),
c. 1946
Oil and tempera on composition board, 87.4 109.4 cm
National Gallery of Australia, Canberra. Purchased 1974
ADRIAN FEINT
The Jetties, Palm Beach, 1942
Oil on canvas, 50.7 45.6 cm
New England Regional Art Museum, Armidale, New South Wales. Howard Hinton Collection,
1942
MARGARET PRESTON
The Expulsion, 1952
Stencil print, printed in colour from one hand-cut paper stencil,
on thin black card; hand-coloured with gouache, 64 51 cm
Art Gallery of New South Wales, Sydney. Gift of Mr W. G. Preston, the artist's widower, 1967
JEFFREY SMART
Holiday Resort, 1946
Oil on canvas, 50.9 60.9 cm
Art Gallery of South Australia, Adelaide. Gift of Douglas and Barbara
Mullins to commemorate the gallery's 125th anniversary, 2006
LLOYD REES
The Road to Berry, 1947
Oil on canvas on paperboard, 34.6 42.2 cm
Art Gallery of New South Wales, Sydney. Purchased 1947
RUSSELL DRYSDALE
The Drover's Wife, c. 1945
Oil on canvas, 51.5 61.5 cm
National Gallery of Australia, Canberra. Gift of American Friends of the National Gallery of
Australia Inc., New York, NY, USA, made possible with the generous support of Mr and Mrs
Benno Schmidt of New York and Esperance, Western Australia, 1987
RUSSELL DRYSDALE
Emus in a Landscape, 1950
Oil on canvas, 101.6 127 cm
National Gallery of Australia, Canberra. Purchased 1970
SIDNEY NOLAN
Glenrowan, 1946
Enamel paint on composition board,
90.9 121.2 cm
National Gallery of Australia, Canberra. Gift of Sunday
Reed, 1977
SIDNEY NOLAN
Ned Kelly, 1946
Enamel paint on composition board,
90.8 121.5 cm
National Gallery of Australia, Canberra. Gift of Sunday
Reed, 1977
SIDNEY NOLAN
The Burning Tree, 1947
Enamel paint on composition board, 90.7 121.2 cm
National Gallery of Australia, Canberra. Gift of Sunday Reed, 1977
SIDNEY NOLAN
Quilting the Armour, 1947
Enamel paint on composition board,
90.4 121.2 cm
National Gallery of Australia, Canberra. Gift of Sunday
Reed, 1977
SIDNEY NOLAN
Pretty Polly Mine, 1948
Enamel paint on hardboard, 91 122.2 cm
Art Gallery of New South Wales, Sydney. Purchased 1949
SIDNEY NOLAN
Inland Australia, 1950
Oil and enamel paint on composition board, 91.5 121 cm
National Gallery of Australia, Canberra. Purchased 1961
JOHN BRACK
The Car, 1955
Oil on canvas, 41 102.2 cm
National Gallery of Victoria, Melbourne. Purchased 1956
JOHN OLSEN
Sydney Sun, 1965
Oil on three plywood panels, 305 412.5 cm (overall)
National Gallery of Australia, Canberra. Purchased with funds from the
Nerissa Johnson Bequest, 2000
TONY TUCKSON
Watery, c. 1960
Oil on composition board,
122.2 183 cm
National Gallery of Australia, Canberra. Gift of
Margaret Tuckson, 2002
IAN FAIRWEATHER
Monsoon, 196162
Synthetic polymer paint and
gouache on card, lined onto
hardboard, 98.3 188.9 cm
State Art Collection, Art Gallery of Western Australia,
Perth. Purchased 1983
FRED WILLIAMS
Yellow Landscape, 196869
Oil on canvas, 141.7 193 cm
Geelong Gallery, Victoria. Purchased 1976
FRED WILLIAMS
Silver and Grey, 1969
Oil on canvas, 137.2 152.3 cm
Art Gallery of South Australia, Adelaide. Gift of Howard and Christine Michell, 1992
FRED WILLIAMS
Snow Storm, Kosciusko, 197677
Oil on canvas, 101.6 183 cm
National Gallery of Australia, Canberra. Purchased with
funds from the Ruth Komon Bequest, 2013
KEN WHISSON
Jean's Farm, 1972
Oil on composition board, 81 109.3 cm
National Gallery of Australia, Canberra. Gift of the Philip Morris Arts Grant, 1982
BRETT WHITELEY
Big Orange (Sunset), 1974
Oil and collage on wood, 244 305 cm
Art Gallery of New South Wales, Sydney. Gift of Patrick White, 1975
ARTHUR BOYD
Paintings in the Studio: `Figure Supporting Back Legs' and
`Interior with Black Rabbit', 197374
Oil on canvas, 313.5 433.2 cm
National Gallery of Australia, Canberra. The Arthur Boyd Gift, 1975
WESLEY STACEY
The Road (Outback to the City 4; Kalgoorlie to Port Headland, WA;
Perth Fun City; Kalgoorlie to Port Headland, WA; Paraburdoo and
Tom Price, The Pilbara, WA; Up the Centre, SA to NT; The Gulf to
Burdekin, QLD; Work Day Roads 6; Roads to the Red Brick Home,
Sydney; Night Roads, Sydney; Sydney to Canberra; Sydney to
Canberra), 197375
A selection of twelve from a series of 280 C-type colour
photographs, 9 12.6 cm
National Gallery of Australia, Canberra. Purchased 1984
PETER DOMBROVSKIS
Morning Mist, Rock Island Bend, 1981, printed 2000
C-type colour photograph, 100 150 cm
National Gallery of Australia, Canberra. Purchased 2002
DAVID STEPHENSON
Self-portrait Looking Down a Survey-cut Proposed Site of Gordon
below Franklin Dam, Tasmania, 1982
Mosaic of 9 gelatin silver photographs, 62.5 80.8 cm (overall)
Museum of Contemporary Art, Sydney. Donated by the artist through the Australian
Government's Cultural Gifts Program, 2010
BRIAN BLANCHFLOWER
Nocturne 3 (Whale Rock), 1982
Oil, bitumen, sand, chalk on canvas,
178 255 cm
Art Gallery of South Australia, Adelaide.
Elder Bequest Fund, 1983
HOWARD TAYLOR
Sun Figure, 1989
Oil on canvas, 90 120 cm
Art Gallery of South Australia, Adelaide. South Australian Government Grant, 1991
FIONA HALL
Paradisus Terrestris, 198990
23 cut and moulded sardine tins; aluminium, tin
and steel, 24.5 11 cm (each approximately)
National Gallery of Australia, Canberra. Purchased 1994
GORDON BENNETT
Possession Island, 1991
Oil and synthetic polymer paint on canvas,
162 260 cm
Museum of Sydney, Historic Houses Trust of New South Wales,
Sydney. Purchased with funds from the Foundation for the
Historic Houses Trust, Museum of Sydney Appeal, 2007
TIM JOHNSON
Dewachen, 1987
Synthetic polymer paint on linen,
182 243 cm
Museum of Contemporary Art, Sydney. Gift of Lotti
Smorgan AO and Victor Smorgan AC, 1995
ROSALIE GASCOIGNE
Monaro, 1989
Synthetic polymer paint on soft-drink crates
on plywood, 131 457 cm (overall)
State Art Collection, Art Gallery of Western Australia, Perth.
Purchased 1989
JAN SENBERGS
Fort, 1973
Screen-print, printed in colour, from multiple stencils,
55.9 81.5 cm
National Gallery of Australia, Canberra. Purchased 1973
PETER BOOTH
Mangroves, 2002
Pastel, 62 101 cm
National Gallery of Australia, Canberra. Purchased 2013
WILLIAM ROBINSON
Twin Falls and Gorge, 2000
Oil on canvas, 137 183 cm
National Gallery of Australia, Canberra. Gift of Ray and Diana Kidd, 2013
ELISABETH CUMMINGS
Wedderburn Spring, 1993
Oil on canvas, 173 196 cm
Campbelltown City Bicentennial Art Gallery, New South Wales. Purchased 1993
MIKE PARR
Great Distances between Small Towns, sheets 46, 1113,
199091
A selection of six from the series of twenty-four drypoints, printed
in black ink, each one from one plate, 76.2 106.4 cm (each
sheet), printed by John Loane, at Viridian Press, Melbourne
National Gallery of Australia, Canberra. Purchased 2012
BEA MADDOCK
Terra Spiritus with a Darker Shade of Pale, 199398
From the 52-sheet series of stencils, printed in hand-ground
Launceston ochre, each from multiple mylar stencils, blind
printed letterpress and handwritten script, 28.4 75.9 cm
(each sheet)
National Gallery of Australia, Canberra. Gordon Darling Australasian Print Fund, 1998
HOWARD ARKLEY
Superb + Solid, 1998
Synthetic polymer paint on canvas, 200 300.6 cm
Art Gallery of New South Wales, Sydney. Purchased with funds from the Contemporary
Collection Benefactors, 1998
ROBERT MACPHERSON
Mayfair: Bethonga Gold, for B.T.O.'s, 19952006
Synthetic polymer paint on three composition boards,
244 190 cm (overall)
National Gallery of Australia, Canberra. Purchased 2012
G.W. BOT
Garden of Gethsemane I, 2000
Linocut, printed in colour from
multiple blocks, hand-coloured on
thin tapa cloth, 98 50.8 cm
National Gallery of Australia, Canberra. Purchased
with the generous assistance of the artist, 2011
SIMRYN GILL
Rampant, 1999
A selection of four from a series of seven gelatin silver
photographs, 23 26 cm, 23.5 25.6 cm, 25.4 23.9 cm,
24.5 23.6 cm
Art Gallery of New South Wales, Sydney. Gift of the artist, 2005
CALLUM MORTON
Tomorrowland, 2004
Digital print, 94.5 170 cm
National Gallery of Australia, Canberra. Gift of Naomi
Milgrom AO, 2013
BILL HENSON
Untitled, 199899
Colour photograph, inkjet pigment print,
127 180 cm
National Gallery of Australia, Canberra. Purchased with
funds from the Australia Exhibition Patrons Club, 2013
TRACEY MOFFATT
Up in the Sky #1, #2, #6, #8,
#14, #24, 1997
A selection of six from the
series of twenty-five lithographs,
61.5 76 cm (each sheet)
Tate, London. Purchased 1998
JOHN BEARD
Uluru 8, 2002
Oil and wax on linen, 180 262 cm
Australian National University, Canberra. Gift of James Erskine through the Australian
Government's Cultural Gifts Program, 2009
IMANTS TILLERS
Shadow of the Hereafter, 2007
Synthetic polymer paint and gouache on 72 canvas
boards, 228.5 284.5 cm (overall)
Art Gallery of South Australia, Adelaide. Gift of the Art Gallery of South Australia
Contemporary Collectors, Gosia Kudra-Schild and Taliangis family, 2007
FIONA FOLEY
Bliss, 2006
Single-channel HD/DVD: 16:9, ratio colour,
sound 11 minutes, 20 seconds
Museum of Contemporary Art, Sydney. Purchased with funds
provided by the Coe and Mordant families, 2009
DENNIS NONA
Mutuk, 2009
Etching, printed in colour,
133 430 cm
National Gallery of Australia, Canberra.
Purchased 2009
VERNON AH KEE
Can't Chant (wegrewhere) #2, 2009
Digital print, 76 114 cm
National Gallery of Australia, Canberra. Purchased 2009
SHAUN GLADWELL
Approach to Mundi Mundi, 2007
From the series MADDESTMAXIMVS
Single-channel HD/DVD, 16:9 ratio
colour, silent 8 minutes, 37 seconds
Art Gallery of New South Wales, Sydney. John Kaldor
Family Collection
PHILIP WOLFHAGEN
Autumn Equinox: The Loss of the Sun, 2009
Oil and beeswax on canvas, 200.4 160.3 cm
National Gallery of Australia, Canberra. Purchased 2009
DANIEL CROOKS
Cloud Atlas (Fitzroy 1:23), 2012
Single-channel HD/DVD 16:9, ratio colour, silent, 21 minutes
National Gallery of Australia, Canberra. Purchased 2012
ROSEMARY LAING
Jim from the series leak, 2010
C-type colour photograph, 110 237.6 cm
National Gallery of Australia, Canberra. Purchased 2013
HOSSEIN VALAMANESH
Longing/Belonging, 1997
Direct colour positive photograph, 99 99 cm;
carpet, velvet, 215 305 cm
Art Gallery of New South Wales, Sydney. Purchased with funds from the
Contemporary Collection Benefactors, 2002
CHRISTIAN THOMPSON
Dead as a Door Nail, 2008
C-type colour photograph, 100 100 cm
National Gallery of Australia, Canberra. Purchased 2012
DANIE MELLOR
An Elysian City (of Picturesque Landscapes
and Memory), 2010
Pastel, pencil and wash with glitter and
Swarovski crystal, 143 186 cm
National Gallery of Australia, Canberra. Purchased 2011
KATHY TEMIN
Tombstone Garden, 2012
Synthetic fur, synthetic polymer paint,
synthetic stuffing, steel, composition
board, 230 429 180 cm (overall)
National Gallery of Australia, Canberra. Purchased 2012
JUDY WATSON
Fire and Water
Source: Royal Academy, London
- See more at: http://www.theaustralian.com.au/arts/visual-arts/artworks-in-londons-royal-academy-show-australia/story-fn9d3avm-1226722071425#sthash.PpK6F6F0.dpuf
First week of reviews span opinions from 'Reader's Digest' of art to 'Must see'
I'm dropping the links in here for reference...
- Rachel Cooke, The Observer Australia: review
- Adrian Searle The Guardian, Australia at the Royal Academy: Ned Kelly to the Rescue
- Aliastair Sooke Daily Telegraph Australia at the Royal Academy gave it 4 /5 stars
- 'Front Row' with John Wilson & Charlotte Mullins reporting starts here 'A show of two halves' and 'Go in thru the shop to see the contemporary work while you have the energy'
- Art fund chooses 6 must-sees
- John McDonald Party Time in London
- Dee Kelly in the Metro Royal Academy's Australia brings home the human cost of colonisation
- Art Daily, Major exhibition of Australian art opens at the Royal Academy of Arts London
- Rachel Campbell-Johnston in The Times gives 4/5 stars (need subscription to read it)
- Sue Hubbard ArtsDesk Australia, Royal Academy
- Christopher Allen, The Australian, At last, Britons can see the picture of this harsh, huge land
- Adrien Hamilton The Independent Australia's day in the sun, at the Royal Academy of Arts
'If the show ends on an incomplete note, it is because its art, like the country at large, seems still uncertain of where it is going.'
Shaun Gladwell AGNSW
Christian Thompson website
FULL list of over 200 artworks on display in London's Royal Academy of Arts show, Australia.
UNKNOWN Western Arnhem Land artist or artistsNadubi Spirit-Woman, with Possum, Magpie
Goose and Fish, c. 1884
Ochres on bark, 83 63.5 cm
South Australian Museum, Adelaide. Collected by Captain Frederick
Carrington, 1884, donated to the Royal Geographical Society of South
Australia, Adelaide, 1890s, and thence to the South Australian Museum, Adelaide
YIRAWALA
Kundaagi Red Plains, Kangaroo, 1962
Natural earth pigments on eucalyptus bark,
103 47 cm
National Gallery of Australia, Canberra. Masterpieces for the
Nation Fund, 2012
JOHN MAWURNDJUL
Rainbow Serpent's Antilopine Kangaroo,
1991
Natural earth pigments on eucalyptus
bark, 192 99.5 cm
National Gallery of Australia, Canberra. Purchased 1991
BARDAYAL NADJAMERREK
Dead Man, c. 1968
Natural earth pigments on
eucalyptus bark, 60 30 cm
Art Gallery of South Australia, Adelaide. South Australian
Government Grant, 1969
BARDAYAL NADJAMERREK
The Artist's Country, Liverpool River, 1975
Natural earth pigments on eucalyptus bark,
101 34.5 cm
National Gallery of Australia, Canberra. Masterpieces for the
Nation Fund, 2010
JOHN MAWURNDJUL
Mardayin Design at Dilebang, 2006
Natural earth pigments on eucalyptus
bark, 200 47 cm
National Gallery of Australia, Canberra. Purchased 2007
JOHN MAWURNDJUL
Milmilngkan, 2008
Natural earth pigments on eucalyptus bark,
153 80.7 cm
National Gallery of Australia, Canberra. Purchased 2009
DJAMBAWA MARAWILI
Source of Fire, 2005
Natural earth pigments on eucalyptus
bark, 191 84 cm
Art Gallery of New South Wales, Sydney. Purchased with
funds provided by the Aboriginal Collection Benefactors'
Group, 2005
MUNGGURRAWUY YUNUPINGU
Fire Story at Caledon Bay, c.1963
Natural earth pigments on eucalyptus bark,
114 52 cm
National Gallery of Australia, Canberra. Founding Donors' Fund,
1984
MAWALAN MARIKA
The Milky Way, c. 1965
Natural earth pigments on eucalyptus
bark, 177 68 cm
National Gallery of Australia, Canberra. Purchased 2009
GULUMBU YUNUPINGU
Garak the Universe, 2007
Natural earth pigments on stringybark,
234 99.5 cm
National Gallery of Australia, Canberra. Purchased 2007
NANDABITTA MAMINYAMANDJA
Macassan Prau and Trepang Curing,
c.1974
Natural earth pigments on eucalyptus
bark, 61.5 40 cm
National Gallery of Australia, Canberra. Purchased from
Gallery admission charges, 1984
ALICE WAMBA
Coral, 1974
Natural earth pigments on eucalyptus
bark, 84 42 cm
National Gallery of Australia, Canberra. Purchased 1984
DECLAN APUATIMI
Pamijini, c. 1982
Natural earth pigments on eucalyptus
bark, 48 93.3 cm
National Gallery of Australia, Canberra. Purchased 1992
JOHNNY WARANGKULA
TJUPURRULA
A Bush Tucker Story, 1972
Synthetic polymer paint on composition
board, 91.4 66.2 cm
National Gallery of Victoria, Melbourne. Purchased
through the Art Foundation of Victoria with the assistance
of North Broken Hill Ltd, Fellow, 1987
ANATJARI TJAMPITJINPA
Ceremonial Ground, 1981
Synthetic polymer paint on canvas,
182.5 182 cm
National Gallery of Australia, Canberra. Purchased 1992
LONG JACK PHILLIPUS
TJAKAMARRA
Kalipinypa Water Dreaming,
c.1972
Synthetic polymer paint
on composition board,
90 61.6 cm
National Gallery of Australia, Canberra.
Purchased 1989
TIM LEURA TJAPALTJARRI
Fatal Love Dance, 1973
Synthetic polymer powder paint on
composition board, 40 30 cm
National Gallery of Australia, Canberra. The Peter Fannin
Collection of early Western Desert paintings, purchased 1998
TIMMY PAYUNGKA TJAPANGARTI
Sandhill Country West of Wilkinkarra,
Lake Mackay, 1972
Synthetic polymer paint on composition
board, 76 52 cm
National Gallery of Australia, Canberra. The Peter Fannin
Collection of early Western Desert paintings, purchased 1998
UTA UTA TJANGALA
Old Man's Dreaming, 1983
Synthetic polymer paint on canvas,
242 362 cm
Art Gallery of South Australia, Adelaide. South
Australian Government Grant, 1984
CLIFFORD POSSUM TJAPALTJARRI
Warlugulong, 1977
Synthetic polymer paint, oil and
natural earth pigments on canvas,
202 337.5 cm
National Gallery of Australia, Canberra. Purchased
with the generous assistance of Roslynne Bracher and
the Paspaley family, David Coe and Michelle Coe,
Charles Curran and Eva Curran, 2007
PADDY JUPURRURLA NELSON,
PADDY JAPALJARRI SIMS, LARRY
JUNGURRAYI SPENCER
Yanjilypiri Jukurrpa (Star Dreaming), 1985
Synthetic polymer paint on canvas,
372 171.4 cm
National Gallery of Australia, Canberra. Purchased 1986
EMILY KAME KNGWARREYE
Anwerlarr Anganenty (Big Yam Dreaming), 1995
Synthetic polymer paint on canvas, 291.1 801.8 cm
National Gallery of Victoria, Melbourne. Presented through the Art
Foundation of Victoria by Donald and Janet Holt and family, Governors, 1995
MICK NAMARARI TJAPALTJARRI
Rain Dreaming at Nyunman, 1994
Synthetic polymer paint on linen, 152 183 cm
National Gallery of Australia, Canberra. Purchased with funds from
the Australia Exhibition Patrons Club, 2013
TURKEY TOLSON TJUPURRULA
Straightening Spears at Ilyingaungau, 1990
Synthetic polymer paint on canvas,
181.5 244 cm
Art Gallery of South Australia, Adelaide. Gift of the Friends of
the Art Gallery of South Australia, 1990
JACK BRITTEN
Purnululu (Bull Creek Country), 1988
Natural earth pigments and natural binder on canvas,
160 200 cm
National Gallery of Australia, Canberra. Purchased 1989
QUEENIE MCKENZIE
Gija Country, 1995
Natural earth pigments and binder on canvas, 200 160 cm
National Gallery of Australia, Canberra. Purchased 1996
PADDY JAMINJI
Kimberley Landscape, c. 1984
Ochre on canvas, 195.8 270.3 cm
State Art Collection, Art Gallery of Western Australia,
Perth. Purchased 1988
ROVER THOMAS
Roads Meeting, 1987
Natural earth pigments and binder on canvas, 90 180 cm
National Gallery of Australia, Canberra. Purchased 1988
ROVER THOMAS
Cyclone Tracy, 1991
Natural earth pigments and binder on
canvas, 168 180 cm
National Gallery of Australia, Canberra. Purchased 1991
DOREEN REID NAKAMARRA
Untitled, 2007
Synthetic polymer paint on canvas, 183 244 cm
National Gallery of Australia, Canberra. Purchased 2007
DOROTHY NAPANGARDI
Sandhills of Mina Mina, 2000
Synthetic polymer paint on canvas,
198 122.7 cm
National Gallery of Australia, Canberra. Purchased 2001
MARTUMILI ARTISTS
Ngayarta Kujarra, 2009
Synthetic polymer paint on canvas,
300.6 500.3 cm
National Gallery of Victoria, Melbourne.
Purchased through the Felton Bequest, 2011
TOMMY MCRAE
Victorian Blacks _ Melbourne
Tribe Holding Corroboree after
Seeing Ships for the First Time,
c.1890s
Pen and iron-gall ink, 23.8 36 cm
National Gallery of Australia, Canberra. Purchased
1994
WILLIAM BARAK
Corroboree, 1895
Charcoal and natural earth
pigments, over pencil on prepared
linen, 60 76.4 cm
National Gallery of Australia, Canberra. Founding
Donors' Fund, 2010
MICKEY OF ULLADULLA
Fishing, Native Flora and Fauna, c.1888
Gouache, watercolour, black ink and pastel
over black pencil, 43 68 cm
National Gallery of Australia, Canberra. Purchased 1991
OTTO PAREROULTJA
Central Australian Landscape with
Ghost Gums, c.1968
Watercolour, gouache over black pencil,
38.4 53.2 cm
National Gallery of Australia, Canberra. Purchased 2005
ROBERT CAMPBELL JNR
Abo History (Facts), 1988
Synthetic polymer paint on canvas, 130 200 cm
National Gallery of Australia, Canberra. Purchased 1988
RICKY MAYNARD
The Healing Garden Wybalenna, Flinders
Island, Tasmania, 2005
One from a series of ten gelatin silver
photographs, 40.7 58.2 cm
National Gallery of Australia, Canberra. Purchased 2009
NICI CUMPSTON
Campsite V, Nookamka Lake, 2008
Inkjet print on canvas, hand-coloured with
pencil and watercolour, 77 206 cm
National Gallery of Australia, Canberra. Purchased 2011
MIRDIDINGKINGATHI SALLY
GABORI JUWARNDA
My Country, 2009
Synthetic polymer paint on canvas,
151 101 cm
National Gallery of Australia, Canberra.
Founding Donors' Fund, 2010
AFTER THOMAS WATLING
View of the Town of Sydney in the
Colony of New South Wales, c.1799
Oil on canvas, 65 133 cm
Art Gallery of South Australia, Adelaide. M. J. M. Carter AO
Collection
G. W. EVANS
A View of Sydney New South Wales
on Entering the Heads, c. 1809
Watercolour, 22.5 36.1 cm
State Library of New South Wales, Sydney. Purchased
1950
JOHN LEWIN
View from Governor Bligh's Farm,
Hawkesbury, New South Wales, c. 1808
Watercolour, 20 35.5 cm
Art Gallery of South Australia, Adelaide. J. C. Earl
Bequest and Elder Bequest Funds, 1989
WILLIAM WESTALL
Chasm Island, Native Cave Painting, c. 1803
Watercolour, 26.7 37.2 cm
National Library of Australia, Canberra. Purchased 1969
WILLIAM WESTALL
View of Sir Edward Pellew's Group,
Gulph of Carpentaria, 1802, c. 1812
Oil on canvas, 88 119 cm
Ministry of Defence Art Collection, London
WILLIAM WESTALL
View of Cape Townshend and of the
Islands of Shoal-Water Bay, Taken from
Mount Westall, c. 1810
Oil on canvas, 125 155 cm
Ministry of Defence Art Collection, London
JOHN LEWIN
Evans's Peak, 1815
Watercolour, 22.8 27 cm
State Library of New South Wales, Sydney. Presented 1937
JOHN LEWIN
Fish Catch and Dawes Point, Sydney Harbour,
c. 1813
Oil on canvas, 86.5 113 cm
Art Gallery of South Australia, Adelaide. Gift of the Art Gallery of
South Australia Foundation and South Australian Brewing Holdings
Limited, 1989. Given to mark the occasion of the Company's 1988
Centenary
JOSEPH LYCETT
Inner View of Newcastle, c.1818
Oil on canvas, 61 91.4 cm
Newcastle Art Gallery, New South Wales. Purchased with
assistance from the National Art Collections Fund, London, 1961
JOSEPH LYCETT
Aborigines Using Fire to Hunt Kangaroos
from `The Lycett Album'. Drawings of the
Aborigines and Scenery of New South
Wales, c.1820
Watercolour, 17.5 27.8 cm
National Library of Australia, Canberra. Purchased 1972
AUGUSTUS EARLE
View from the Summit of Mount York,
Looking towards Bathurst Plains, Convicts
Breaking Stones, New South Wales, c. 1826
Watercolour, 22.5 33 cm
National Library of Australia, Canberra. Rex Nan Kivell
Collection, 1959
AUGUSTUS EARLE
A Native Camp of Australian Savages near
Port Stevens, New South Wales, c. 1826
Watercolour, 25.1 43.8 cm
National Library of Australia, Canberra. Rex Nan Kivell
Collection, 1959
ROBERT DALE, print after; ROBERT HAVELL JNR,
etcher and publisher
Panoramic View of King Georges Sound, Part of the
Colony of Swan River, 1834
Etching and aquatint, printed in black ink from three
plates on three joined sheets, hand-coloured in
watercolour, 18 274.2 cm (overall)
National Gallery of Australia, Canberra. The Wordsworth Collection, purchased 2010
JOHN GLOVER
A Corroboree of Natives in Mills Plains, 1832
Oil on canvas, 56.5 71.4 cm
Art Gallery of South Australia, Adelaide. Morgan Thomas Bequest Fund, 1951
JOHN GLOVER
View of Mills Plains, Van Diemen's Land, 1833
Oil on canvas, 76.2 114.6 cm
Art Gallery of South Australia, Adelaide. Morgan Thomas Bequest
Fund, 1951
JOHN GLOVER
A View of the Artist's House and Garden, in Mills Plains, Van
Diemen's Land, 1835
Oil on canvas, 76.4 114.4 cm
Art Gallery of South Australia, Adelaide. Morgan Thomas Bequest Fund, 1951
JOHN GLOVER
`Cawood' on the Ouse River, 1838
Oil on canvas, 75.5 114 cm
Tasmanian Museum and Art Gallery, Hobart. Presented by Mrs
George C. Nicholas in memory of her husband, 1935
CONRAD MARTENS
Campbell's Wharf, 1857
Watercolour, with touches of gum
arabic, 46 66 cm
National Gallery of Australia, Canberra. Purchased
with the assistance of the Members' Acquisition
Fund, 2009
CONRAD MARTENS
View of Sydney from Neutral Bay,
c.1857
Watercolour, gouache, black pencil,
varnish, 45.1 65 cm
National Gallery of Australia, Canberra. Purchased
1975
EDMUND HENDERSON
Perth, West Australia, 1862
Watercolour, 34.6 50.6 cm
National Gallery of Australia, Canberra. The Wordsworth
Collection, purchased 2010
OSWALD BRIERLY
Amateur Whaling, or a Tale of the Pacific, 1847
Watercolour, 45.2 94 cm
Australian National Maritime Museum, Sydney. Purchased with funds from the USA Bicentennial
Gift, 1989
S. T. GILL
North Terrace, Adelaide, Looking
South-east from Government
House Guardhouse, 1845
Watercolour, 27.4 39.7 cm
Art Gallery of South Australia, Adelaide. Gift of the
South Australian Company, 1931
S. T. GILL
Looking SW from Table Land,
August 22nd, 1846
Watercolour, 18.1 30.7 cm
Art Gallery of South Australia, Adelaide. Gift of
Douglas and Barbara Mullins, 1999
S. T. GILL
Diggings in the Mount Alexander
District of Victoria in 1852, 1874
Watercolour, 24.5 35 cm
National Library of Australia, Canberra.
Purchased 2004
E. C. FROME
First View of the Salt Desert
Called Lake Torrens, 1843
Watercolour, 15.7 27.8 cm
Art Gallery of South Australia, Adelaide. South
Australian Government Grant, Adelaide City Council
and Public Donations, 1970
GEORGE FRENCH ANGAS
Scene Showing Emus in a
Plain (Coorong), 1844
Watercolour, 23 32.5 cm
Art Gallery of South Australia, Adelaide.
Gift of Miss E. M. Johnson, 1972
GEORGE FRENCH ANGAS
Port Lincoln from Winter's Hill,
1845
Watercolour, 24.6 34.1 cm
Art Gallery of South Australia, Adelaide.
Bequest of J. Angas Johnson, 1902
LUDWIG BECKER
Meteor Seen by Me on 11 October,
1860
Watercolour, 10.2 16.2 cm
State Library of Victoria, Melbourne
LUDWIG BECKER
Mallee Sand Cliffs at the Darling,
12 October, 1860
Watercolour and pencil, 12.1 16.1
cm
State Library of Victoria, Melbourne
LUDWIG BECKER
Border of the Mud Desert near
Desolation Camp, 9 March, 1861
Watercolour, 14 22.8 cm
State Library of Victoria, Melbourne
JOHN SKINNER PROUT
Maria Island from Little Swanport, Van
Diemen's Land, c. 1846
Oil on canvas, 29 35.5 cm
Art Gallery of South Australia, Adelaide. M. J. M. Carter AO
Collection through the Art Gallery of South Australia Foundation,
1992
JOHN SKINNER PROUT
South Bank of the Yarra, near Melbourne,
1846
No. 7 in Sketches in New South Wales,
Victoria, Tasmania and Norfolk Island,
c.184147
Watercolour, Chinese white and scraping out,
37.5 40.5 cm
State Library of New South Wales, Sydney. Bequeathed by D. S.
Mitchell, 1907
JOHN SKINNER PROUT
Shipwreck off Cape Pillar, 1846
Watercolour and gouache, 17 25.4 cm
National Gallery of Australia, Canberra. Purchased 1980
ALEXANDER SCHRAMM
Adelaide, A Tribe of Natives on the Banks of the River Torrens,
1850
Oil on canvas, 86.7 130.2 cm
National Gallery of Australia, Canberra. Purchased 2005
EUGENE VON GUERARD
Stony Rises, Lake Corangamite,
1857
Oil on canvas, 71.2 86.4 cm
Art Gallery of South Australia, Adelaide. Purchased
with the assistance of the Utah Foundation through
the Art Gallery of South Australia Foundation, 1981
EUGENE VON GUERARD
Ferntree Gully in the Dandenong Ranges,
1857
Oil on canvas, 92 138 cm
National Gallery of Australia, Canberra. Gift of Dr Joseph
Brown AO, OBE, 1975
EUGENE VON GUERARD
Purrumbete from across the Lake, 1858
Oil on canvas, 51 85.5 cm
National Gallery of Australia, Canberra. Purchased with funds
from the Nerissa Johnson Bequest, 1998
EUGENE VON GUERARD
From the Verandah of Purrumbete, 1858
Oil on canvas, 51.4 86.3 cm
National Gallery of Australia, Canberra. Purchased 1978
EUGENE VON GUERARD
North-east View from the Northern
Top of Mount Kosciusko, 1863
Oil on canvas, 66.5 116.8 cm
National Gallery of Australia, Canberra. Purchased 1973
EUGENE VON GUERARD
Bushfire, 1859
Oil on canvas mounted on board,
34.8 56.3 cm
Art Gallery of Ballarat, Victoria. Gift of Lady Currie in
memory of her husband, the late Sir Alan Currie, 1948
HENRY STEINER
Inkwell, c.1870
Silver, emu egg, brass, blackwood, 29.1 28.6
19.8 cm
National Gallery of Victoria, Melbourne. The Altmann Collection of
Australian Silver, presented through the Art Foundation of Victoria by
John and Jan Altmann, Founder Benefactors, 1986
JULIUS SCHOMBURGK
John Ridley Testimonial Candelabrum, 1860
Silver, gold, malachite and blackwood, 64 42 cm
University of Adelaide Visual Art Collection. Gift of Miss J. T. Ridley, 1930
JULIUS SCHOMBURGK
Duncan Challenge Trophy, c. 1875
Silver, 66.5 37.5 cm
Royal Agricultural and Horticultural Society of South Australia, Adelaide. Awarded 1920
NICHOLAS CHEVALIER
Mount Arapiles and the Mitre Rock, 1863
Oil on canvas, 77.5 120.6 cm
National Gallery of Australia, Canberra. Gift of Dr Joseph Brown AO,
OBE, 1979
RICHARD DAINTREE
Gold Diggers' Sale, Queensland, 186470
Albumen silver photograph, overpainted in oil,
mounted on canvas, 39.2 60.7 cm
National Library of Australia, Canberra. Rex Nan Kivell Collection,
1959
LOUIS BUVELOT
Winter Morning near Heidelberg,
1866
Oil on canvas, 76.8 118.2 cm
National Gallery of Victoria, Melbourne.
Purchased 1869
ISAAC WHITEHEAD
In the Sassafras Valley, Victoria, 1875
Oil on canvas, 99.2 132.9 cm
Art Gallery of South Australia, Adelaide. M. J. M. Carter AO Collection and the South Australian
Government, 1996
NICHOLAS CAIRE
Fairy Scene at the Landslip, Blacks' Spur,
Victoria, 1878
Albumen silver photograph, 27.4 22.5 cm
National Gallery of Australia, Canberra. Joseph Brown Fund,
1981
H. J. JOHNSTONE
Evening Shadows, Backwater of the
Murray, South Australia, 1880
Oil on canvas, 120.6 184.1 cm
Art Gallery of South Australia, Adelaide. Gift of Mr Henry
Yorke Sparks, 1881
FREDERICK MCCUBBIN
Lost, 1886
Oil on canvas, 115.8 73.9 cm
National Gallery of Victoria, Melbourne. Purchased through the
Felton Bequest, 1940
W. C. PIGUENIT
The Flood in the Darling, 1890, 1895
Oil on canvas, 122.5 199.3 cm
Art Gallery of New South Wales, Sydney. Purchased 1895
TOM ROBERTS
Allegro con brio: Bourke Street West,
c.188586, reworked 1890
Oil on canvas mounted on composition
board, 51.2 76.7 cm
National Gallery of Australia, Canberra, and National
Library of Australia, Canberra. Purchased 1918
TOM ROBERTS
The Artists' Camp, 1886
Oil on canvas, 46 60.9 cm
National Gallery of Victoria, Melbourne. Purchased
through the Felton Bequest, 1943
TOM ROBERTS
Slumbering Sea, Mentone, 1887
Oil on canvas, 51.3 76.5 cm
National Gallery of Victoria, Melbourne. Purchased
with the assistance of a special grant from the
Government of Victoria, 1979
TOM ROBERTS
The Sunny South, c. 1887
Oil on canvas, 30.8 61.4 cm
National Gallery of Victoria, Melbourne. Purchased
through the Felton Bequest, 1940
TOM ROBERTS
`Evening, when the quiet east flushes
faintly at the sun's last look', 188788
Oil on canvas, 50.8 76.4 cm
National Gallery of Victoria, Melbourne. W. H. Short
Bequest, 1944
CHARLES CONDER
Bronte Beach, 1888
Oil on paper on cardboard,
22.6 33 cm
National Gallery of Australia, Canberra.
Purchased from Gallery admission charges, 1982
CHARLES CONDER
Departure of the Orient
Circular Quay, 1888
Oil on canvas, 45.1 50.1 cm
Art Gallery of New South Wales, Sydney.
Purchased 1888
CHARLES CONDER
A Holiday at Mentone, 1888
Oil on canvas, 46.2 60.8 cm
Art Gallery of South Australia, Adelaide. South Australian Government
Grant with the assistance of Bond Corporation Holdings Limited through
the Art Gallery of South Australia Foundation to mark the Gallery's
Centenary, 1981
ARTHUR STREETON
The Selector's Hut (Whelan on the Log),
1890
Oil on canvas, 76.7 51.2 cm
National Gallery of Australia, Canberra. Purchased 1961
ARTHUR STREETON
Sirius Cove, c. 1895
Oil on wood panel, 68.8 16.8 cm
National Gallery of Australia, Canberra. Purchased 1973
ARTHUR STREETON
Golden Summer, Eaglemont, 1889
Oil on canvas, 81.3 152.6 cm
National Gallery of Australia, Canberra. Purchased 1995
ARTHUR STREETON
The National Game, 1889
Oil on cardboard, 11.8 22.9 cm
Art Gallery of New South Wales, Sydney. Purchased 1963
TOM ROBERTS
Evening Train to Hawthorn, c. 1889
Oil on cedar wood panel, 14 22.6 cm
Art Gallery of New South Wales, Sydney. Edward Stinson
Bequest Fund, 1991
CHARLES CONDER
How We Lost Poor Flossie, 1889
Oil on cedar wood panel, 25 9.2 cm
Art Gallery of South Australia, Adelaide. Elder Bequest Fund, 1941
CHARLES CONDER
Herrick's Blossoms, c. 1888
Oil on cardboard, 13.1 24 cm
National Gallery of Australia, Canberra. Purchased 1969
TOM ROBERTS
A Break Away!, 1891
Oil on canvas, 137.3 167.8 cm
Art Gallery of South Australia, Adelaide. Elder Bequest Fund, 1899
ARTHUR STREETON
Fire's On, 1891
Oil on canvas, 183.8 122.5 cm
Art Gallery of New South Wales, Sydney. Purchased
1893
SYDNEY LONG
The Spirit of the Plains, 1897
Oil on canvas on wood, 62 131.4 cm
Queensland Art Gallery, Brisbane. Gift of William Howard-Smith in memory of his grandfather,
Ormond Charles Smith, 1940
DAVID DAVIES
Moonrise, 1893
Oil on canvas, 50 60 cm
Art Gallery of South Australia, Adelaide. Elder
Bequest Fund, 1947
WALTER WITHERS
The Last of Summer, 1898
Oil on canvas, 77 92 cm
Art Gallery of Ballarat, Victoria. Gift of Mrs I.
Main-Rippin, 1932
FREDERICK McCUBBIN
The Pioneer, 1904
Oil on three canvases, 225 295.7 cm
(overall)
National Gallery of Victoria, Melbourne.
Purchased through the Felton Bequest, 1906
J. J. HILDER
Dry Lagoon, 1911
Pencil and watercolour, 66.2 99.1 cm
Art Gallery of New South Wales, Sydney. Purchased 1911
BLAMIRE YOUNG
Dry Weather, c. 1912
Watercolour, 56 76.8 cm
Art Gallery of New South Wales, Sydney. Purchased 1912
HANS HEYSEN
Red Gold, 1913
Oil on canvas, 129.5 174.5 cm
Art Gallery of South Australia, Adelaide. Gift of the Rt Hon. Sir Charles Booth, 1913
HANS HEYSEN
Midsummer Morning, 1908
Pencil and watercolour, 56 76.6 cm
National Gallery of Victoria, Melbourne. Purchased through the Felton Bequest, 1908
ELIOTH GRUNER
The Wave, c. 1913
Oil on wood panel, 30.5 24.4
cm
Queensland Art Gallery, Brisbane. Gift of
Lady Trout, 1978
ETHEL CARRICK
Manly Beach Summer Is Here, 1913
Oil on canvas, 81 102 cm
Manly Art Gallery and Museum, Sydney. Gift of the artist, 1934
FREDERICK MCCUBBIN
Collins Street, c. 1915
Oil on canvas on cardboard, 25 35.3 cm
Geelong Gallery, Victoria. H. P. Douglass Bequest Fund, 1945
FREDERICK MCCUBBIN
Violet and Gold, 1911
Oil on canvas, 72 130 cm
National Gallery of Australia, Canberra. Purchased with
the generous assistance of The Hon. Ashley
Dawson-Damer and John Wylie AM and Myriam Wylie,
2008
ROY DE MAISTRE
Forest Landscape, c. 1918
Oil on cardboard, 35.4 40.6 cm
National Gallery of Australia, Canberra. Purchased 1971
ROLAND WAKELIN
Barn near Tuggerah, 1919
Oil on composition board, 17.7 22 cm
National Gallery of Australia, Canberra. Gift of Daniel Thomas, 1981
ROLAND WAKELIN
Houses at Hunters Hill, c. 1919
Oil on canvas on composition board, 24 20 cm
National Gallery of Australia, Canberra. Purchased 1963
GEORGE W. LAMBERT
The Squatter's Daughter, 192324
Oil on canvas, 61.4 90.2 cm
National Gallery of Australia, Canberra. Purchased with the generous assistance of James
Fairfax AO and Philip Bacon AM and the people of Australia, 1991
JAMES W. R. LINTON
Falls Road, Late Evening, 1926
Watercolour, 54.6 75.4 cm
National Gallery of Australia, Canberra. Purchased 1980
HANS HEYSEN
The Land of the Oratunga, 1932
Watercolour, 47.3 62.6 cm
Art Gallery of South Australia, Adelaide. South Australian Government Grant, 1937
KENNETH MACQUEEN
Birds and Sheep, Darling Downs, c. 1924
Oil on board, 52.6 65.1 cm
Art Gallery of South Australia, Adelaide. Ivor Francis Bequest Fund, 1995
GRACE COSSINGTON SMITH
Four Panels for a Screen:
Loquat Tree, Gum and Wattle
Trees, Waterfall, Picnic in a
Gully, 1929
Oil on cardboard, 144.2 53 cm
(overall)
National Gallery of Australia, Canberra.
Purchased 1976
GRACE COSSINGTON SMITH
Eastern Road, Turramurra, c. 1926
Watercolour and black pencil, 40.6 33 cm
National Gallery of Australia, Canberra. Bequest of Mervyn Horton, 1984
GRACE COSSINGTON SMITH
The Bridge in Building, 1929
Oil on pulpboard, 75 53 cm
National Gallery of Australia, Canberra. Gift of Ellen Waugh, 2005
HAROLD CAZNEAUX
Arch of Steel, 1933
Gelatin silver photograph, 37.7 27.2 cm
National Library of Australia, Canberra. Cazneaux Collection 1974
JESSIE TRAILL
Building the Harbour Bridge IV: The Ant's Progress, November
1929, c. 1929
Etching, foul-biting, printed in brown ink with plate tone on
paper, 40.3 24.8 cm
Art Gallery of South Australia, Adelaide. David Murray Bequest Fund, 1932
134
AXEL POIGNANT
Swagman on the Road to Wilcannia, 1954
Gelatin silver photograph, 50.4 40.1 cm
National Gallery of Australia, Canberra. Purchased 1984
135
JEFF CARTER
Tobacco Road, Ovens Valley, 1956, printed 2000
Gelatin silver photograph, 28.1 27.7 cm
National Gallery of Australia, Canberra. Purchased 2000
CLARICE BECKETT
Passing Trams, c. 1931
Oil on board, 48.6 44.2 cm
Art Gallery of South Australia, Adelaide. Edna Berniece Harrison Bequest Fund through the Friends
of the Art Gallery of South Australia, 2001
CLARICE BECKETT
Morning Shadows, c. 1932
Oil on canvas board, 49.5 60 cm
Art Gallery of South Australia, Adelaide. South Australian
Government Grant, 1980
MAX DUPAIN
Sunbaker, 1937
Gelatin silver photograph, 38.6 43.4 cm
National Gallery of Australia, Canberra. Purchased 1976
CHARLES MEERE
Australian Beach Pattern, 1940
Oil on canvas, 91.5 122 cm
Art Gallery of New South Wales, Sydney.
Purchased 1965
HORACE TRENERRY
The Road to Maslins, 1940
Oil on cardboard, 48.5 57 cm
Art Gallery of South Australia, Adelaide. Gift of Douglas and Barbara Mullins, 2002
DORRIT BLACK
The Olive Plantation, 1946
Oil on canvas, 63.5 86.5 cm
Art Gallery of South Australia, Adelaide. Bequest of the artist, 1951
MARGARET PRESTON
Aboriginal Landscape, 1941
Oil on canvas, 40 52 cm
Art Gallery of South Australia, Adelaide. D. & J. T. Mortlock Bequest Fund, 1982
MARGARET PRESTON
Flying over the Shoalhaven River, 1942
Oil on canvas, 50.6 50.6 cm
National Gallery of Australia, Canberra. Purchased 1973
ERIC THAKE
Brownout, 1942
Oil on paperboard, 41 51 cm
National Gallery of Australia, Canberra. Purchased 2011
ALBERT TUCKER
Sunbathers, 1944
Oil on cardboard, 59.2 86 cm
National Gallery of Australia, Canberra. Purchased 1981
ARTHUR BOYD
The Hunter I, 1944
Oil on cotton gauze on cardboard, 63.6 75.8 cm
National Gallery of Australia, Canberra. The Arthur Boyd Gift, 1975
ARTHUR BOYD
The Mining Town (Casting the Money Lenders from the Temple),
c. 1946
Oil and tempera on composition board, 87.4 109.4 cm
National Gallery of Australia, Canberra. Purchased 1974
ADRIAN FEINT
The Jetties, Palm Beach, 1942
Oil on canvas, 50.7 45.6 cm
New England Regional Art Museum, Armidale, New South Wales. Howard Hinton Collection,
1942
MARGARET PRESTON
The Expulsion, 1952
Stencil print, printed in colour from one hand-cut paper stencil,
on thin black card; hand-coloured with gouache, 64 51 cm
Art Gallery of New South Wales, Sydney. Gift of Mr W. G. Preston, the artist's widower, 1967
JEFFREY SMART
Holiday Resort, 1946
Oil on canvas, 50.9 60.9 cm
Art Gallery of South Australia, Adelaide. Gift of Douglas and Barbara
Mullins to commemorate the gallery's 125th anniversary, 2006
LLOYD REES
The Road to Berry, 1947
Oil on canvas on paperboard, 34.6 42.2 cm
Art Gallery of New South Wales, Sydney. Purchased 1947
RUSSELL DRYSDALE
The Drover's Wife, c. 1945
Oil on canvas, 51.5 61.5 cm
National Gallery of Australia, Canberra. Gift of American Friends of the National Gallery of
Australia Inc., New York, NY, USA, made possible with the generous support of Mr and Mrs
Benno Schmidt of New York and Esperance, Western Australia, 1987
RUSSELL DRYSDALE
Emus in a Landscape, 1950
Oil on canvas, 101.6 127 cm
National Gallery of Australia, Canberra. Purchased 1970
SIDNEY NOLAN
Glenrowan, 1946
Enamel paint on composition board,
90.9 121.2 cm
National Gallery of Australia, Canberra. Gift of Sunday
Reed, 1977
SIDNEY NOLAN
Ned Kelly, 1946
Enamel paint on composition board,
90.8 121.5 cm
National Gallery of Australia, Canberra. Gift of Sunday
Reed, 1977
SIDNEY NOLAN
The Burning Tree, 1947
Enamel paint on composition board, 90.7 121.2 cm
National Gallery of Australia, Canberra. Gift of Sunday Reed, 1977
SIDNEY NOLAN
Quilting the Armour, 1947
Enamel paint on composition board,
90.4 121.2 cm
National Gallery of Australia, Canberra. Gift of Sunday
Reed, 1977
SIDNEY NOLAN
Pretty Polly Mine, 1948
Enamel paint on hardboard, 91 122.2 cm
Art Gallery of New South Wales, Sydney. Purchased 1949
SIDNEY NOLAN
Inland Australia, 1950
Oil and enamel paint on composition board, 91.5 121 cm
National Gallery of Australia, Canberra. Purchased 1961
JOHN BRACK
The Car, 1955
Oil on canvas, 41 102.2 cm
National Gallery of Victoria, Melbourne. Purchased 1956
JOHN OLSEN
Sydney Sun, 1965
Oil on three plywood panels, 305 412.5 cm (overall)
National Gallery of Australia, Canberra. Purchased with funds from the
Nerissa Johnson Bequest, 2000
TONY TUCKSON
Watery, c. 1960
Oil on composition board,
122.2 183 cm
National Gallery of Australia, Canberra. Gift of
Margaret Tuckson, 2002
IAN FAIRWEATHER
Monsoon, 196162
Synthetic polymer paint and
gouache on card, lined onto
hardboard, 98.3 188.9 cm
State Art Collection, Art Gallery of Western Australia,
Perth. Purchased 1983
FRED WILLIAMS
Yellow Landscape, 196869
Oil on canvas, 141.7 193 cm
Geelong Gallery, Victoria. Purchased 1976
FRED WILLIAMS
Silver and Grey, 1969
Oil on canvas, 137.2 152.3 cm
Art Gallery of South Australia, Adelaide. Gift of Howard and Christine Michell, 1992
FRED WILLIAMS
Snow Storm, Kosciusko, 197677
Oil on canvas, 101.6 183 cm
National Gallery of Australia, Canberra. Purchased with
funds from the Ruth Komon Bequest, 2013
KEN WHISSON
Jean's Farm, 1972
Oil on composition board, 81 109.3 cm
National Gallery of Australia, Canberra. Gift of the Philip Morris Arts Grant, 1982
BRETT WHITELEY
Big Orange (Sunset), 1974
Oil and collage on wood, 244 305 cm
Art Gallery of New South Wales, Sydney. Gift of Patrick White, 1975
ARTHUR BOYD
Paintings in the Studio: `Figure Supporting Back Legs' and
`Interior with Black Rabbit', 197374
Oil on canvas, 313.5 433.2 cm
National Gallery of Australia, Canberra. The Arthur Boyd Gift, 1975
WESLEY STACEY
The Road (Outback to the City 4; Kalgoorlie to Port Headland, WA;
Perth Fun City; Kalgoorlie to Port Headland, WA; Paraburdoo and
Tom Price, The Pilbara, WA; Up the Centre, SA to NT; The Gulf to
Burdekin, QLD; Work Day Roads 6; Roads to the Red Brick Home,
Sydney; Night Roads, Sydney; Sydney to Canberra; Sydney to
Canberra), 197375
A selection of twelve from a series of 280 C-type colour
photographs, 9 12.6 cm
National Gallery of Australia, Canberra. Purchased 1984
PETER DOMBROVSKIS
Morning Mist, Rock Island Bend, 1981, printed 2000
C-type colour photograph, 100 150 cm
National Gallery of Australia, Canberra. Purchased 2002
DAVID STEPHENSON
Self-portrait Looking Down a Survey-cut Proposed Site of Gordon
below Franklin Dam, Tasmania, 1982
Mosaic of 9 gelatin silver photographs, 62.5 80.8 cm (overall)
Museum of Contemporary Art, Sydney. Donated by the artist through the Australian
Government's Cultural Gifts Program, 2010
BRIAN BLANCHFLOWER
Nocturne 3 (Whale Rock), 1982
Oil, bitumen, sand, chalk on canvas,
178 255 cm
Art Gallery of South Australia, Adelaide.
Elder Bequest Fund, 1983
HOWARD TAYLOR
Sun Figure, 1989
Oil on canvas, 90 120 cm
Art Gallery of South Australia, Adelaide. South Australian Government Grant, 1991
FIONA HALL
Paradisus Terrestris, 198990
23 cut and moulded sardine tins; aluminium, tin
and steel, 24.5 11 cm (each approximately)
National Gallery of Australia, Canberra. Purchased 1994
GORDON BENNETT
Possession Island, 1991
Oil and synthetic polymer paint on canvas,
162 260 cm
Museum of Sydney, Historic Houses Trust of New South Wales,
Sydney. Purchased with funds from the Foundation for the
Historic Houses Trust, Museum of Sydney Appeal, 2007
TIM JOHNSON
Dewachen, 1987
Synthetic polymer paint on linen,
182 243 cm
Museum of Contemporary Art, Sydney. Gift of Lotti
Smorgan AO and Victor Smorgan AC, 1995
ROSALIE GASCOIGNE
Monaro, 1989
Synthetic polymer paint on soft-drink crates
on plywood, 131 457 cm (overall)
State Art Collection, Art Gallery of Western Australia, Perth.
Purchased 1989
JAN SENBERGS
Fort, 1973
Screen-print, printed in colour, from multiple stencils,
55.9 81.5 cm
National Gallery of Australia, Canberra. Purchased 1973
PETER BOOTH
Mangroves, 2002
Pastel, 62 101 cm
National Gallery of Australia, Canberra. Purchased 2013
WILLIAM ROBINSON
Twin Falls and Gorge, 2000
Oil on canvas, 137 183 cm
National Gallery of Australia, Canberra. Gift of Ray and Diana Kidd, 2013
ELISABETH CUMMINGS
Wedderburn Spring, 1993
Oil on canvas, 173 196 cm
Campbelltown City Bicentennial Art Gallery, New South Wales. Purchased 1993
MIKE PARR
Great Distances between Small Towns, sheets 46, 1113,
199091
A selection of six from the series of twenty-four drypoints, printed
in black ink, each one from one plate, 76.2 106.4 cm (each
sheet), printed by John Loane, at Viridian Press, Melbourne
National Gallery of Australia, Canberra. Purchased 2012
BEA MADDOCK
Terra Spiritus with a Darker Shade of Pale, 199398
From the 52-sheet series of stencils, printed in hand-ground
Launceston ochre, each from multiple mylar stencils, blind
printed letterpress and handwritten script, 28.4 75.9 cm
(each sheet)
National Gallery of Australia, Canberra. Gordon Darling Australasian Print Fund, 1998
HOWARD ARKLEY
Superb + Solid, 1998
Synthetic polymer paint on canvas, 200 300.6 cm
Art Gallery of New South Wales, Sydney. Purchased with funds from the Contemporary
Collection Benefactors, 1998
ROBERT MACPHERSON
Mayfair: Bethonga Gold, for B.T.O.'s, 19952006
Synthetic polymer paint on three composition boards,
244 190 cm (overall)
National Gallery of Australia, Canberra. Purchased 2012
G.W. BOT
Garden of Gethsemane I, 2000
Linocut, printed in colour from
multiple blocks, hand-coloured on
thin tapa cloth, 98 50.8 cm
National Gallery of Australia, Canberra. Purchased
with the generous assistance of the artist, 2011
SIMRYN GILL
Rampant, 1999
A selection of four from a series of seven gelatin silver
photographs, 23 26 cm, 23.5 25.6 cm, 25.4 23.9 cm,
24.5 23.6 cm
Art Gallery of New South Wales, Sydney. Gift of the artist, 2005
CALLUM MORTON
Tomorrowland, 2004
Digital print, 94.5 170 cm
National Gallery of Australia, Canberra. Gift of Naomi
Milgrom AO, 2013
BILL HENSON
Untitled, 199899
Colour photograph, inkjet pigment print,
127 180 cm
National Gallery of Australia, Canberra. Purchased with
funds from the Australia Exhibition Patrons Club, 2013
TRACEY MOFFATT
Up in the Sky #1, #2, #6, #8,
#14, #24, 1997
A selection of six from the
series of twenty-five lithographs,
61.5 76 cm (each sheet)
Tate, London. Purchased 1998
JOHN BEARD
Uluru 8, 2002
Oil and wax on linen, 180 262 cm
Australian National University, Canberra. Gift of James Erskine through the Australian
Government's Cultural Gifts Program, 2009
IMANTS TILLERS
Shadow of the Hereafter, 2007
Synthetic polymer paint and gouache on 72 canvas
boards, 228.5 284.5 cm (overall)
Art Gallery of South Australia, Adelaide. Gift of the Art Gallery of South Australia
Contemporary Collectors, Gosia Kudra-Schild and Taliangis family, 2007
FIONA FOLEY
Bliss, 2006
Single-channel HD/DVD: 16:9, ratio colour,
sound 11 minutes, 20 seconds
Museum of Contemporary Art, Sydney. Purchased with funds
provided by the Coe and Mordant families, 2009
DENNIS NONA
Mutuk, 2009
Etching, printed in colour,
133 430 cm
National Gallery of Australia, Canberra.
Purchased 2009
VERNON AH KEE
Can't Chant (wegrewhere) #2, 2009
Digital print, 76 114 cm
National Gallery of Australia, Canberra. Purchased 2009
SHAUN GLADWELL
Approach to Mundi Mundi, 2007
From the series MADDESTMAXIMVS
Single-channel HD/DVD, 16:9 ratio
colour, silent 8 minutes, 37 seconds
Art Gallery of New South Wales, Sydney. John Kaldor
Family Collection
PHILIP WOLFHAGEN
Autumn Equinox: The Loss of the Sun, 2009
Oil and beeswax on canvas, 200.4 160.3 cm
National Gallery of Australia, Canberra. Purchased 2009
DANIEL CROOKS
Cloud Atlas (Fitzroy 1:23), 2012
Single-channel HD/DVD 16:9, ratio colour, silent, 21 minutes
National Gallery of Australia, Canberra. Purchased 2012
ROSEMARY LAING
Jim from the series leak, 2010
C-type colour photograph, 110 237.6 cm
National Gallery of Australia, Canberra. Purchased 2013
HOSSEIN VALAMANESH
Longing/Belonging, 1997
Direct colour positive photograph, 99 99 cm;
carpet, velvet, 215 305 cm
Art Gallery of New South Wales, Sydney. Purchased with funds from the
Contemporary Collection Benefactors, 2002
CHRISTIAN THOMPSON
Dead as a Door Nail, 2008
C-type colour photograph, 100 100 cm
National Gallery of Australia, Canberra. Purchased 2012
DANIE MELLOR
An Elysian City (of Picturesque Landscapes
and Memory), 2010
Pastel, pencil and wash with glitter and
Swarovski crystal, 143 186 cm
National Gallery of Australia, Canberra. Purchased 2011
KATHY TEMIN
Tombstone Garden, 2012
Synthetic fur, synthetic polymer paint,
synthetic stuffing, steel, composition
board, 230 429 180 cm (overall)
National Gallery of Australia, Canberra. Purchased 2012
JUDY WATSON
Fire and Water
Source: Royal Academy, London
- See more at: http://www.theaustralian.com.au/arts/visual-arts/artworks-in-londons-royal-academy-show-australia/story-fn9d3avm-1226722071425#sthash.PpK6F6F0.dpuf
FULL list of over 200 artworks on display in London's Royal Academy of Arts show, Australia.
UNKNOWN Western Arnhem Land artist or artistsNadubi Spirit-Woman, with Possum, Magpie
Goose and Fish, c. 1884
Ochres on bark, 83 63.5 cm
South Australian Museum, Adelaide. Collected by Captain Frederick
Carrington, 1884, donated to the Royal Geographical Society of South
Australia, Adelaide, 1890s, and thence to the South Australian Museum, Adelaide
YIRAWALA
Kundaagi Red Plains, Kangaroo, 1962
Natural earth pigments on eucalyptus bark,
103 47 cm
National Gallery of Australia, Canberra. Masterpieces for the
Nation Fund, 2012
JOHN MAWURNDJUL
Rainbow Serpent's Antilopine Kangaroo,
1991
Natural earth pigments on eucalyptus
bark, 192 99.5 cm
National Gallery of Australia, Canberra. Purchased 1991
BARDAYAL NADJAMERREK
Dead Man, c. 1968
Natural earth pigments on
eucalyptus bark, 60 30 cm
Art Gallery of South Australia, Adelaide. South Australian
Government Grant, 1969
BARDAYAL NADJAMERREK
The Artist's Country, Liverpool River, 1975
Natural earth pigments on eucalyptus bark,
101 34.5 cm
National Gallery of Australia, Canberra. Masterpieces for the
Nation Fund, 2010
JOHN MAWURNDJUL
Mardayin Design at Dilebang, 2006
Natural earth pigments on eucalyptus
bark, 200 47 cm
National Gallery of Australia, Canberra. Purchased 2007
JOHN MAWURNDJUL
Milmilngkan, 2008
Natural earth pigments on eucalyptus bark,
153 80.7 cm
National Gallery of Australia, Canberra. Purchased 2009
DJAMBAWA MARAWILI
Source of Fire, 2005
Natural earth pigments on eucalyptus
bark, 191 84 cm
Art Gallery of New South Wales, Sydney. Purchased with
funds provided by the Aboriginal Collection Benefactors'
Group, 2005
MUNGGURRAWUY YUNUPINGU
Fire Story at Caledon Bay, c.1963
Natural earth pigments on eucalyptus bark,
114 52 cm
National Gallery of Australia, Canberra. Founding Donors' Fund,
1984
MAWALAN MARIKA
The Milky Way, c. 1965
Natural earth pigments on eucalyptus
bark, 177 68 cm
National Gallery of Australia, Canberra. Purchased 2009
GULUMBU YUNUPINGU
Garak the Universe, 2007
Natural earth pigments on stringybark,
234 99.5 cm
National Gallery of Australia, Canberra. Purchased 2007
NANDABITTA MAMINYAMANDJA
Macassan Prau and Trepang Curing,
c.1974
Natural earth pigments on eucalyptus
bark, 61.5 40 cm
National Gallery of Australia, Canberra. Purchased from
Gallery admission charges, 1984
ALICE WAMBA
Coral, 1974
Natural earth pigments on eucalyptus
bark, 84 42 cm
National Gallery of Australia, Canberra. Purchased 1984
DECLAN APUATIMI
Pamijini, c. 1982
Natural earth pigments on eucalyptus
bark, 48 93.3 cm
National Gallery of Australia, Canberra. Purchased 1992
JOHNNY WARANGKULA
TJUPURRULA
A Bush Tucker Story, 1972
Synthetic polymer paint on composition
board, 91.4 66.2 cm
National Gallery of Victoria, Melbourne. Purchased
through the Art Foundation of Victoria with the assistance
of North Broken Hill Ltd, Fellow, 1987
ANATJARI TJAMPITJINPA
Ceremonial Ground, 1981
Synthetic polymer paint on canvas,
182.5 182 cm
National Gallery of Australia, Canberra. Purchased 1992
LONG JACK PHILLIPUS
TJAKAMARRA
Kalipinypa Water Dreaming,
c.1972
Synthetic polymer paint
on composition board,
90 61.6 cm
National Gallery of Australia, Canberra.
Purchased 1989
TIM LEURA TJAPALTJARRI
Fatal Love Dance, 1973
Synthetic polymer powder paint on
composition board, 40 30 cm
National Gallery of Australia, Canberra. The Peter Fannin
Collection of early Western Desert paintings, purchased 1998
TIMMY PAYUNGKA TJAPANGARTI
Sandhill Country West of Wilkinkarra,
Lake Mackay, 1972
Synthetic polymer paint on composition
board, 76 52 cm
National Gallery of Australia, Canberra. The Peter Fannin
Collection of early Western Desert paintings, purchased 1998
UTA UTA TJANGALA
Old Man's Dreaming, 1983
Synthetic polymer paint on canvas,
242 362 cm
Art Gallery of South Australia, Adelaide. South
Australian Government Grant, 1984
CLIFFORD POSSUM TJAPALTJARRI
Warlugulong, 1977
Synthetic polymer paint, oil and
natural earth pigments on canvas,
202 337.5 cm
National Gallery of Australia, Canberra. Purchased
with the generous assistance of Roslynne Bracher and
the Paspaley family, David Coe and Michelle Coe,
Charles Curran and Eva Curran, 2007
PADDY JUPURRURLA NELSON,
PADDY JAPALJARRI SIMS, LARRY
JUNGURRAYI SPENCER
Yanjilypiri Jukurrpa (Star Dreaming), 1985
Synthetic polymer paint on canvas,
372 171.4 cm
National Gallery of Australia, Canberra. Purchased 1986
EMILY KAME KNGWARREYE
Anwerlarr Anganenty (Big Yam Dreaming), 1995
Synthetic polymer paint on canvas, 291.1 801.8 cm
National Gallery of Victoria, Melbourne. Presented through the Art
Foundation of Victoria by Donald and Janet Holt and family, Governors, 1995
MICK NAMARARI TJAPALTJARRI
Rain Dreaming at Nyunman, 1994
Synthetic polymer paint on linen, 152 183 cm
National Gallery of Australia, Canberra. Purchased with funds from
the Australia Exhibition Patrons Club, 2013
TURKEY TOLSON TJUPURRULA
Straightening Spears at Ilyingaungau, 1990
Synthetic polymer paint on canvas,
181.5 244 cm
Art Gallery of South Australia, Adelaide. Gift of the Friends of
the Art Gallery of South Australia, 1990
JACK BRITTEN
Purnululu (Bull Creek Country), 1988
Natural earth pigments and natural binder on canvas,
160 200 cm
National Gallery of Australia, Canberra. Purchased 1989
QUEENIE MCKENZIE
Gija Country, 1995
Natural earth pigments and binder on canvas, 200 160 cm
National Gallery of Australia, Canberra. Purchased 1996
PADDY JAMINJI
Kimberley Landscape, c. 1984
Ochre on canvas, 195.8 270.3 cm
State Art Collection, Art Gallery of Western Australia,
Perth. Purchased 1988
ROVER THOMAS
Roads Meeting, 1987
Natural earth pigments and binder on canvas, 90 180 cm
National Gallery of Australia, Canberra. Purchased 1988
ROVER THOMAS
Cyclone Tracy, 1991
Natural earth pigments and binder on
canvas, 168 180 cm
National Gallery of Australia, Canberra. Purchased 1991
DOREEN REID NAKAMARRA
Untitled, 2007
Synthetic polymer paint on canvas, 183 244 cm
National Gallery of Australia, Canberra. Purchased 2007
DOROTHY NAPANGARDI
Sandhills of Mina Mina, 2000
Synthetic polymer paint on canvas,
198 122.7 cm
National Gallery of Australia, Canberra. Purchased 2001
MARTUMILI ARTISTS
Ngayarta Kujarra, 2009
Synthetic polymer paint on canvas,
300.6 500.3 cm
National Gallery of Victoria, Melbourne.
Purchased through the Felton Bequest, 2011
TOMMY MCRAE
Victorian Blacks _ Melbourne
Tribe Holding Corroboree after
Seeing Ships for the First Time,
c.1890s
Pen and iron-gall ink, 23.8 36 cm
National Gallery of Australia, Canberra. Purchased
1994
WILLIAM BARAK
Corroboree, 1895
Charcoal and natural earth
pigments, over pencil on prepared
linen, 60 76.4 cm
National Gallery of Australia, Canberra. Founding
Donors' Fund, 2010
MICKEY OF ULLADULLA
Fishing, Native Flora and Fauna, c.1888
Gouache, watercolour, black ink and pastel
over black pencil, 43 68 cm
National Gallery of Australia, Canberra. Purchased 1991
OTTO PAREROULTJA
Central Australian Landscape with
Ghost Gums, c.1968
Watercolour, gouache over black pencil,
38.4 53.2 cm
National Gallery of Australia, Canberra. Purchased 2005
ROBERT CAMPBELL JNR
Abo History (Facts), 1988
Synthetic polymer paint on canvas, 130 200 cm
National Gallery of Australia, Canberra. Purchased 1988
RICKY MAYNARD
The Healing Garden Wybalenna, Flinders
Island, Tasmania, 2005
One from a series of ten gelatin silver
photographs, 40.7 58.2 cm
National Gallery of Australia, Canberra. Purchased 2009
NICI CUMPSTON
Campsite V, Nookamka Lake, 2008
Inkjet print on canvas, hand-coloured with
pencil and watercolour, 77 206 cm
National Gallery of Australia, Canberra. Purchased 2011
MIRDIDINGKINGATHI SALLY
GABORI JUWARNDA
My Country, 2009
Synthetic polymer paint on canvas,
151 101 cm
National Gallery of Australia, Canberra.
Founding Donors' Fund, 2010
AFTER THOMAS WATLING
View of the Town of Sydney in the
Colony of New South Wales, c.1799
Oil on canvas, 65 133 cm
Art Gallery of South Australia, Adelaide. M. J. M. Carter AO
Collection
G. W. EVANS
A View of Sydney New South Wales
on Entering the Heads, c. 1809
Watercolour, 22.5 36.1 cm
State Library of New South Wales, Sydney. Purchased
1950
JOHN LEWIN
View from Governor Bligh's Farm,
Hawkesbury, New South Wales, c. 1808
Watercolour, 20 35.5 cm
Art Gallery of South Australia, Adelaide. J. C. Earl
Bequest and Elder Bequest Funds, 1989
WILLIAM WESTALL
Chasm Island, Native Cave Painting, c. 1803
Watercolour, 26.7 37.2 cm
National Library of Australia, Canberra. Purchased 1969
WILLIAM WESTALL
View of Sir Edward Pellew's Group,
Gulph of Carpentaria, 1802, c. 1812
Oil on canvas, 88 119 cm
Ministry of Defence Art Collection, London
WILLIAM WESTALL
View of Cape Townshend and of the
Islands of Shoal-Water Bay, Taken from
Mount Westall, c. 1810
Oil on canvas, 125 155 cm
Ministry of Defence Art Collection, London
JOHN LEWIN
Evans's Peak, 1815
Watercolour, 22.8 27 cm
State Library of New South Wales, Sydney. Presented 1937
JOHN LEWIN
Fish Catch and Dawes Point, Sydney Harbour,
c. 1813
Oil on canvas, 86.5 113 cm
Art Gallery of South Australia, Adelaide. Gift of the Art Gallery of
South Australia Foundation and South Australian Brewing Holdings
Limited, 1989. Given to mark the occasion of the Company's 1988
Centenary
JOSEPH LYCETT
Inner View of Newcastle, c.1818
Oil on canvas, 61 91.4 cm
Newcastle Art Gallery, New South Wales. Purchased with
assistance from the National Art Collections Fund, London, 1961
JOSEPH LYCETT
Aborigines Using Fire to Hunt Kangaroos
from `The Lycett Album'. Drawings of the
Aborigines and Scenery of New South
Wales, c.1820
Watercolour, 17.5 27.8 cm
National Library of Australia, Canberra. Purchased 1972
AUGUSTUS EARLE
View from the Summit of Mount York,
Looking towards Bathurst Plains, Convicts
Breaking Stones, New South Wales, c. 1826
Watercolour, 22.5 33 cm
National Library of Australia, Canberra. Rex Nan Kivell
Collection, 1959
AUGUSTUS EARLE
A Native Camp of Australian Savages near
Port Stevens, New South Wales, c. 1826
Watercolour, 25.1 43.8 cm
National Library of Australia, Canberra. Rex Nan Kivell
Collection, 1959
ROBERT DALE, print after; ROBERT HAVELL JNR,
etcher and publisher
Panoramic View of King Georges Sound, Part of the
Colony of Swan River, 1834
Etching and aquatint, printed in black ink from three
plates on three joined sheets, hand-coloured in
watercolour, 18 274.2 cm (overall)
National Gallery of Australia, Canberra. The Wordsworth Collection, purchased 2010
JOHN GLOVER
A Corroboree of Natives in Mills Plains, 1832
Oil on canvas, 56.5 71.4 cm
Art Gallery of South Australia, Adelaide. Morgan Thomas Bequest Fund, 1951
JOHN GLOVER
View of Mills Plains, Van Diemen's Land, 1833
Oil on canvas, 76.2 114.6 cm
Art Gallery of South Australia, Adelaide. Morgan Thomas Bequest
Fund, 1951
JOHN GLOVER
A View of the Artist's House and Garden, in Mills Plains, Van
Diemen's Land, 1835
Oil on canvas, 76.4 114.4 cm
Art Gallery of South Australia, Adelaide. Morgan Thomas Bequest Fund, 1951
JOHN GLOVER
`Cawood' on the Ouse River, 1838
Oil on canvas, 75.5 114 cm
Tasmanian Museum and Art Gallery, Hobart. Presented by Mrs
George C. Nicholas in memory of her husband, 1935
CONRAD MARTENS
Campbell's Wharf, 1857
Watercolour, with touches of gum
arabic, 46 66 cm
National Gallery of Australia, Canberra. Purchased
with the assistance of the Members' Acquisition
Fund, 2009
CONRAD MARTENS
View of Sydney from Neutral Bay,
c.1857
Watercolour, gouache, black pencil,
varnish, 45.1 65 cm
National Gallery of Australia, Canberra. Purchased
1975
EDMUND HENDERSON
Perth, West Australia, 1862
Watercolour, 34.6 50.6 cm
National Gallery of Australia, Canberra. The Wordsworth
Collection, purchased 2010
OSWALD BRIERLY
Amateur Whaling, or a Tale of the Pacific, 1847
Watercolour, 45.2 94 cm
Australian National Maritime Museum, Sydney. Purchased with funds from the USA Bicentennial
Gift, 1989
S. T. GILL
North Terrace, Adelaide, Looking
South-east from Government
House Guardhouse, 1845
Watercolour, 27.4 39.7 cm
Art Gallery of South Australia, Adelaide. Gift of the
South Australian Company, 1931
S. T. GILL
Looking SW from Table Land,
August 22nd, 1846
Watercolour, 18.1 30.7 cm
Art Gallery of South Australia, Adelaide. Gift of
Douglas and Barbara Mullins, 1999
S. T. GILL
Diggings in the Mount Alexander
District of Victoria in 1852, 1874
Watercolour, 24.5 35 cm
National Library of Australia, Canberra.
Purchased 2004
E. C. FROME
First View of the Salt Desert
Called Lake Torrens, 1843
Watercolour, 15.7 27.8 cm
Art Gallery of South Australia, Adelaide. South
Australian Government Grant, Adelaide City Council
and Public Donations, 1970
GEORGE FRENCH ANGAS
Scene Showing Emus in a
Plain (Coorong), 1844
Watercolour, 23 32.5 cm
Art Gallery of South Australia, Adelaide.
Gift of Miss E. M. Johnson, 1972
GEORGE FRENCH ANGAS
Port Lincoln from Winter's Hill,
1845
Watercolour, 24.6 34.1 cm
Art Gallery of South Australia, Adelaide.
Bequest of J. Angas Johnson, 1902
LUDWIG BECKER
Meteor Seen by Me on 11 October,
1860
Watercolour, 10.2 16.2 cm
State Library of Victoria, Melbourne
LUDWIG BECKER
Mallee Sand Cliffs at the Darling,
12 October, 1860
Watercolour and pencil, 12.1 16.1
cm
State Library of Victoria, Melbourne
LUDWIG BECKER
Border of the Mud Desert near
Desolation Camp, 9 March, 1861
Watercolour, 14 22.8 cm
State Library of Victoria, Melbourne
JOHN SKINNER PROUT
Maria Island from Little Swanport, Van
Diemen's Land, c. 1846
Oil on canvas, 29 35.5 cm
Art Gallery of South Australia, Adelaide. M. J. M. Carter AO
Collection through the Art Gallery of South Australia Foundation,
1992
JOHN SKINNER PROUT
South Bank of the Yarra, near Melbourne,
1846
No. 7 in Sketches in New South Wales,
Victoria, Tasmania and Norfolk Island,
c.184147
Watercolour, Chinese white and scraping out,
37.5 40.5 cm
State Library of New South Wales, Sydney. Bequeathed by D. S.
Mitchell, 1907
JOHN SKINNER PROUT
Shipwreck off Cape Pillar, 1846
Watercolour and gouache, 17 25.4 cm
National Gallery of Australia, Canberra. Purchased 1980
ALEXANDER SCHRAMM
Adelaide, A Tribe of Natives on the Banks of the River Torrens,
1850
Oil on canvas, 86.7 130.2 cm
National Gallery of Australia, Canberra. Purchased 2005
EUGENE VON GUERARD
Stony Rises, Lake Corangamite,
1857
Oil on canvas, 71.2 86.4 cm
Art Gallery of South Australia, Adelaide. Purchased
with the assistance of the Utah Foundation through
the Art Gallery of South Australia Foundation, 1981
EUGENE VON GUERARD
Ferntree Gully in the Dandenong Ranges,
1857
Oil on canvas, 92 138 cm
National Gallery of Australia, Canberra. Gift of Dr Joseph
Brown AO, OBE, 1975
EUGENE VON GUERARD
Purrumbete from across the Lake, 1858
Oil on canvas, 51 85.5 cm
National Gallery of Australia, Canberra. Purchased with funds
from the Nerissa Johnson Bequest, 1998
EUGENE VON GUERARD
From the Verandah of Purrumbete, 1858
Oil on canvas, 51.4 86.3 cm
National Gallery of Australia, Canberra. Purchased 1978
EUGENE VON GUERARD
North-east View from the Northern
Top of Mount Kosciusko, 1863
Oil on canvas, 66.5 116.8 cm
National Gallery of Australia, Canberra. Purchased 1973
EUGENE VON GUERARD
Bushfire, 1859
Oil on canvas mounted on board,
34.8 56.3 cm
Art Gallery of Ballarat, Victoria. Gift of Lady Currie in
memory of her husband, the late Sir Alan Currie, 1948
HENRY STEINER
Inkwell, c.1870
Silver, emu egg, brass, blackwood, 29.1 28.6
19.8 cm
National Gallery of Victoria, Melbourne. The Altmann Collection of
Australian Silver, presented through the Art Foundation of Victoria by
John and Jan Altmann, Founder Benefactors, 1986
JULIUS SCHOMBURGK
John Ridley Testimonial Candelabrum, 1860
Silver, gold, malachite and blackwood, 64 42 cm
University of Adelaide Visual Art Collection. Gift of Miss J. T. Ridley, 1930
JULIUS SCHOMBURGK
Duncan Challenge Trophy, c. 1875
Silver, 66.5 37.5 cm
Royal Agricultural and Horticultural Society of South Australia, Adelaide. Awarded 1920
NICHOLAS CHEVALIER
Mount Arapiles and the Mitre Rock, 1863
Oil on canvas, 77.5 120.6 cm
National Gallery of Australia, Canberra. Gift of Dr Joseph Brown AO,
OBE, 1979
RICHARD DAINTREE
Gold Diggers' Sale, Queensland, 186470
Albumen silver photograph, overpainted in oil,
mounted on canvas, 39.2 60.7 cm
National Library of Australia, Canberra. Rex Nan Kivell Collection,
1959
LOUIS BUVELOT
Winter Morning near Heidelberg,
1866
Oil on canvas, 76.8 118.2 cm
National Gallery of Victoria, Melbourne.
Purchased 1869
ISAAC WHITEHEAD
In the Sassafras Valley, Victoria, 1875
Oil on canvas, 99.2 132.9 cm
Art Gallery of South Australia, Adelaide. M. J. M. Carter AO Collection and the South Australian
Government, 1996
NICHOLAS CAIRE
Fairy Scene at the Landslip, Blacks' Spur,
Victoria, 1878
Albumen silver photograph, 27.4 22.5 cm
National Gallery of Australia, Canberra. Joseph Brown Fund,
1981
H. J. JOHNSTONE
Evening Shadows, Backwater of the
Murray, South Australia, 1880
Oil on canvas, 120.6 184.1 cm
Art Gallery of South Australia, Adelaide. Gift of Mr Henry
Yorke Sparks, 1881
FREDERICK MCCUBBIN
Lost, 1886
Oil on canvas, 115.8 73.9 cm
National Gallery of Victoria, Melbourne. Purchased through the
Felton Bequest, 1940
W. C. PIGUENIT
The Flood in the Darling, 1890, 1895
Oil on canvas, 122.5 199.3 cm
Art Gallery of New South Wales, Sydney. Purchased 1895
TOM ROBERTS
Allegro con brio: Bourke Street West,
c.188586, reworked 1890
Oil on canvas mounted on composition
board, 51.2 76.7 cm
National Gallery of Australia, Canberra, and National
Library of Australia, Canberra. Purchased 1918
TOM ROBERTS
The Artists' Camp, 1886
Oil on canvas, 46 60.9 cm
National Gallery of Victoria, Melbourne. Purchased
through the Felton Bequest, 1943
TOM ROBERTS
Slumbering Sea, Mentone, 1887
Oil on canvas, 51.3 76.5 cm
National Gallery of Victoria, Melbourne. Purchased
with the assistance of a special grant from the
Government of Victoria, 1979
TOM ROBERTS
The Sunny South, c. 1887
Oil on canvas, 30.8 61.4 cm
National Gallery of Victoria, Melbourne. Purchased
through the Felton Bequest, 1940
TOM ROBERTS
`Evening, when the quiet east flushes
faintly at the sun's last look', 188788
Oil on canvas, 50.8 76.4 cm
National Gallery of Victoria, Melbourne. W. H. Short
Bequest, 1944
CHARLES CONDER
Bronte Beach, 1888
Oil on paper on cardboard,
22.6 33 cm
National Gallery of Australia, Canberra.
Purchased from Gallery admission charges, 1982
CHARLES CONDER
Departure of the Orient
Circular Quay, 1888
Oil on canvas, 45.1 50.1 cm
Art Gallery of New South Wales, Sydney.
Purchased 1888
CHARLES CONDER
A Holiday at Mentone, 1888
Oil on canvas, 46.2 60.8 cm
Art Gallery of South Australia, Adelaide. South Australian Government
Grant with the assistance of Bond Corporation Holdings Limited through
the Art Gallery of South Australia Foundation to mark the Gallery's
Centenary, 1981
ARTHUR STREETON
The Selector's Hut (Whelan on the Log),
1890
Oil on canvas, 76.7 51.2 cm
National Gallery of Australia, Canberra. Purchased 1961
ARTHUR STREETON
Sirius Cove, c. 1895
Oil on wood panel, 68.8 16.8 cm
National Gallery of Australia, Canberra. Purchased 1973
ARTHUR STREETON
Golden Summer, Eaglemont, 1889
Oil on canvas, 81.3 152.6 cm
National Gallery of Australia, Canberra. Purchased 1995
ARTHUR STREETON
The National Game, 1889
Oil on cardboard, 11.8 22.9 cm
Art Gallery of New South Wales, Sydney. Purchased 1963
TOM ROBERTS
Evening Train to Hawthorn, c. 1889
Oil on cedar wood panel, 14 22.6 cm
Art Gallery of New South Wales, Sydney. Edward Stinson
Bequest Fund, 1991
CHARLES CONDER
How We Lost Poor Flossie, 1889
Oil on cedar wood panel, 25 9.2 cm
Art Gallery of South Australia, Adelaide. Elder Bequest Fund, 1941
CHARLES CONDER
Herrick's Blossoms, c. 1888
Oil on cardboard, 13.1 24 cm
National Gallery of Australia, Canberra. Purchased 1969
TOM ROBERTS
A Break Away!, 1891
Oil on canvas, 137.3 167.8 cm
Art Gallery of South Australia, Adelaide. Elder Bequest Fund, 1899
ARTHUR STREETON
Fire's On, 1891
Oil on canvas, 183.8 122.5 cm
Art Gallery of New South Wales, Sydney. Purchased
1893
SYDNEY LONG
The Spirit of the Plains, 1897
Oil on canvas on wood, 62 131.4 cm
Queensland Art Gallery, Brisbane. Gift of William Howard-Smith in memory of his grandfather,
Ormond Charles Smith, 1940
DAVID DAVIES
Moonrise, 1893
Oil on canvas, 50 60 cm
Art Gallery of South Australia, Adelaide. Elder
Bequest Fund, 1947
WALTER WITHERS
The Last of Summer, 1898
Oil on canvas, 77 92 cm
Art Gallery of Ballarat, Victoria. Gift of Mrs I.
Main-Rippin, 1932
FREDERICK McCUBBIN
The Pioneer, 1904
Oil on three canvases, 225 295.7 cm
(overall)
National Gallery of Victoria, Melbourne.
Purchased through the Felton Bequest, 1906
J. J. HILDER
Dry Lagoon, 1911
Pencil and watercolour, 66.2 99.1 cm
Art Gallery of New South Wales, Sydney. Purchased 1911
BLAMIRE YOUNG
Dry Weather, c. 1912
Watercolour, 56 76.8 cm
Art Gallery of New South Wales, Sydney. Purchased 1912
HANS HEYSEN
Red Gold, 1913
Oil on canvas, 129.5 174.5 cm
Art Gallery of South Australia, Adelaide. Gift of the Rt Hon. Sir Charles Booth, 1913
HANS HEYSEN
Midsummer Morning, 1908
Pencil and watercolour, 56 76.6 cm
National Gallery of Victoria, Melbourne. Purchased through the Felton Bequest, 1908
ELIOTH GRUNER
The Wave, c. 1913
Oil on wood panel, 30.5 24.4
cm
Queensland Art Gallery, Brisbane. Gift of
Lady Trout, 1978
ETHEL CARRICK
Manly Beach Summer Is Here, 1913
Oil on canvas, 81 102 cm
Manly Art Gallery and Museum, Sydney. Gift of the artist, 1934
FREDERICK MCCUBBIN
Collins Street, c. 1915
Oil on canvas on cardboard, 25 35.3 cm
Geelong Gallery, Victoria. H. P. Douglass Bequest Fund, 1945
FREDERICK MCCUBBIN
Violet and Gold, 1911
Oil on canvas, 72 130 cm
National Gallery of Australia, Canberra. Purchased with
the generous assistance of The Hon. Ashley
Dawson-Damer and John Wylie AM and Myriam Wylie,
2008
ROY DE MAISTRE
Forest Landscape, c. 1918
Oil on cardboard, 35.4 40.6 cm
National Gallery of Australia, Canberra. Purchased 1971
ROLAND WAKELIN
Barn near Tuggerah, 1919
Oil on composition board, 17.7 22 cm
National Gallery of Australia, Canberra. Gift of Daniel Thomas, 1981
ROLAND WAKELIN
Houses at Hunters Hill, c. 1919
Oil on canvas on composition board, 24 20 cm
National Gallery of Australia, Canberra. Purchased 1963
GEORGE W. LAMBERT
The Squatter's Daughter, 192324
Oil on canvas, 61.4 90.2 cm
National Gallery of Australia, Canberra. Purchased with the generous assistance of James
Fairfax AO and Philip Bacon AM and the people of Australia, 1991
JAMES W. R. LINTON
Falls Road, Late Evening, 1926
Watercolour, 54.6 75.4 cm
National Gallery of Australia, Canberra. Purchased 1980
HANS HEYSEN
The Land of the Oratunga, 1932
Watercolour, 47.3 62.6 cm
Art Gallery of South Australia, Adelaide. South Australian Government Grant, 1937
KENNETH MACQUEEN
Birds and Sheep, Darling Downs, c. 1924
Oil on board, 52.6 65.1 cm
Art Gallery of South Australia, Adelaide. Ivor Francis Bequest Fund, 1995
GRACE COSSINGTON SMITH
Four Panels for a Screen:
Loquat Tree, Gum and Wattle
Trees, Waterfall, Picnic in a
Gully, 1929
Oil on cardboard, 144.2 53 cm
(overall)
National Gallery of Australia, Canberra.
Purchased 1976
GRACE COSSINGTON SMITH
Eastern Road, Turramurra, c. 1926
Watercolour and black pencil, 40.6 33 cm
National Gallery of Australia, Canberra. Bequest of Mervyn Horton, 1984
GRACE COSSINGTON SMITH
The Bridge in Building, 1929
Oil on pulpboard, 75 53 cm
National Gallery of Australia, Canberra. Gift of Ellen Waugh, 2005
HAROLD CAZNEAUX
Arch of Steel, 1933
Gelatin silver photograph, 37.7 27.2 cm
National Library of Australia, Canberra. Cazneaux Collection 1974
JESSIE TRAILL
Building the Harbour Bridge IV: The Ant's Progress, November
1929, c. 1929
Etching, foul-biting, printed in brown ink with plate tone on
paper, 40.3 24.8 cm
Art Gallery of South Australia, Adelaide. David Murray Bequest Fund, 1932
134
AXEL POIGNANT
Swagman on the Road to Wilcannia, 1954
Gelatin silver photograph, 50.4 40.1 cm
National Gallery of Australia, Canberra. Purchased 1984
135
JEFF CARTER
Tobacco Road, Ovens Valley, 1956, printed 2000
Gelatin silver photograph, 28.1 27.7 cm
National Gallery of Australia, Canberra. Purchased 2000
CLARICE BECKETT
Passing Trams, c. 1931
Oil on board, 48.6 44.2 cm
Art Gallery of South Australia, Adelaide. Edna Berniece Harrison Bequest Fund through the Friends
of the Art Gallery of South Australia, 2001
CLARICE BECKETT
Morning Shadows, c. 1932
Oil on canvas board, 49.5 60 cm
Art Gallery of South Australia, Adelaide. South Australian
Government Grant, 1980
MAX DUPAIN
Sunbaker, 1937
Gelatin silver photograph, 38.6 43.4 cm
National Gallery of Australia, Canberra. Purchased 1976
CHARLES MEERE
Australian Beach Pattern, 1940
Oil on canvas, 91.5 122 cm
Art Gallery of New South Wales, Sydney.
Purchased 1965
HORACE TRENERRY
The Road to Maslins, 1940
Oil on cardboard, 48.5 57 cm
Art Gallery of South Australia, Adelaide. Gift of Douglas and Barbara Mullins, 2002
DORRIT BLACK
The Olive Plantation, 1946
Oil on canvas, 63.5 86.5 cm
Art Gallery of South Australia, Adelaide. Bequest of the artist, 1951
MARGARET PRESTON
Aboriginal Landscape, 1941
Oil on canvas, 40 52 cm
Art Gallery of South Australia, Adelaide. D. & J. T. Mortlock Bequest Fund, 1982
MARGARET PRESTON
Flying over the Shoalhaven River, 1942
Oil on canvas, 50.6 50.6 cm
National Gallery of Australia, Canberra. Purchased 1973
ERIC THAKE
Brownout, 1942
Oil on paperboard, 41 51 cm
National Gallery of Australia, Canberra. Purchased 2011
ALBERT TUCKER
Sunbathers, 1944
Oil on cardboard, 59.2 86 cm
National Gallery of Australia, Canberra. Purchased 1981
ARTHUR BOYD
The Hunter I, 1944
Oil on cotton gauze on cardboard, 63.6 75.8 cm
National Gallery of Australia, Canberra. The Arthur Boyd Gift, 1975
ARTHUR BOYD
The Mining Town (Casting the Money Lenders from the Temple),
c. 1946
Oil and tempera on composition board, 87.4 109.4 cm
National Gallery of Australia, Canberra. Purchased 1974
ADRIAN FEINT
The Jetties, Palm Beach, 1942
Oil on canvas, 50.7 45.6 cm
New England Regional Art Museum, Armidale, New South Wales. Howard Hinton Collection,
1942
MARGARET PRESTON
The Expulsion, 1952
Stencil print, printed in colour from one hand-cut paper stencil,
on thin black card; hand-coloured with gouache, 64 51 cm
Art Gallery of New South Wales, Sydney. Gift of Mr W. G. Preston, the artist's widower, 1967
JEFFREY SMART
Holiday Resort, 1946
Oil on canvas, 50.9 60.9 cm
Art Gallery of South Australia, Adelaide. Gift of Douglas and Barbara
Mullins to commemorate the gallery's 125th anniversary, 2006
LLOYD REES
The Road to Berry, 1947
Oil on canvas on paperboard, 34.6 42.2 cm
Art Gallery of New South Wales, Sydney. Purchased 1947
RUSSELL DRYSDALE
The Drover's Wife, c. 1945
Oil on canvas, 51.5 61.5 cm
National Gallery of Australia, Canberra. Gift of American Friends of the National Gallery of
Australia Inc., New York, NY, USA, made possible with the generous support of Mr and Mrs
Benno Schmidt of New York and Esperance, Western Australia, 1987
RUSSELL DRYSDALE
Emus in a Landscape, 1950
Oil on canvas, 101.6 127 cm
National Gallery of Australia, Canberra. Purchased 1970
SIDNEY NOLAN
Glenrowan, 1946
Enamel paint on composition board,
90.9 121.2 cm
National Gallery of Australia, Canberra. Gift of Sunday
Reed, 1977
SIDNEY NOLAN
Ned Kelly, 1946
Enamel paint on composition board,
90.8 121.5 cm
National Gallery of Australia, Canberra. Gift of Sunday
Reed, 1977
SIDNEY NOLAN
The Burning Tree, 1947
Enamel paint on composition board, 90.7 121.2 cm
National Gallery of Australia, Canberra. Gift of Sunday Reed, 1977
SIDNEY NOLAN
Quilting the Armour, 1947
Enamel paint on composition board,
90.4 121.2 cm
National Gallery of Australia, Canberra. Gift of Sunday
Reed, 1977
SIDNEY NOLAN
Pretty Polly Mine, 1948
Enamel paint on hardboard, 91 122.2 cm
Art Gallery of New South Wales, Sydney. Purchased 1949
SIDNEY NOLAN
Inland Australia, 1950
Oil and enamel paint on composition board, 91.5 121 cm
National Gallery of Australia, Canberra. Purchased 1961
JOHN BRACK
The Car, 1955
Oil on canvas, 41 102.2 cm
National Gallery of Victoria, Melbourne. Purchased 1956
JOHN OLSEN
Sydney Sun, 1965
Oil on three plywood panels, 305 412.5 cm (overall)
National Gallery of Australia, Canberra. Purchased with funds from the
Nerissa Johnson Bequest, 2000
TONY TUCKSON
Watery, c. 1960
Oil on composition board,
122.2 183 cm
National Gallery of Australia, Canberra. Gift of
Margaret Tuckson, 2002
IAN FAIRWEATHER
Monsoon, 196162
Synthetic polymer paint and
gouache on card, lined onto
hardboard, 98.3 188.9 cm
State Art Collection, Art Gallery of Western Australia,
Perth. Purchased 1983
FRED WILLIAMS
Yellow Landscape, 196869
Oil on canvas, 141.7 193 cm
Geelong Gallery, Victoria. Purchased 1976
FRED WILLIAMS
Silver and Grey, 1969
Oil on canvas, 137.2 152.3 cm
Art Gallery of South Australia, Adelaide. Gift of Howard and Christine Michell, 1992
FRED WILLIAMS
Snow Storm, Kosciusko, 197677
Oil on canvas, 101.6 183 cm
National Gallery of Australia, Canberra. Purchased with
funds from the Ruth Komon Bequest, 2013
KEN WHISSON
Jean's Farm, 1972
Oil on composition board, 81 109.3 cm
National Gallery of Australia, Canberra. Gift of the Philip Morris Arts Grant, 1982
BRETT WHITELEY
Big Orange (Sunset), 1974
Oil and collage on wood, 244 305 cm
Art Gallery of New South Wales, Sydney. Gift of Patrick White, 1975
ARTHUR BOYD
Paintings in the Studio: `Figure Supporting Back Legs' and
`Interior with Black Rabbit', 197374
Oil on canvas, 313.5 433.2 cm
National Gallery of Australia, Canberra. The Arthur Boyd Gift, 1975
WESLEY STACEY
The Road (Outback to the City 4; Kalgoorlie to Port Headland, WA;
Perth Fun City; Kalgoorlie to Port Headland, WA; Paraburdoo and
Tom Price, The Pilbara, WA; Up the Centre, SA to NT; The Gulf to
Burdekin, QLD; Work Day Roads 6; Roads to the Red Brick Home,
Sydney; Night Roads, Sydney; Sydney to Canberra; Sydney to
Canberra), 197375
A selection of twelve from a series of 280 C-type colour
photographs, 9 12.6 cm
National Gallery of Australia, Canberra. Purchased 1984
PETER DOMBROVSKIS
Morning Mist, Rock Island Bend, 1981, printed 2000
C-type colour photograph, 100 150 cm
National Gallery of Australia, Canberra. Purchased 2002
DAVID STEPHENSON
Self-portrait Looking Down a Survey-cut Proposed Site of Gordon
below Franklin Dam, Tasmania, 1982
Mosaic of 9 gelatin silver photographs, 62.5 80.8 cm (overall)
Museum of Contemporary Art, Sydney. Donated by the artist through the Australian
Government's Cultural Gifts Program, 2010
BRIAN BLANCHFLOWER
Nocturne 3 (Whale Rock), 1982
Oil, bitumen, sand, chalk on canvas,
178 255 cm
Art Gallery of South Australia, Adelaide.
Elder Bequest Fund, 1983
HOWARD TAYLOR
Sun Figure, 1989
Oil on canvas, 90 120 cm
Art Gallery of South Australia, Adelaide. South Australian Government Grant, 1991
FIONA HALL
Paradisus Terrestris, 198990
23 cut and moulded sardine tins; aluminium, tin
and steel, 24.5 11 cm (each approximately)
National Gallery of Australia, Canberra. Purchased 1994
GORDON BENNETT
Possession Island, 1991
Oil and synthetic polymer paint on canvas,
162 260 cm
Museum of Sydney, Historic Houses Trust of New South Wales,
Sydney. Purchased with funds from the Foundation for the
Historic Houses Trust, Museum of Sydney Appeal, 2007
TIM JOHNSON
Dewachen, 1987
Synthetic polymer paint on linen,
182 243 cm
Museum of Contemporary Art, Sydney. Gift of Lotti
Smorgan AO and Victor Smorgan AC, 1995
ROSALIE GASCOIGNE
Monaro, 1989
Synthetic polymer paint on soft-drink crates
on plywood, 131 457 cm (overall)
State Art Collection, Art Gallery of Western Australia, Perth.
Purchased 1989
JAN SENBERGS
Fort, 1973
Screen-print, printed in colour, from multiple stencils,
55.9 81.5 cm
National Gallery of Australia, Canberra. Purchased 1973
PETER BOOTH
Mangroves, 2002
Pastel, 62 101 cm
National Gallery of Australia, Canberra. Purchased 2013
WILLIAM ROBINSON
Twin Falls and Gorge, 2000
Oil on canvas, 137 183 cm
National Gallery of Australia, Canberra. Gift of Ray and Diana Kidd, 2013
ELISABETH CUMMINGS
Wedderburn Spring, 1993
Oil on canvas, 173 196 cm
Campbelltown City Bicentennial Art Gallery, New South Wales. Purchased 1993
MIKE PARR
Great Distances between Small Towns, sheets 46, 1113,
199091
A selection of six from the series of twenty-four drypoints, printed
in black ink, each one from one plate, 76.2 106.4 cm (each
sheet), printed by John Loane, at Viridian Press, Melbourne
National Gallery of Australia, Canberra. Purchased 2012
BEA MADDOCK
Terra Spiritus with a Darker Shade of Pale, 199398
From the 52-sheet series of stencils, printed in hand-ground
Launceston ochre, each from multiple mylar stencils, blind
printed letterpress and handwritten script, 28.4 75.9 cm
(each sheet)
National Gallery of Australia, Canberra. Gordon Darling Australasian Print Fund, 1998
HOWARD ARKLEY
Superb + Solid, 1998
Synthetic polymer paint on canvas, 200 300.6 cm
Art Gallery of New South Wales, Sydney. Purchased with funds from the Contemporary
Collection Benefactors, 1998
ROBERT MACPHERSON
Mayfair: Bethonga Gold, for B.T.O.'s, 19952006
Synthetic polymer paint on three composition boards,
244 190 cm (overall)
National Gallery of Australia, Canberra. Purchased 2012
G.W. BOT
Garden of Gethsemane I, 2000
Linocut, printed in colour from
multiple blocks, hand-coloured on
thin tapa cloth, 98 50.8 cm
National Gallery of Australia, Canberra. Purchased
with the generous assistance of the artist, 2011
SIMRYN GILL
Rampant, 1999
A selection of four from a series of seven gelatin silver
photographs, 23 26 cm, 23.5 25.6 cm, 25.4 23.9 cm,
24.5 23.6 cm
Art Gallery of New South Wales, Sydney. Gift of the artist, 2005
CALLUM MORTON
Tomorrowland, 2004
Digital print, 94.5 170 cm
National Gallery of Australia, Canberra. Gift of Naomi
Milgrom AO, 2013
BILL HENSON
Untitled, 199899
Colour photograph, inkjet pigment print,
127 180 cm
National Gallery of Australia, Canberra. Purchased with
funds from the Australia Exhibition Patrons Club, 2013
TRACEY MOFFATT
Up in the Sky #1, #2, #6, #8,
#14, #24, 1997
A selection of six from the
series of twenty-five lithographs,
61.5 76 cm (each sheet)
Tate, London. Purchased 1998
JOHN BEARD
Uluru 8, 2002
Oil and wax on linen, 180 262 cm
Australian National University, Canberra. Gift of James Erskine through the Australian
Government's Cultural Gifts Program, 2009
IMANTS TILLERS
Shadow of the Hereafter, 2007
Synthetic polymer paint and gouache on 72 canvas
boards, 228.5 284.5 cm (overall)
Art Gallery of South Australia, Adelaide. Gift of the Art Gallery of South Australia
Contemporary Collectors, Gosia Kudra-Schild and Taliangis family, 2007
FIONA FOLEY
Bliss, 2006
Single-channel HD/DVD: 16:9, ratio colour,
sound 11 minutes, 20 seconds
Museum of Contemporary Art, Sydney. Purchased with funds
provided by the Coe and Mordant families, 2009
DENNIS NONA
Mutuk, 2009
Etching, printed in colour,
133 430 cm
National Gallery of Australia, Canberra.
Purchased 2009
VERNON AH KEE
Can't Chant (wegrewhere) #2, 2009
Digital print, 76 114 cm
National Gallery of Australia, Canberra. Purchased 2009
SHAUN GLADWELL
Approach to Mundi Mundi, 2007
From the series MADDESTMAXIMVS
Single-channel HD/DVD, 16:9 ratio
colour, silent 8 minutes, 37 seconds
Art Gallery of New South Wales, Sydney. John Kaldor
Family Collection
PHILIP WOLFHAGEN
Autumn Equinox: The Loss of the Sun, 2009
Oil and beeswax on canvas, 200.4 160.3 cm
National Gallery of Australia, Canberra. Purchased 2009
DANIEL CROOKS
Cloud Atlas (Fitzroy 1:23), 2012
Single-channel HD/DVD 16:9, ratio colour, silent, 21 minutes
National Gallery of Australia, Canberra. Purchased 2012
ROSEMARY LAING
Jim from the series leak, 2010
C-type colour photograph, 110 237.6 cm
National Gallery of Australia, Canberra. Purchased 2013
HOSSEIN VALAMANESH
Longing/Belonging, 1997
Direct colour positive photograph, 99 99 cm;
carpet, velvet, 215 305 cm
Art Gallery of New South Wales, Sydney. Purchased with funds from the
Contemporary Collection Benefactors, 2002
CHRISTIAN THOMPSON
Dead as a Door Nail, 2008
C-type colour photograph, 100 100 cm
National Gallery of Australia, Canberra. Purchased 2012
DANIE MELLOR
An Elysian City (of Picturesque Landscapes
and Memory), 2010
Pastel, pencil and wash with glitter and
Swarovski crystal, 143 186 cm
National Gallery of Australia, Canberra. Purchased 2011
KATHY TEMIN
Tombstone Garden, 2012
Synthetic fur, synthetic polymer paint,
synthetic stuffing, steel, composition
board, 230 429 180 cm (overall)
National Gallery of Australia, Canberra. Purchased 2012
JUDY WATSON
Fire and Water
Source: Royal Academy, London
- See more at: http://www.theaustralian.com.au/arts/visual-arts/artworks-in-londons-royal-academy-show-australia/story-fn9d3avm-1226722071425#sthash.PpK6F6F0.dpuf
FULL list of over 200 artworks on display in London's Royal Academy of Arts show, Australia.
UNKNOWN Western Arnhem Land artist or artistsNadubi Spirit-Woman, with Possum, Magpie
Goose and Fish, c. 1884
Ochres on bark, 83 63.5 cm
South Australian Museum, Adelaide. Collected by Captain Frederick
Carrington, 1884, donated to the Royal Geographical Society of South
Australia, Adelaide, 1890s, and thence to the South Australian Museum, Adelaide
YIRAWALA
Kundaagi Red Plains, Kangaroo, 1962
Natural earth pigments on eucalyptus bark,
103 47 cm
National Gallery of Australia, Canberra. Masterpieces for the
Nation Fund, 2012
JOHN MAWURNDJUL
Rainbow Serpent's Antilopine Kangaroo,
1991
Natural earth pigments on eucalyptus
bark, 192 99.5 cm
National Gallery of Australia, Canberra. Purchased 1991
BARDAYAL NADJAMERREK
Dead Man, c. 1968
Natural earth pigments on
eucalyptus bark, 60 30 cm
Art Gallery of South Australia, Adelaide. South Australian
Government Grant, 1969
BARDAYAL NADJAMERREK
The Artist's Country, Liverpool River, 1975
Natural earth pigments on eucalyptus bark,
101 34.5 cm
National Gallery of Australia, Canberra. Masterpieces for the
Nation Fund, 2010
JOHN MAWURNDJUL
Mardayin Design at Dilebang, 2006
Natural earth pigments on eucalyptus
bark, 200 47 cm
National Gallery of Australia, Canberra. Purchased 2007
JOHN MAWURNDJUL
Milmilngkan, 2008
Natural earth pigments on eucalyptus bark,
153 80.7 cm
National Gallery of Australia, Canberra. Purchased 2009
DJAMBAWA MARAWILI
Source of Fire, 2005
Natural earth pigments on eucalyptus
bark, 191 84 cm
Art Gallery of New South Wales, Sydney. Purchased with
funds provided by the Aboriginal Collection Benefactors'
Group, 2005
MUNGGURRAWUY YUNUPINGU
Fire Story at Caledon Bay, c.1963
Natural earth pigments on eucalyptus bark,
114 52 cm
National Gallery of Australia, Canberra. Founding Donors' Fund,
1984
MAWALAN MARIKA
The Milky Way, c. 1965
Natural earth pigments on eucalyptus
bark, 177 68 cm
National Gallery of Australia, Canberra. Purchased 2009
GULUMBU YUNUPINGU
Garak the Universe, 2007
Natural earth pigments on stringybark,
234 99.5 cm
National Gallery of Australia, Canberra. Purchased 2007
NANDABITTA MAMINYAMANDJA
Macassan Prau and Trepang Curing,
c.1974
Natural earth pigments on eucalyptus
bark, 61.5 40 cm
National Gallery of Australia, Canberra. Purchased from
Gallery admission charges, 1984
ALICE WAMBA
Coral, 1974
Natural earth pigments on eucalyptus
bark, 84 42 cm
National Gallery of Australia, Canberra. Purchased 1984
DECLAN APUATIMI
Pamijini, c. 1982
Natural earth pigments on eucalyptus
bark, 48 93.3 cm
National Gallery of Australia, Canberra. Purchased 1992
JOHNNY WARANGKULA
TJUPURRULA
A Bush Tucker Story, 1972
Synthetic polymer paint on composition
board, 91.4 66.2 cm
National Gallery of Victoria, Melbourne. Purchased
through the Art Foundation of Victoria with the assistance
of North Broken Hill Ltd, Fellow, 1987
ANATJARI TJAMPITJINPA
Ceremonial Ground, 1981
Synthetic polymer paint on canvas,
182.5 182 cm
National Gallery of Australia, Canberra. Purchased 1992
LONG JACK PHILLIPUS
TJAKAMARRA
Kalipinypa Water Dreaming,
c.1972
Synthetic polymer paint
on composition board,
90 61.6 cm
National Gallery of Australia, Canberra.
Purchased 1989
TIM LEURA TJAPALTJARRI
Fatal Love Dance, 1973
Synthetic polymer powder paint on
composition board, 40 30 cm
National Gallery of Australia, Canberra. The Peter Fannin
Collection of early Western Desert paintings, purchased 1998
TIMMY PAYUNGKA TJAPANGARTI
Sandhill Country West of Wilkinkarra,
Lake Mackay, 1972
Synthetic polymer paint on composition
board, 76 52 cm
National Gallery of Australia, Canberra. The Peter Fannin
Collection of early Western Desert paintings, purchased 1998
UTA UTA TJANGALA
Old Man's Dreaming, 1983
Synthetic polymer paint on canvas,
242 362 cm
Art Gallery of South Australia, Adelaide. South
Australian Government Grant, 1984
CLIFFORD POSSUM TJAPALTJARRI
Warlugulong, 1977
Synthetic polymer paint, oil and
natural earth pigments on canvas,
202 337.5 cm
National Gallery of Australia, Canberra. Purchased
with the generous assistance of Roslynne Bracher and
the Paspaley family, David Coe and Michelle Coe,
Charles Curran and Eva Curran, 2007
PADDY JUPURRURLA NELSON,
PADDY JAPALJARRI SIMS, LARRY
JUNGURRAYI SPENCER
Yanjilypiri Jukurrpa (Star Dreaming), 1985
Synthetic polymer paint on canvas,
372 171.4 cm
National Gallery of Australia, Canberra. Purchased 1986
EMILY KAME KNGWARREYE
Anwerlarr Anganenty (Big Yam Dreaming), 1995
Synthetic polymer paint on canvas, 291.1 801.8 cm
National Gallery of Victoria, Melbourne. Presented through the Art
Foundation of Victoria by Donald and Janet Holt and family, Governors, 1995
MICK NAMARARI TJAPALTJARRI
Rain Dreaming at Nyunman, 1994
Synthetic polymer paint on linen, 152 183 cm
National Gallery of Australia, Canberra. Purchased with funds from
the Australia Exhibition Patrons Club, 2013
TURKEY TOLSON TJUPURRULA
Straightening Spears at Ilyingaungau, 1990
Synthetic polymer paint on canvas,
181.5 244 cm
Art Gallery of South Australia, Adelaide. Gift of the Friends of
the Art Gallery of South Australia, 1990
JACK BRITTEN
Purnululu (Bull Creek Country), 1988
Natural earth pigments and natural binder on canvas,
160 200 cm
National Gallery of Australia, Canberra. Purchased 1989
QUEENIE MCKENZIE
Gija Country, 1995
Natural earth pigments and binder on canvas, 200 160 cm
National Gallery of Australia, Canberra. Purchased 1996
PADDY JAMINJI
Kimberley Landscape, c. 1984
Ochre on canvas, 195.8 270.3 cm
State Art Collection, Art Gallery of Western Australia,
Perth. Purchased 1988
ROVER THOMAS
Roads Meeting, 1987
Natural earth pigments and binder on canvas, 90 180 cm
National Gallery of Australia, Canberra. Purchased 1988
ROVER THOMAS
Cyclone Tracy, 1991
Natural earth pigments and binder on
canvas, 168 180 cm
National Gallery of Australia, Canberra. Purchased 1991
DOREEN REID NAKAMARRA
Untitled, 2007
Synthetic polymer paint on canvas, 183 244 cm
National Gallery of Australia, Canberra. Purchased 2007
DOROTHY NAPANGARDI
Sandhills of Mina Mina, 2000
Synthetic polymer paint on canvas,
198 122.7 cm
National Gallery of Australia, Canberra. Purchased 2001
MARTUMILI ARTISTS
Ngayarta Kujarra, 2009
Synthetic polymer paint on canvas,
300.6 500.3 cm
National Gallery of Victoria, Melbourne.
Purchased through the Felton Bequest, 2011
TOMMY MCRAE
Victorian Blacks _ Melbourne
Tribe Holding Corroboree after
Seeing Ships for the First Time,
c.1890s
Pen and iron-gall ink, 23.8 36 cm
National Gallery of Australia, Canberra. Purchased
1994
WILLIAM BARAK
Corroboree, 1895
Charcoal and natural earth
pigments, over pencil on prepared
linen, 60 76.4 cm
National Gallery of Australia, Canberra. Founding
Donors' Fund, 2010
MICKEY OF ULLADULLA
Fishing, Native Flora and Fauna, c.1888
Gouache, watercolour, black ink and pastel
over black pencil, 43 68 cm
National Gallery of Australia, Canberra. Purchased 1991
OTTO PAREROULTJA
Central Australian Landscape with
Ghost Gums, c.1968
Watercolour, gouache over black pencil,
38.4 53.2 cm
National Gallery of Australia, Canberra. Purchased 2005
ROBERT CAMPBELL JNR
Abo History (Facts), 1988
Synthetic polymer paint on canvas, 130 200 cm
National Gallery of Australia, Canberra. Purchased 1988
RICKY MAYNARD
The Healing Garden Wybalenna, Flinders
Island, Tasmania, 2005
One from a series of ten gelatin silver
photographs, 40.7 58.2 cm
National Gallery of Australia, Canberra. Purchased 2009
NICI CUMPSTON
Campsite V, Nookamka Lake, 2008
Inkjet print on canvas, hand-coloured with
pencil and watercolour, 77 206 cm
National Gallery of Australia, Canberra. Purchased 2011
MIRDIDINGKINGATHI SALLY
GABORI JUWARNDA
My Country, 2009
Synthetic polymer paint on canvas,
151 101 cm
National Gallery of Australia, Canberra.
Founding Donors' Fund, 2010
AFTER THOMAS WATLING
View of the Town of Sydney in the
Colony of New South Wales, c.1799
Oil on canvas, 65 133 cm
Art Gallery of South Australia, Adelaide. M. J. M. Carter AO
Collection
G. W. EVANS
A View of Sydney New South Wales
on Entering the Heads, c. 1809
Watercolour, 22.5 36.1 cm
State Library of New South Wales, Sydney. Purchased
1950
JOHN LEWIN
View from Governor Bligh's Farm,
Hawkesbury, New South Wales, c. 1808
Watercolour, 20 35.5 cm
Art Gallery of South Australia, Adelaide. J. C. Earl
Bequest and Elder Bequest Funds, 1989
WILLIAM WESTALL
Chasm Island, Native Cave Painting, c. 1803
Watercolour, 26.7 37.2 cm
National Library of Australia, Canberra. Purchased 1969
WILLIAM WESTALL
View of Sir Edward Pellew's Group,
Gulph of Carpentaria, 1802, c. 1812
Oil on canvas, 88 119 cm
Ministry of Defence Art Collection, London
WILLIAM WESTALL
View of Cape Townshend and of the
Islands of Shoal-Water Bay, Taken from
Mount Westall, c. 1810
Oil on canvas, 125 155 cm
Ministry of Defence Art Collection, London
JOHN LEWIN
Evans's Peak, 1815
Watercolour, 22.8 27 cm
State Library of New South Wales, Sydney. Presented 1937
JOHN LEWIN
Fish Catch and Dawes Point, Sydney Harbour,
c. 1813
Oil on canvas, 86.5 113 cm
Art Gallery of South Australia, Adelaide. Gift of the Art Gallery of
South Australia Foundation and South Australian Brewing Holdings
Limited, 1989. Given to mark the occasion of the Company's 1988
Centenary
JOSEPH LYCETT
Inner View of Newcastle, c.1818
Oil on canvas, 61 91.4 cm
Newcastle Art Gallery, New South Wales. Purchased with
assistance from the National Art Collections Fund, London, 1961
JOSEPH LYCETT
Aborigines Using Fire to Hunt Kangaroos
from `The Lycett Album'. Drawings of the
Aborigines and Scenery of New South
Wales, c.1820
Watercolour, 17.5 27.8 cm
National Library of Australia, Canberra. Purchased 1972
AUGUSTUS EARLE
View from the Summit of Mount York,
Looking towards Bathurst Plains, Convicts
Breaking Stones, New South Wales, c. 1826
Watercolour, 22.5 33 cm
National Library of Australia, Canberra. Rex Nan Kivell
Collection, 1959
AUGUSTUS EARLE
A Native Camp of Australian Savages near
Port Stevens, New South Wales, c. 1826
Watercolour, 25.1 43.8 cm
National Library of Australia, Canberra. Rex Nan Kivell
Collection, 1959
ROBERT DALE, print after; ROBERT HAVELL JNR,
etcher and publisher
Panoramic View of King Georges Sound, Part of the
Colony of Swan River, 1834
Etching and aquatint, printed in black ink from three
plates on three joined sheets, hand-coloured in
watercolour, 18 274.2 cm (overall)
National Gallery of Australia, Canberra. The Wordsworth Collection, purchased 2010
JOHN GLOVER
A Corroboree of Natives in Mills Plains, 1832
Oil on canvas, 56.5 71.4 cm
Art Gallery of South Australia, Adelaide. Morgan Thomas Bequest Fund, 1951
JOHN GLOVER
View of Mills Plains, Van Diemen's Land, 1833
Oil on canvas, 76.2 114.6 cm
Art Gallery of South Australia, Adelaide. Morgan Thomas Bequest
Fund, 1951
JOHN GLOVER
A View of the Artist's House and Garden, in Mills Plains, Van
Diemen's Land, 1835
Oil on canvas, 76.4 114.4 cm
Art Gallery of South Australia, Adelaide. Morgan Thomas Bequest Fund, 1951
JOHN GLOVER
`Cawood' on the Ouse River, 1838
Oil on canvas, 75.5 114 cm
Tasmanian Museum and Art Gallery, Hobart. Presented by Mrs
George C. Nicholas in memory of her husband, 1935
CONRAD MARTENS
Campbell's Wharf, 1857
Watercolour, with touches of gum
arabic, 46 66 cm
National Gallery of Australia, Canberra. Purchased
with the assistance of the Members' Acquisition
Fund, 2009
CONRAD MARTENS
View of Sydney from Neutral Bay,
c.1857
Watercolour, gouache, black pencil,
varnish, 45.1 65 cm
National Gallery of Australia, Canberra. Purchased
1975
EDMUND HENDERSON
Perth, West Australia, 1862
Watercolour, 34.6 50.6 cm
National Gallery of Australia, Canberra. The Wordsworth
Collection, purchased 2010
OSWALD BRIERLY
Amateur Whaling, or a Tale of the Pacific, 1847
Watercolour, 45.2 94 cm
Australian National Maritime Museum, Sydney. Purchased with funds from the USA Bicentennial
Gift, 1989
S. T. GILL
North Terrace, Adelaide, Looking
South-east from Government
House Guardhouse, 1845
Watercolour, 27.4 39.7 cm
Art Gallery of South Australia, Adelaide. Gift of the
South Australian Company, 1931
S. T. GILL
Looking SW from Table Land,
August 22nd, 1846
Watercolour, 18.1 30.7 cm
Art Gallery of South Australia, Adelaide. Gift of
Douglas and Barbara Mullins, 1999
S. T. GILL
Diggings in the Mount Alexander
District of Victoria in 1852, 1874
Watercolour, 24.5 35 cm
National Library of Australia, Canberra.
Purchased 2004
E. C. FROME
First View of the Salt Desert
Called Lake Torrens, 1843
Watercolour, 15.7 27.8 cm
Art Gallery of South Australia, Adelaide. South
Australian Government Grant, Adelaide City Council
and Public Donations, 1970
GEORGE FRENCH ANGAS
Scene Showing Emus in a
Plain (Coorong), 1844
Watercolour, 23 32.5 cm
Art Gallery of South Australia, Adelaide.
Gift of Miss E. M. Johnson, 1972
GEORGE FRENCH ANGAS
Port Lincoln from Winter's Hill,
1845
Watercolour, 24.6 34.1 cm
Art Gallery of South Australia, Adelaide.
Bequest of J. Angas Johnson, 1902
LUDWIG BECKER
Meteor Seen by Me on 11 October,
1860
Watercolour, 10.2 16.2 cm
State Library of Victoria, Melbourne
LUDWIG BECKER
Mallee Sand Cliffs at the Darling,
12 October, 1860
Watercolour and pencil, 12.1 16.1
cm
State Library of Victoria, Melbourne
LUDWIG BECKER
Border of the Mud Desert near
Desolation Camp, 9 March, 1861
Watercolour, 14 22.8 cm
State Library of Victoria, Melbourne
JOHN SKINNER PROUT
Maria Island from Little Swanport, Van
Diemen's Land, c. 1846
Oil on canvas, 29 35.5 cm
Art Gallery of South Australia, Adelaide. M. J. M. Carter AO
Collection through the Art Gallery of South Australia Foundation,
1992
JOHN SKINNER PROUT
South Bank of the Yarra, near Melbourne,
1846
No. 7 in Sketches in New South Wales,
Victoria, Tasmania and Norfolk Island,
c.184147
Watercolour, Chinese white and scraping out,
37.5 40.5 cm
State Library of New South Wales, Sydney. Bequeathed by D. S.
Mitchell, 1907
JOHN SKINNER PROUT
Shipwreck off Cape Pillar, 1846
Watercolour and gouache, 17 25.4 cm
National Gallery of Australia, Canberra. Purchased 1980
ALEXANDER SCHRAMM
Adelaide, A Tribe of Natives on the Banks of the River Torrens,
1850
Oil on canvas, 86.7 130.2 cm
National Gallery of Australia, Canberra. Purchased 2005
EUGENE VON GUERARD
Stony Rises, Lake Corangamite,
1857
Oil on canvas, 71.2 86.4 cm
Art Gallery of South Australia, Adelaide. Purchased
with the assistance of the Utah Foundation through
the Art Gallery of South Australia Foundation, 1981
EUGENE VON GUERARD
Ferntree Gully in the Dandenong Ranges,
1857
Oil on canvas, 92 138 cm
National Gallery of Australia, Canberra. Gift of Dr Joseph
Brown AO, OBE, 1975
EUGENE VON GUERARD
Purrumbete from across the Lake, 1858
Oil on canvas, 51 85.5 cm
National Gallery of Australia, Canberra. Purchased with funds
from the Nerissa Johnson Bequest, 1998
EUGENE VON GUERARD
From the Verandah of Purrumbete, 1858
Oil on canvas, 51.4 86.3 cm
National Gallery of Australia, Canberra. Purchased 1978
EUGENE VON GUERARD
North-east View from the Northern
Top of Mount Kosciusko, 1863
Oil on canvas, 66.5 116.8 cm
National Gallery of Australia, Canberra. Purchased 1973
EUGENE VON GUERARD
Bushfire, 1859
Oil on canvas mounted on board,
34.8 56.3 cm
Art Gallery of Ballarat, Victoria. Gift of Lady Currie in
memory of her husband, the late Sir Alan Currie, 1948
HENRY STEINER
Inkwell, c.1870
Silver, emu egg, brass, blackwood, 29.1 28.6
19.8 cm
National Gallery of Victoria, Melbourne. The Altmann Collection of
Australian Silver, presented through the Art Foundation of Victoria by
John and Jan Altmann, Founder Benefactors, 1986
JULIUS SCHOMBURGK
John Ridley Testimonial Candelabrum, 1860
Silver, gold, malachite and blackwood, 64 42 cm
University of Adelaide Visual Art Collection. Gift of Miss J. T. Ridley, 1930
JULIUS SCHOMBURGK
Duncan Challenge Trophy, c. 1875
Silver, 66.5 37.5 cm
Royal Agricultural and Horticultural Society of South Australia, Adelaide. Awarded 1920
NICHOLAS CHEVALIER
Mount Arapiles and the Mitre Rock, 1863
Oil on canvas, 77.5 120.6 cm
National Gallery of Australia, Canberra. Gift of Dr Joseph Brown AO,
OBE, 1979
RICHARD DAINTREE
Gold Diggers' Sale, Queensland, 186470
Albumen silver photograph, overpainted in oil,
mounted on canvas, 39.2 60.7 cm
National Library of Australia, Canberra. Rex Nan Kivell Collection,
1959
LOUIS BUVELOT
Winter Morning near Heidelberg,
1866
Oil on canvas, 76.8 118.2 cm
National Gallery of Victoria, Melbourne.
Purchased 1869
ISAAC WHITEHEAD
In the Sassafras Valley, Victoria, 1875
Oil on canvas, 99.2 132.9 cm
Art Gallery of South Australia, Adelaide. M. J. M. Carter AO Collection and the South Australian
Government, 1996
NICHOLAS CAIRE
Fairy Scene at the Landslip, Blacks' Spur,
Victoria, 1878
Albumen silver photograph, 27.4 22.5 cm
National Gallery of Australia, Canberra. Joseph Brown Fund,
1981
H. J. JOHNSTONE
Evening Shadows, Backwater of the
Murray, South Australia, 1880
Oil on canvas, 120.6 184.1 cm
Art Gallery of South Australia, Adelaide. Gift of Mr Henry
Yorke Sparks, 1881
FREDERICK MCCUBBIN
Lost, 1886
Oil on canvas, 115.8 73.9 cm
National Gallery of Victoria, Melbourne. Purchased through the
Felton Bequest, 1940
W. C. PIGUENIT
The Flood in the Darling, 1890, 1895
Oil on canvas, 122.5 199.3 cm
Art Gallery of New South Wales, Sydney. Purchased 1895
TOM ROBERTS
Allegro con brio: Bourke Street West,
c.188586, reworked 1890
Oil on canvas mounted on composition
board, 51.2 76.7 cm
National Gallery of Australia, Canberra, and National
Library of Australia, Canberra. Purchased 1918
TOM ROBERTS
The Artists' Camp, 1886
Oil on canvas, 46 60.9 cm
National Gallery of Victoria, Melbourne. Purchased
through the Felton Bequest, 1943
TOM ROBERTS
Slumbering Sea, Mentone, 1887
Oil on canvas, 51.3 76.5 cm
National Gallery of Victoria, Melbourne. Purchased
with the assistance of a special grant from the
Government of Victoria, 1979
TOM ROBERTS
The Sunny South, c. 1887
Oil on canvas, 30.8 61.4 cm
National Gallery of Victoria, Melbourne. Purchased
through the Felton Bequest, 1940
TOM ROBERTS
`Evening, when the quiet east flushes
faintly at the sun's last look', 188788
Oil on canvas, 50.8 76.4 cm
National Gallery of Victoria, Melbourne. W. H. Short
Bequest, 1944
CHARLES CONDER
Bronte Beach, 1888
Oil on paper on cardboard,
22.6 33 cm
National Gallery of Australia, Canberra.
Purchased from Gallery admission charges, 1982
CHARLES CONDER
Departure of the Orient
Circular Quay, 1888
Oil on canvas, 45.1 50.1 cm
Art Gallery of New South Wales, Sydney.
Purchased 1888
CHARLES CONDER
A Holiday at Mentone, 1888
Oil on canvas, 46.2 60.8 cm
Art Gallery of South Australia, Adelaide. South Australian Government
Grant with the assistance of Bond Corporation Holdings Limited through
the Art Gallery of South Australia Foundation to mark the Gallery's
Centenary, 1981
ARTHUR STREETON
The Selector's Hut (Whelan on the Log),
1890
Oil on canvas, 76.7 51.2 cm
National Gallery of Australia, Canberra. Purchased 1961
ARTHUR STREETON
Sirius Cove, c. 1895
Oil on wood panel, 68.8 16.8 cm
National Gallery of Australia, Canberra. Purchased 1973
ARTHUR STREETON
Golden Summer, Eaglemont, 1889
Oil on canvas, 81.3 152.6 cm
National Gallery of Australia, Canberra. Purchased 1995
ARTHUR STREETON
The National Game, 1889
Oil on cardboard, 11.8 22.9 cm
Art Gallery of New South Wales, Sydney. Purchased 1963
TOM ROBERTS
Evening Train to Hawthorn, c. 1889
Oil on cedar wood panel, 14 22.6 cm
Art Gallery of New South Wales, Sydney. Edward Stinson
Bequest Fund, 1991
CHARLES CONDER
How We Lost Poor Flossie, 1889
Oil on cedar wood panel, 25 9.2 cm
Art Gallery of South Australia, Adelaide. Elder Bequest Fund, 1941
CHARLES CONDER
Herrick's Blossoms, c. 1888
Oil on cardboard, 13.1 24 cm
National Gallery of Australia, Canberra. Purchased 1969
TOM ROBERTS
A Break Away!, 1891
Oil on canvas, 137.3 167.8 cm
Art Gallery of South Australia, Adelaide. Elder Bequest Fund, 1899
ARTHUR STREETON
Fire's On, 1891
Oil on canvas, 183.8 122.5 cm
Art Gallery of New South Wales, Sydney. Purchased
1893
SYDNEY LONG
The Spirit of the Plains, 1897
Oil on canvas on wood, 62 131.4 cm
Queensland Art Gallery, Brisbane. Gift of William Howard-Smith in memory of his grandfather,
Ormond Charles Smith, 1940
DAVID DAVIES
Moonrise, 1893
Oil on canvas, 50 60 cm
Art Gallery of South Australia, Adelaide. Elder
Bequest Fund, 1947
WALTER WITHERS
The Last of Summer, 1898
Oil on canvas, 77 92 cm
Art Gallery of Ballarat, Victoria. Gift of Mrs I.
Main-Rippin, 1932
FREDERICK McCUBBIN
The Pioneer, 1904
Oil on three canvases, 225 295.7 cm
(overall)
National Gallery of Victoria, Melbourne.
Purchased through the Felton Bequest, 1906
J. J. HILDER
Dry Lagoon, 1911
Pencil and watercolour, 66.2 99.1 cm
Art Gallery of New South Wales, Sydney. Purchased 1911
BLAMIRE YOUNG
Dry Weather, c. 1912
Watercolour, 56 76.8 cm
Art Gallery of New South Wales, Sydney. Purchased 1912
HANS HEYSEN
Red Gold, 1913
Oil on canvas, 129.5 174.5 cm
Art Gallery of South Australia, Adelaide. Gift of the Rt Hon. Sir Charles Booth, 1913
HANS HEYSEN
Midsummer Morning, 1908
Pencil and watercolour, 56 76.6 cm
National Gallery of Victoria, Melbourne. Purchased through the Felton Bequest, 1908
ELIOTH GRUNER
The Wave, c. 1913
Oil on wood panel, 30.5 24.4
cm
Queensland Art Gallery, Brisbane. Gift of
Lady Trout, 1978
ETHEL CARRICK
Manly Beach Summer Is Here, 1913
Oil on canvas, 81 102 cm
Manly Art Gallery and Museum, Sydney. Gift of the artist, 1934
FREDERICK MCCUBBIN
Collins Street, c. 1915
Oil on canvas on cardboard, 25 35.3 cm
Geelong Gallery, Victoria. H. P. Douglass Bequest Fund, 1945
FREDERICK MCCUBBIN
Violet and Gold, 1911
Oil on canvas, 72 130 cm
National Gallery of Australia, Canberra. Purchased with
the generous assistance of The Hon. Ashley
Dawson-Damer and John Wylie AM and Myriam Wylie,
2008
ROY DE MAISTRE
Forest Landscape, c. 1918
Oil on cardboard, 35.4 40.6 cm
National Gallery of Australia, Canberra. Purchased 1971
ROLAND WAKELIN
Barn near Tuggerah, 1919
Oil on composition board, 17.7 22 cm
National Gallery of Australia, Canberra. Gift of Daniel Thomas, 1981
ROLAND WAKELIN
Houses at Hunters Hill, c. 1919
Oil on canvas on composition board, 24 20 cm
National Gallery of Australia, Canberra. Purchased 1963
GEORGE W. LAMBERT
The Squatter's Daughter, 192324
Oil on canvas, 61.4 90.2 cm
National Gallery of Australia, Canberra. Purchased with the generous assistance of James
Fairfax AO and Philip Bacon AM and the people of Australia, 1991
JAMES W. R. LINTON
Falls Road, Late Evening, 1926
Watercolour, 54.6 75.4 cm
National Gallery of Australia, Canberra. Purchased 1980
HANS HEYSEN
The Land of the Oratunga, 1932
Watercolour, 47.3 62.6 cm
Art Gallery of South Australia, Adelaide. South Australian Government Grant, 1937
KENNETH MACQUEEN
Birds and Sheep, Darling Downs, c. 1924
Oil on board, 52.6 65.1 cm
Art Gallery of South Australia, Adelaide. Ivor Francis Bequest Fund, 1995
GRACE COSSINGTON SMITH
Four Panels for a Screen:
Loquat Tree, Gum and Wattle
Trees, Waterfall, Picnic in a
Gully, 1929
Oil on cardboard, 144.2 53 cm
(overall)
National Gallery of Australia, Canberra.
Purchased 1976
GRACE COSSINGTON SMITH
Eastern Road, Turramurra, c. 1926
Watercolour and black pencil, 40.6 33 cm
National Gallery of Australia, Canberra. Bequest of Mervyn Horton, 1984
GRACE COSSINGTON SMITH
The Bridge in Building, 1929
Oil on pulpboard, 75 53 cm
National Gallery of Australia, Canberra. Gift of Ellen Waugh, 2005
HAROLD CAZNEAUX
Arch of Steel, 1933
Gelatin silver photograph, 37.7 27.2 cm
National Library of Australia, Canberra. Cazneaux Collection 1974
JESSIE TRAILL
Building the Harbour Bridge IV: The Ant's Progress, November
1929, c. 1929
Etching, foul-biting, printed in brown ink with plate tone on
paper, 40.3 24.8 cm
Art Gallery of South Australia, Adelaide. David Murray Bequest Fund, 1932
134
AXEL POIGNANT
Swagman on the Road to Wilcannia, 1954
Gelatin silver photograph, 50.4 40.1 cm
National Gallery of Australia, Canberra. Purchased 1984
135
JEFF CARTER
Tobacco Road, Ovens Valley, 1956, printed 2000
Gelatin silver photograph, 28.1 27.7 cm
National Gallery of Australia, Canberra. Purchased 2000
CLARICE BECKETT
Passing Trams, c. 1931
Oil on board, 48.6 44.2 cm
Art Gallery of South Australia, Adelaide. Edna Berniece Harrison Bequest Fund through the Friends
of the Art Gallery of South Australia, 2001
CLARICE BECKETT
Morning Shadows, c. 1932
Oil on canvas board, 49.5 60 cm
Art Gallery of South Australia, Adelaide. South Australian
Government Grant, 1980
MAX DUPAIN
Sunbaker, 1937
Gelatin silver photograph, 38.6 43.4 cm
National Gallery of Australia, Canberra. Purchased 1976
CHARLES MEERE
Australian Beach Pattern, 1940
Oil on canvas, 91.5 122 cm
Art Gallery of New South Wales, Sydney.
Purchased 1965
HORACE TRENERRY
The Road to Maslins, 1940
Oil on cardboard, 48.5 57 cm
Art Gallery of South Australia, Adelaide. Gift of Douglas and Barbara Mullins, 2002
DORRIT BLACK
The Olive Plantation, 1946
Oil on canvas, 63.5 86.5 cm
Art Gallery of South Australia, Adelaide. Bequest of the artist, 1951
MARGARET PRESTON
Aboriginal Landscape, 1941
Oil on canvas, 40 52 cm
Art Gallery of South Australia, Adelaide. D. & J. T. Mortlock Bequest Fund, 1982
MARGARET PRESTON
Flying over the Shoalhaven River, 1942
Oil on canvas, 50.6 50.6 cm
National Gallery of Australia, Canberra. Purchased 1973
ERIC THAKE
Brownout, 1942
Oil on paperboard, 41 51 cm
National Gallery of Australia, Canberra. Purchased 2011
ALBERT TUCKER
Sunbathers, 1944
Oil on cardboard, 59.2 86 cm
National Gallery of Australia, Canberra. Purchased 1981
ARTHUR BOYD
The Hunter I, 1944
Oil on cotton gauze on cardboard, 63.6 75.8 cm
National Gallery of Australia, Canberra. The Arthur Boyd Gift, 1975
ARTHUR BOYD
The Mining Town (Casting the Money Lenders from the Temple),
c. 1946
Oil and tempera on composition board, 87.4 109.4 cm
National Gallery of Australia, Canberra. Purchased 1974
ADRIAN FEINT
The Jetties, Palm Beach, 1942
Oil on canvas, 50.7 45.6 cm
New England Regional Art Museum, Armidale, New South Wales. Howard Hinton Collection,
1942
MARGARET PRESTON
The Expulsion, 1952
Stencil print, printed in colour from one hand-cut paper stencil,
on thin black card; hand-coloured with gouache, 64 51 cm
Art Gallery of New South Wales, Sydney. Gift of Mr W. G. Preston, the artist's widower, 1967
JEFFREY SMART
Holiday Resort, 1946
Oil on canvas, 50.9 60.9 cm
Art Gallery of South Australia, Adelaide. Gift of Douglas and Barbara
Mullins to commemorate the gallery's 125th anniversary, 2006
LLOYD REES
The Road to Berry, 1947
Oil on canvas on paperboard, 34.6 42.2 cm
Art Gallery of New South Wales, Sydney. Purchased 1947
RUSSELL DRYSDALE
The Drover's Wife, c. 1945
Oil on canvas, 51.5 61.5 cm
National Gallery of Australia, Canberra. Gift of American Friends of the National Gallery of
Australia Inc., New York, NY, USA, made possible with the generous support of Mr and Mrs
Benno Schmidt of New York and Esperance, Western Australia, 1987
RUSSELL DRYSDALE
Emus in a Landscape, 1950
Oil on canvas, 101.6 127 cm
National Gallery of Australia, Canberra. Purchased 1970
SIDNEY NOLAN
Glenrowan, 1946
Enamel paint on composition board,
90.9 121.2 cm
National Gallery of Australia, Canberra. Gift of Sunday
Reed, 1977
SIDNEY NOLAN
Ned Kelly, 1946
Enamel paint on composition board,
90.8 121.5 cm
National Gallery of Australia, Canberra. Gift of Sunday
Reed, 1977
SIDNEY NOLAN
The Burning Tree, 1947
Enamel paint on composition board, 90.7 121.2 cm
National Gallery of Australia, Canberra. Gift of Sunday Reed, 1977
SIDNEY NOLAN
Quilting the Armour, 1947
Enamel paint on composition board,
90.4 121.2 cm
National Gallery of Australia, Canberra. Gift of Sunday
Reed, 1977
SIDNEY NOLAN
Pretty Polly Mine, 1948
Enamel paint on hardboard, 91 122.2 cm
Art Gallery of New South Wales, Sydney. Purchased 1949
SIDNEY NOLAN
Inland Australia, 1950
Oil and enamel paint on composition board, 91.5 121 cm
National Gallery of Australia, Canberra. Purchased 1961
JOHN BRACK
The Car, 1955
Oil on canvas, 41 102.2 cm
National Gallery of Victoria, Melbourne. Purchased 1956
JOHN OLSEN
Sydney Sun, 1965
Oil on three plywood panels, 305 412.5 cm (overall)
National Gallery of Australia, Canberra. Purchased with funds from the
Nerissa Johnson Bequest, 2000
TONY TUCKSON
Watery, c. 1960
Oil on composition board,
122.2 183 cm
National Gallery of Australia, Canberra. Gift of
Margaret Tuckson, 2002
IAN FAIRWEATHER
Monsoon, 196162
Synthetic polymer paint and
gouache on card, lined onto
hardboard, 98.3 188.9 cm
State Art Collection, Art Gallery of Western Australia,
Perth. Purchased 1983
FRED WILLIAMS
Yellow Landscape, 196869
Oil on canvas, 141.7 193 cm
Geelong Gallery, Victoria. Purchased 1976
FRED WILLIAMS
Silver and Grey, 1969
Oil on canvas, 137.2 152.3 cm
Art Gallery of South Australia, Adelaide. Gift of Howard and Christine Michell, 1992
FRED WILLIAMS
Snow Storm, Kosciusko, 197677
Oil on canvas, 101.6 183 cm
National Gallery of Australia, Canberra. Purchased with
funds from the Ruth Komon Bequest, 2013
KEN WHISSON
Jean's Farm, 1972
Oil on composition board, 81 109.3 cm
National Gallery of Australia, Canberra. Gift of the Philip Morris Arts Grant, 1982
BRETT WHITELEY
Big Orange (Sunset), 1974
Oil and collage on wood, 244 305 cm
Art Gallery of New South Wales, Sydney. Gift of Patrick White, 1975
ARTHUR BOYD
Paintings in the Studio: `Figure Supporting Back Legs' and
`Interior with Black Rabbit', 197374
Oil on canvas, 313.5 433.2 cm
National Gallery of Australia, Canberra. The Arthur Boyd Gift, 1975
WESLEY STACEY
The Road (Outback to the City 4; Kalgoorlie to Port Headland, WA;
Perth Fun City; Kalgoorlie to Port Headland, WA; Paraburdoo and
Tom Price, The Pilbara, WA; Up the Centre, SA to NT; The Gulf to
Burdekin, QLD; Work Day Roads 6; Roads to the Red Brick Home,
Sydney; Night Roads, Sydney; Sydney to Canberra; Sydney to
Canberra), 197375
A selection of twelve from a series of 280 C-type colour
photographs, 9 12.6 cm
National Gallery of Australia, Canberra. Purchased 1984
PETER DOMBROVSKIS
Morning Mist, Rock Island Bend, 1981, printed 2000
C-type colour photograph, 100 150 cm
National Gallery of Australia, Canberra. Purchased 2002
DAVID STEPHENSON
Self-portrait Looking Down a Survey-cut Proposed Site of Gordon
below Franklin Dam, Tasmania, 1982
Mosaic of 9 gelatin silver photographs, 62.5 80.8 cm (overall)
Museum of Contemporary Art, Sydney. Donated by the artist through the Australian
Government's Cultural Gifts Program, 2010
BRIAN BLANCHFLOWER
Nocturne 3 (Whale Rock), 1982
Oil, bitumen, sand, chalk on canvas,
178 255 cm
Art Gallery of South Australia, Adelaide.
Elder Bequest Fund, 1983
HOWARD TAYLOR
Sun Figure, 1989
Oil on canvas, 90 120 cm
Art Gallery of South Australia, Adelaide. South Australian Government Grant, 1991
FIONA HALL
Paradisus Terrestris, 198990
23 cut and moulded sardine tins; aluminium, tin
and steel, 24.5 11 cm (each approximately)
National Gallery of Australia, Canberra. Purchased 1994
GORDON BENNETT
Possession Island, 1991
Oil and synthetic polymer paint on canvas,
162 260 cm
Museum of Sydney, Historic Houses Trust of New South Wales,
Sydney. Purchased with funds from the Foundation for the
Historic Houses Trust, Museum of Sydney Appeal, 2007
TIM JOHNSON
Dewachen, 1987
Synthetic polymer paint on linen,
182 243 cm
Museum of Contemporary Art, Sydney. Gift of Lotti
Smorgan AO and Victor Smorgan AC, 1995
ROSALIE GASCOIGNE
Monaro, 1989
Synthetic polymer paint on soft-drink crates
on plywood, 131 457 cm (overall)
State Art Collection, Art Gallery of Western Australia, Perth.
Purchased 1989
JAN SENBERGS
Fort, 1973
Screen-print, printed in colour, from multiple stencils,
55.9 81.5 cm
National Gallery of Australia, Canberra. Purchased 1973
PETER BOOTH
Mangroves, 2002
Pastel, 62 101 cm
National Gallery of Australia, Canberra. Purchased 2013
WILLIAM ROBINSON
Twin Falls and Gorge, 2000
Oil on canvas, 137 183 cm
National Gallery of Australia, Canberra. Gift of Ray and Diana Kidd, 2013
ELISABETH CUMMINGS
Wedderburn Spring, 1993
Oil on canvas, 173 196 cm
Campbelltown City Bicentennial Art Gallery, New South Wales. Purchased 1993
MIKE PARR
Great Distances between Small Towns, sheets 46, 1113,
199091
A selection of six from the series of twenty-four drypoints, printed
in black ink, each one from one plate, 76.2 106.4 cm (each
sheet), printed by John Loane, at Viridian Press, Melbourne
National Gallery of Australia, Canberra. Purchased 2012
BEA MADDOCK
Terra Spiritus with a Darker Shade of Pale, 199398
From the 52-sheet series of stencils, printed in hand-ground
Launceston ochre, each from multiple mylar stencils, blind
printed letterpress and handwritten script, 28.4 75.9 cm
(each sheet)
National Gallery of Australia, Canberra. Gordon Darling Australasian Print Fund, 1998
HOWARD ARKLEY
Superb + Solid, 1998
Synthetic polymer paint on canvas, 200 300.6 cm
Art Gallery of New South Wales, Sydney. Purchased with funds from the Contemporary
Collection Benefactors, 1998
ROBERT MACPHERSON
Mayfair: Bethonga Gold, for B.T.O.'s, 19952006
Synthetic polymer paint on three composition boards,
244 190 cm (overall)
National Gallery of Australia, Canberra. Purchased 2012
G.W. BOT
Garden of Gethsemane I, 2000
Linocut, printed in colour from
multiple blocks, hand-coloured on
thin tapa cloth, 98 50.8 cm
National Gallery of Australia, Canberra. Purchased
with the generous assistance of the artist, 2011
SIMRYN GILL
Rampant, 1999
A selection of four from a series of seven gelatin silver
photographs, 23 26 cm, 23.5 25.6 cm, 25.4 23.9 cm,
24.5 23.6 cm
Art Gallery of New South Wales, Sydney. Gift of the artist, 2005
CALLUM MORTON
Tomorrowland, 2004
Digital print, 94.5 170 cm
National Gallery of Australia, Canberra. Gift of Naomi
Milgrom AO, 2013
BILL HENSON
Untitled, 199899
Colour photograph, inkjet pigment print,
127 180 cm
National Gallery of Australia, Canberra. Purchased with
funds from the Australia Exhibition Patrons Club, 2013
TRACEY MOFFATT
Up in the Sky #1, #2, #6, #8,
#14, #24, 1997
A selection of six from the
series of twenty-five lithographs,
61.5 76 cm (each sheet)
Tate, London. Purchased 1998
JOHN BEARD
Uluru 8, 2002
Oil and wax on linen, 180 262 cm
Australian National University, Canberra. Gift of James Erskine through the Australian
Government's Cultural Gifts Program, 2009
IMANTS TILLERS
Shadow of the Hereafter, 2007
Synthetic polymer paint and gouache on 72 canvas
boards, 228.5 284.5 cm (overall)
Art Gallery of South Australia, Adelaide. Gift of the Art Gallery of South Australia
Contemporary Collectors, Gosia Kudra-Schild and Taliangis family, 2007
FIONA FOLEY
Bliss, 2006
Single-channel HD/DVD: 16:9, ratio colour,
sound 11 minutes, 20 seconds
Museum of Contemporary Art, Sydney. Purchased with funds
provided by the Coe and Mordant families, 2009
DENNIS NONA
Mutuk, 2009
Etching, printed in colour,
133 430 cm
National Gallery of Australia, Canberra.
Purchased 2009
VERNON AH KEE
Can't Chant (wegrewhere) #2, 2009
Digital print, 76 114 cm
National Gallery of Australia, Canberra. Purchased 2009
SHAUN GLADWELL
Approach to Mundi Mundi, 2007
From the series MADDESTMAXIMVS
Single-channel HD/DVD, 16:9 ratio
colour, silent 8 minutes, 37 seconds
Art Gallery of New South Wales, Sydney. John Kaldor
Family Collection
PHILIP WOLFHAGEN
Autumn Equinox: The Loss of the Sun, 2009
Oil and beeswax on canvas, 200.4 160.3 cm
National Gallery of Australia, Canberra. Purchased 2009
DANIEL CROOKS
Cloud Atlas (Fitzroy 1:23), 2012
Single-channel HD/DVD 16:9, ratio colour, silent, 21 minutes
National Gallery of Australia, Canberra. Purchased 2012
ROSEMARY LAING
Jim from the series leak, 2010
C-type colour photograph, 110 237.6 cm
National Gallery of Australia, Canberra. Purchased 2013
HOSSEIN VALAMANESH
Longing/Belonging, 1997
Direct colour positive photograph, 99 99 cm;
carpet, velvet, 215 305 cm
Art Gallery of New South Wales, Sydney. Purchased with funds from the
Contemporary Collection Benefactors, 2002
CHRISTIAN THOMPSON
Dead as a Door Nail, 2008
C-type colour photograph, 100 100 cm
National Gallery of Australia, Canberra. Purchased 2012
DANIE MELLOR
An Elysian City (of Picturesque Landscapes
and Memory), 2010
Pastel, pencil and wash with glitter and
Swarovski crystal, 143 186 cm
National Gallery of Australia, Canberra. Purchased 2011
KATHY TEMIN
Tombstone Garden, 2012
Synthetic fur, synthetic polymer paint,
synthetic stuffing, steel, composition
board, 230 429 180 cm (overall)
National Gallery of Australia, Canberra. Purchased 2012
JUDY WATSON
Fire and Water
Source: Royal Academy, London
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