Thursday 13 April 2017

Art market - a view

Ralph Hobbs of nanda\hobbs gallery King St Sydney
An insider's observation

Armenia

24 and 25 April 1915
Armenia | Australia | Ottoman

Australia's Armenian story
by Vicken Babkenian & Judith Crispin
Inside Story

'Australia has had a long relationship with Armenia and its people. But since Australia also has a Turkish past – because Gallipoli in Turkey is such an important part of Australia’s understanding of the place of the first world war in our history – it also needs to come to terms with what happened to the people of Armenia during and after that conflict.'

This is an extract from The Honest History Book, edited by David Stephens and Alison Broinowski, published this month by NewSouth.

Saturday 8 April 2017

Sydney Biennale 2018

Mami Kataoka- director
“The biennale is a great opportunity for me to rethink or to look at the world of today, geographically, and also historically,” Kataoka said. “We are really living in a time [in which] multiple, plural values are colliding and competing. How can we see this from a bigger perspective?”
Announcement re artists included
16 March to 11 June 

Friday 7 April 2017

Read Haraway

'Read the fucking book' says Ben Denham

"thinking one thinking practice at a time will get us no-where, but the job is to build contact zones that matter" (DJH)

Staying with the Trouble: Making Kin in the Chthulucene
by Donna J. Haraway
(Duke University Press, Sept 2016)
Image result for Staying with the Trouble: Making Kin in the Chthulucene

Wednesday 5 April 2017

On John Berger

Ben Lerner
Postscript: John Berger, 1926-2017
The New Yorker

Read Confabulations (Penguin Random House, 2016)
review by Kate Kallaway: 'People forget that Berger is funny. And curious. And that he listens – how he listens.'

Berger: “The way I observe comes naturally to me as a curious person – I’m like la vigie – the lookout guy on a boat who does small jobs, maybe such as shovelling stuff into a boiler, but I’m no navigator – absolutely the opposite. I wander around the boat, find odd places – the masts, the gunwale – and then simply look out at the ocean. Being aware of travelling has nothing to do with being a navigator.”

Monday 3 April 2017

Indigenous design | agencies | processes

 IDIA Indigenous Design & Innovation Aotearoa Local Contexts Frameworks for culturally appropriate engagement with cultural heritage he...