Monday 10 August 2015

Process, practice, creativity, emotion

Open Arts Journal here

Creativity and Innovation in a world of Movement (CIM) research project here

Creativity and Innovation in a World of Movement’ (CIM) explored the dynamics of cultural production and creativity in an era of intensifying globalisation and transnational connectivity, conducted by a team of scholars in the United Kingdom, Norway, the Netherlands and Austria. Instead of assessing the relative novelty of end products, the project took a processual approach by analysing practices of appropriation, consumption and (re)contextualisation in the spheres of (popular) art, religion and museums. Acknowledging the significance of individual or groupspecific understandings of ‘creativity’, CIM explored critically how different notions of cultural value and processes of authentication, authorisation and commoditisation have affected people’s engagements with objects and images. A broad perspective was obtained by investigating concrete, partially interlinked processes across five continents, following successful ethnographic fieldwork in India, Sri Lanka, Ghana, Argentina, Brazil, Barbados, Trinidad, Suriname, Guyana, Canada, Australia, Norway, France, Austria and the UK. (Leon Wainwright page 4)

Creativity and Innovation in a world of Movement blog here

Cultural Dynamics and emotions here

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