This post is to collect links to ways of learning that place us in relation to each other and the planet.
It is an ongoing collection, fluid, and may be changed or corrected as any point.
Dwayne Trevor Donald: assoc prof of education Alberta University of Paperchase Cree and Norwegian heritage. Proposes indigenous métissage as a methodology for learning using life writing to make stories that are braided together to show the relationships between all story makers. As example he uses objects to prompt the stories which show how (Aboriginal - Canadian) relations are 'a lot more complicated than we are led to believe'.
Dwayne Trevor Donald: 'ethical relationality is an ecological understanding of human relationality that does not deny difference, but rather seeks to more deeply understand how our different histories and experiences position us in relation to each other. This form of relationality is ethical because it does not over look or invisibilize the particular historical, cultural, and social contexts from which a particular person understands and experiences living in the world, It puts these considerations at the forefront of engagements across frontiers of difference.'
'Forts Curriculum, and Indigenous Métissage: Colonization of Aboriginal-Canadian Relations in Educational Contexts', First Nations Perspectives 2, 1 (2009), 1-24 (6)
Educating students with one of Canada's Indigenous themed education programmes
Tuesday, 29 November 2016
Sunday, 20 November 2016
Nicolas Baudin 1800-1804
Illustrarions and archive from Baudin's voyages to Australia showing in South Australian Maritime Museum
Review here
Review here
Friday, 18 November 2016
Muprt and kakistocracy
Collection of links for articles, responses to the ontological clash that has arrived in orange trumpis hystericus
Did not vote map.
Total turnout 56.9%
Percentage of eligible voters: Did not vote 43.1% | trump 26.02% | Hillary 26.27%
Robin Lustig column : "thanks ...to Ryan Lizza of The New Yorker, I have at least learned a new word this week: kakistocracy. It means ‘government by the least qualified or most unprincipled citizens.’"
David Remnick in The New Yorker.. Obama 'this is not the apocalypse'
History has a long arc.
The New Yorker Sixteen writers...
Did not vote map.
Total turnout 56.9%
Percentage of eligible voters: Did not vote 43.1% | trump 26.02% | Hillary 26.27%
Robin Lustig column : "thanks ...to Ryan Lizza of The New Yorker, I have at least learned a new word this week: kakistocracy. It means ‘government by the least qualified or most unprincipled citizens.’"
David Remnick in The New Yorker.. Obama 'this is not the apocalypse'
History has a long arc.
The New Yorker Sixteen writers...
Saturday, 5 November 2016
Evidence of settlement in Flinders Ranges
A rock shelter in the Flinders Ranges - Warratyi - shows settlement around 49,000 years ago along with evidence of megafauna
Adnyamathanha Traditional Lands Association worked with archaeologists to find artefacts andfossils showing habitation 49, 000 to 46,000 years ago.
Report here
Genome study connects to wave of migration from Africa 72,000 years ago
Professor Eske Willerslev of the University of Cambridge explains
Adnyamathanha Traditional Lands Association worked with archaeologists to find artefacts andfossils showing habitation 49, 000 to 46,000 years ago.
Report here
Genome study connects to wave of migration from Africa 72,000 years ago
Professor Eske Willerslev of the University of Cambridge explains
Tuesday, 25 October 2016
Nyarri Nyarri Morgan and Lynette Walworth
Virtual Reality film made in desert Western Australia, the groundbreaking Collisions
was screened at Sundance 2016, Sheffield festival, Tribeca and others.
was screened at Sundance 2016, Sheffield festival, Tribeca and others.
In Jerusalem
Richard Bell and the Karrabing Film Collective at the Qalandiya International biennial This Sea is Mine
Report here on the Electronic Intifada
Report here on the Electronic Intifada
Sunday, 23 October 2016
Karrabing and Povinelli
Elizabeth A Povinelli at the 2014 EASA in Talinn video of Keynote
Collaboration, Alteration, Investigation
Works with Karrabing Film Collective
Wutharr Saltwater Dreams on Vdrome to end October here
Collaboration, Alteration, Investigation
Works with Karrabing Film Collective
Wutharr Saltwater Dreams on Vdrome to end October here
Interview on occasion of book publication
Marina Abramovic interview with Simon Hattenstone
.. friends become enemies... enemies become friends
“I have produced just one good idea. My good idea is working with the body.”
Guardian 22 October 2016
Extract from Walk Through Walls: A Memoir, by Marina Abramović, published on 27 October by Fig Tree
.. friends become enemies... enemies become friends
“I have produced just one good idea. My good idea is working with the body.”
Guardian 22 October 2016
Extract from Walk Through Walls: A Memoir, by Marina Abramović, published on 27 October by Fig Tree
Friday, 21 October 2016
Haraway Cyborg Manifesto
Link to Haraway
A Cyborg Manifesto
in The Cyber Cultures Reader, eds David Bell, Barbara M Kennedy (New York, London: Routledge, 2001)
A Cyborg Manifesto
in The Cyber Cultures Reader, eds David Bell, Barbara M Kennedy (New York, London: Routledge, 2001)
Tuesday, 18 October 2016
Impermanencia XIII Bienal de Cuenca Ecuador
Australian pavilion and artists showing at the XIII Bienal
Reko Rennie
Caroline Rothwell
Janet Laurence
Maria Fernanda Cardoso
Ecologies, atmospheres, survival | Scale | Installation, sculpture, video work, sound
In the Salon del Pueblo Fragil: Arte Australiano Actual
Reko Rennie
Caroline Rothwell
Janet Laurence
Maria Fernanda Cardoso
Ecologies, atmospheres, survival | Scale | Installation, sculpture, video work, sound
In the Salon del Pueblo Fragil: Arte Australiano Actual
Sunday, 16 October 2016
Art's HIstories
Dr Kellie Jones acknowledged for challenging the dominant art history paradigm with a MacArthur Fellowship
'... take more risks and think bigger'
- visit exhibitions and ask questions
" Jones has devoted her life to challenging the oversimplified and
whitewashed mainstream narratives of art history, incorporating artists
of color into the canon and the conversation. In addition to serving as
an associate professor in the Department of Art History and Archaeology
at Columbia University, Jones has curated groundbreaking exhibitions
including “Energy/Experimentation: Black Artists and Abstraction, 1964–1980” (2006), “Now Dig This! Art and Black Los Angeles, 1960–1980” (2011), and “Witness: Art and Civil Rights in the Sixties” (2014). "
- visit exhibitions and ask questions
Thursday, 8 September 2016
Anthropocene, Capitalocene, Chthulucene
Donna Haraway
Tentacular Thinking: Anthropocene, Capitalocene, Chthulucene
e-flux #75 09/2016
Tentacular Thinking: Anthropocene, Capitalocene, Chthulucene
e-flux #75 09/2016
'With all the unfaithful offspring of the sky gods, with my littermates who find a rich wallow in multispecies muddles, I want to make a critical and joyful fuss about these matters. I want to stay with the trouble, and the only way I know to do that is in generative joy, terror, and collective thinking.'
Additionally
MacKenzie Wark, Chthulucene, Capitalocene, Anthropocene
Additionally
MacKenzie Wark, Chthulucene, Capitalocene, Anthropocene
'It’s not the end of the world, but it is the end of pre-history. It is time to announce in the marketplace of social media that the God who still hid in the worldview of an ecology that was self-correcting, self-balancing and self-healing – is dead.'
Tate and MCA Sydney- joint acquisitions of Australian art
Qantas Foundation has supported Tate and MCA to acquire work from 4 Australian Artists:
Vernon Ah Kee, Tall man (2010) 4-channel video
Gordon Bennett, Number Nine (2008) acrylic on linen, diptych
Possession Island (Abstraction) (1991) acrylic on canvas
Susan Norrie, Transit (2011) single-channel video
Judy Watson, A Preponderance of Aboriginal Blood (2005) 16 etchings with chine collé
Press releases
Vernon Ah Kee, Tall man (2010) 4-channel video
Gordon Bennett, Number Nine (2008) acrylic on linen, diptych
Possession Island (Abstraction) (1991) acrylic on canvas
Susan Norrie, Transit (2011) single-channel video
Judy Watson, A Preponderance of Aboriginal Blood (2005) 16 etchings with chine collé
Press releases
Tate
Senior Research Curator, Tate Research Centre: Asia: Sook-Kyung Lee
Senior Curator Natasha Bullock from MCA
Senior Research Curator, Tate Research Centre: Asia: Sook-Kyung Lee
Senior Curator Natasha Bullock from MCA
Monday, 22 August 2016
Putuparri and the Rainmakers
Putuparri and the Rainmaker
Set against the backdrop of the long fight to reclaim their traditional lands, Putuparri And The Rainmakers is a story of love, hope and the survival of Aboriginal law and culture against all odds.
Set against the backdrop of the long fight to reclaim their traditional lands, Putuparri And The Rainmakers is a story of love, hope and the survival of Aboriginal law and culture against all odds.
Breaking molds
Link to WTF Affect
and video with Laurent Berlant and Katie Stewart
“The Hundreds,” Affect Theory Conference: Worldings, Tensions, Futures (plenary session 3), on Friday, October 16, 2015 from 3:20 to 4:50pm at the Ware Center, Lancaster, Pennsylvania.
and video with Laurent Berlant and Katie Stewart
“The Hundreds,” Affect Theory Conference: Worldings, Tensions, Futures (plenary session 3), on Friday, October 16, 2015 from 3:20 to 4:50pm at the Ware Center, Lancaster, Pennsylvania.
Sunday, 21 August 2016
Marking the Infinite 20 Aug-30 Dec 2016
Women artists Nonggirrnga Marawili, Wintjiya Napaltjarri, Yukultji Napangati, Angelina
Pwerle, Carlene West, Regina Pilawuk Wilson, Lena Yarinkura, Gulumbu
Yunupingu, and Nyapanyapa Yunupingu exhibiting in USA.
20 August - 30 December 2016
Marking the Infinite exhibition at Newcomb Art Museum at Tulane University, New Orleans. Curated by William Fox and Henry Skerritt
Review in New York Times by Emma-Kate Symmons
Emma-Kate Symmons at NYT on Loongkoonan exhibition at Australian Embassy Washington DC April 2016
Jane Perlez on work from Melville Island
20 August - 30 December 2016
Marking the Infinite exhibition at Newcomb Art Museum at Tulane University, New Orleans. Curated by William Fox and Henry Skerritt
Review in New York Times by Emma-Kate Symmons
Emma-Kate Symmons at NYT on Loongkoonan exhibition at Australian Embassy Washington DC April 2016
Jane Perlez on work from Melville Island
Saturday, 16 July 2016
Chile - Australia
Juan Dávila exhibition:
Centro Cultural Matucana 100
Av. Matucana N° 100 Estación Central, Santiago - Chile
Centro Cultural Matucana 100
Av. Matucana N° 100 Estación Central, Santiago - Chile
Juan Dávila, Ralco, 2016. Oil on canvas, 200 x 250 cm. Courtesy Kalli Rolfe Contemporary Art, Melbourne. |
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